20th-century French painters

Christian Liberté Boltanski (6 September 1944 – 14 July 2021) was a French sculptor, photographer, painter, and film maker. He is best known for his photography installations and contemporary French conceptual style.

Gérard Manset (also known as Manset; born 21 August 1945 in Saint-Cloud, Hauts-de-Seine) is a French singer-songwriter, painter, photographer and writer. He is best known for his musical work. Since 1972, the covers of his albums state his name as simply "Manset".
Manset spent his childhood in the suburbs of Paris (Saint-Cloud) and then in the sixteenth arrondissement of Paris. He failed his baccalauréat due to a failing grade in French.
In 1964, Manset was the recipient of the Concours général, and enrolled in the École Nationale Supérieure des Arts Décoratifs. The Salon d'Automne welcomed Manset in its engraving section in 1966. Manset's work was also shown at the Paris Salon. At the same time, Manset approached various French advertising agencies with his drawings, without success.
Manset began to play guitar, but was also interested in the drums. He borrowed his sister's piano book, and began learning to play the piano as well.
The mystery that was created around Manset was born from the rarity of his media appearances, his refusal to give concerts, and, above all, the uncompromising character of his work.

Charles-François-Prosper Guérin (1875 in Sens – 1939) was a French post-impressionist painter.
Guérin studied with Gustave Moreau in the l'École des Beaux Arts à Paris, and had one exhibition at the Grafton Galleries in 1910; in a review Huntly Carter wrote of his "daring extravagance" and that he "show[ed] how the strongest primary colours can be used without crudity, and whose work has a decorative value which the average muddy and colourless work of our day does not possess".Guérin attained some historic notoriety for sitting on the jury of the Salon d'Automne of 1908, which rejected almost all of the paintings of Georges Braque. The other jury members were Henri Matisse, Georges Rouault, and Albert Marquet, all of whom had also been students of Moreau.: 254 p.  The jury's action caused Braque—who had been a great success the year before—to withdraw completely from the Salon. Braque subsequently entered into an exclusive contract with the dealer Daniel-Henry Kahnweiler requiring him (and Picasso) to avoid salons, during which time Braque and Picasso developed cubism.
Guérin was teaching at the Académie de La Palette in 1907 when Henri Hayden studied there and at the Académie Moderne in 1913 when Blanche Lazzell enrolled there, as well as at the Académie de la Grande Chaumière.

Antoine Auguste Ernest Hébert (3 November 1817 – 5 December 1908) was a French academic painter.

Paul César Helleu (17 December 1859 – 23 March 1927) was a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the Belle Époque. He also conceived the ceiling mural of night sky constellations for Grand Central Terminal in New York City. He was also the father of Jean Helleu and the grandfather of Jacques Helleu, both artistic directors for Parfums Chanel.

Marcel Gromaire (24 July 1892 – 11 April 1971) was a French painter. He painted many works on social subjects and is often associated with Social Realism, but Gromaire can be said to have created an independent oeuvre distinct from groups and movements.

Baron Rodolphe d'Erlanger (b. Boulogne-Billancourt, France, June 7, 1872; d. Tunis, October 29, 1932) was a French painter and musicologist, specializing in North African and Arabic music.

George Desvallières (1861–1950) was a French painter.
A native of Paris, Desvallières was a great-grandson of academician Gabriel-Marie Legouvé, and received a religious upbringing. He studied at the Académie Julian with Tony Robert-Fleury and with Jules Valadon at the École des Beaux-Arts. He painted portraits at first, but a relationship with Gustave Moreau turned him towards an interest in mythology and religion. His daughter Sabine Desvallières, who later became a nun, is remembered for her embroidery.Desvallières became acquainted with ancient art during a trip to Italy in 1890, and upon his return began working in the style with which he was most associated, combining dark subjects and violent color with a dramatic conception of religion. He took as his subjects numerous symbolist characters, such as Narcissus (in 1901), Orpheus (1902), and The Marche Towards the Ideal (1903); he also served as one of the founders of the Salon d'Automne. In 1919 he founded the Ateliers d'Art Sacré with Maurice Denis, in an attempt to renew interest in religious art. The atelier served a similar function to that performed by artists' studios in the Middle Ages. Desvallières became interested in religious art after losing a son to World War I in 1915; he himself had commanded a battalion in the Vosges during the war.
Desvallières also tackled a number of public and private decorative programs related to the war; among these were stained glass windows for the Douaumont ossuary and for a church in Pawtucket, Rhode Island. He also illustrated a number of books and plays, including Edmond Rostand's La Princesse Lointaine and Rolla by Alfred de Musset. Until 1950 he also received State commissions.
Works by Desvallières may be found in the Musée d'Orsay and the Musée du Louvre. He died in Paris in 1950.

Charlélie Couture (born Bertrand Charles Elie Couture, 26 February 1956) is a French and American musician and multi-disciplinary artist, who has recorded over 25 albums and 17 film soundtracks, and has held a number of exhibitions of paintings and photographs. He has also worked as a poster designer, and has published about 15 books of reflections, drawings and photographs.

Lucien Pissarro (20 February 1863 – 10 July 1944) was a French landscape painter, printmaker, wood engraver, designer, and printer of fine books. His landscape paintings employ techniques of Impressionism and Neo-Impressionism, but he also exhibited with Les XX. Apart from his landscapes, he painted a few still lifes and family portraits. Until 1890 he worked in France, but thereafter was based in Great Britain. He was the oldest son of the French Impressionist painter Camille Pissarro and his wife Julie (née Vellay).