20th-century French painters

Jacques_Raverat

Jacques Pierre Paul Raverat (pronounced Rav-er-ah) (20 March 1885 – 6 March 1925) was a French painter; Raverat was the son of Georges Pierre Raverat and Helena Lorena Raverat, née Caron; he was born in Paris, France, in 1885.
Raverat started at Bedales School in Steep, Hampshire in 1898. From Bedales, he went up to Jesus College, Cambridge.He married the English painter and wood engraver Gwen Darwin, in 1911, the daughter of George Darwin and Lady Maud Darwin, née Maud du Puy; she was a granddaughter of Charles Darwin. They had two daughters, Elisabeth (1916–2014), who married the Norwegian politician Edvard Hambro, and Sophie Jane (1919–2011) who married the Cambridge scholar M. G. M. Pryor and later Charles Gurney. Raverat suffered from a form of multiple sclerosis and died on 6 March 1925, following complications of it. His funeral took place in Christ Church in Cannes, France, where he may be buried.
Before moving, in 1920, to Vence in France the couple were active members of an intellectual circle known as the "Neo-Pagans" and centred on Rupert Brooke. They also moved on the fringes of the Bloomsbury Group, whose members included Virginia Woolf, John Maynard Keynes, Vanessa Bell and Lytton Strachey.
In 2004, his grandson, William Pryor edited the complete correspondence between Raverat, his wife and Virginia Woolf which was published as Virginia Woolf and the Raverats.

Ylipe

Philippe Labarthe, pseudonym Ylipe (9 January 1936 – 8 March 2003) was a French humorist, artist, and writer.He was born in Bordeaux and studied Fine Arts there before moving to Paris to work as a cartoonist, painter and aphorist. He signed his cartoons φlipe, using the Greek letter phi (φ) in place of the first three letters of his forename. Maurice Nadeau misread the Greek φ as a Latin y and the name Ylipe stuck.In the 1960s he contributed to Arts, L'Express, and Lettres nouvelles, and signed the Manifesto of the 121 opposing the use of torture during the Algerian War. He later exhibited paintings in New York and Paris under his own name, with backing from Eugène Ionesco and Jacques Prévert.In 2000, a back injury prevented him painting and he returned to writing aphorisms. His writing and painting often exhibit black humour; Dominique Noguez described him as a "sparkling misanthrope" (French: misanthrope étincelant). He died of lung cancer, having refused medical treatment.

Boris_Taslitzky

Boris Taslitzky, sometimes Boris Tazlitsky (September 30, 1911 – December 9, 2005), was a French painter with left-wing sympathies, best known for his figurative depictions of some difficult moments in the history of the twentieth century. His work is considered as representative of Socialist realism in art in France.

Maurice_Marinot

Maurice Marinot (born 20 March 1882 in Troyes, France, died 1960, Troyes) was a French artist. He was a painter considered a member of Les Fauves, and then a major artist in glass.
Marinot's father was a bonnet maker. Maurice did poorly in school, but convinced his parents to send him to the École des Beaux-Arts in 1901 to train as a painter under French painter, Fernand Cormon. He left art school after his work wasn't accepted by the standards of the day. In 1905 he returned to Troyes, where he stayed for the rest of his life.
In 1911 he visited his first glass shop, owned by his friends, the Viard brothers. He fell in love with the contrasts between colors, hot and cold, the play of light and fire. He began designing bowls, vases and bottles which his friends made, then he painted enamels on the surface.
In 1912 he had his first exhibition and by 1913 critics were praising his work, saying “It has been a long time since an innovation of such great importance has come to enrich the art of glass” (Leon Rosenthal, Gazette des Beaux-Arts, 1913). From that year he stopped exhibiting his paintings.
The Viard brothers give Marinot his own bench and a set of tools, so he learned quickly how to blow glass. In 1923 he stopped using enamels, and explored the use of bubbles, metal leaf, and colored glass. His production process was “Long and fraught with danger” and one piece could take as long as a year to reach his standards.
The Viard Glassworks closed in 1937. Marinot was ill, and never touched glass again, though he did continue to paint. In the 1944 Allied bombing of Troyes there was direct hit on his studio, destroying over 2,500 paintings, thousands of drawings, and much of his glass. His sister's extensive collection was not damaged.
Major donation of Maurice Marinot (glass and paintings) was made by Pierre and Denise Levy to the Museum of Modern Art in Troyes in 1976. Florence, Marinot's daughter also gave major Maurice Marinot pieces of art to the city of Rennes Museum of Art.
A 20 piece glass collection by Marinot including vases, goblets and stoppered bottles dating to 1926-27 was gifted to the National Gallery of Ireland in 1970.

Léopold_Survage

Léopold Frédéric Léopoldowitsch Survage (31 July 1879 – 31 October 1968) was a Russian-French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.

Alain_Jacquet

Alain Jacquet (22 February 1939 – 4 September 2008) was a French artist representative of the Nouvelle Figuration movement that was linked to the American Pop Art movement.
Jacquet lived in New York and Paris and taught at the École Nationale Supérieure des Arts Décoratifs. He was married (1992) to Sophie Matisse, great-granddaughter of the French Fauvist artist Henri Matisse. They had one daughter, Gaïa Jacquet-Matisse. Jacquet's art is displayed in the Museum of Modern Art in New York, and the Centre Pompidou, the Musée National d'Art Moderne, in Paris. Jacquet died of esophageal cancer in Manhattan.

Roger_Broders

Roger Broders (born Paris, France, 1883, died, Paris, 1953) was a French illustrator and artist. He was best known for his travel posters promoting tourism destinations in France, typically fashionable beaches of the Côte d'Azur and skiing resorts in the French Alps in the early 20th century.Broders' illustrations were distinctive for their simple lines and bold, flat areas of color, combined with noticeable graphical perspective showing the featured mountains and seascapes in the background. Broders' illustrations depicting people show active elongated figures wearing elegant, contemporary clothes. His posters were simply and boldly lettered identifying the destination, and were supplemented with a brief slogan.
The Paris Lyon Mediteranée Company (PLM), a railway, commissioned Broders' poster art, sponsoring his travel so he could visit the subjects of his work. From 1922 to 1932, Broders fully dedicated himself to poster art, though overall he produced fewer than 100 posters. Lithographs of Broders' travel posters are still available commercially. See for instance Christie's London Ski Sale on 21 January 2010. Others are shown in the book about Railway Posters, published in Munich in 2011 and listed below.
During the 1940s he illustrated four of the works of the German author Karl May which were published by Éditions Mame at Tours in France in French language.