20th-century French painters

Henri-Jean Guillaume "Henri" Martin (French pronunciation: [ɑ̃ʁi ʒɑ̃ ɡijom maʁtɛ̃]; 5 August 1860 – 12 November 1943) was a French painter. Elected to the Académie des Beaux-Arts in 1917, he is known for his early 1920s work on the walls of the Salle de l'Assemblée générale, where the members of the Conseil d'État meet in the Palais-Royal in Paris. Other notable institutions that have featured his Post-Impressionist paintings in their halls through public procurement include the Élysée Palace, Sorbonne, Hôtel de Ville de Paris, Palais de Justice de Paris, as well as Capitole de Toulouse, although the Musée des Beaux-Arts de Bordeaux and Musée des Augustins also have sizeable public collections.

Pierre Roy (10 August 1880 – 26 September 1950) was a French surrealist painter. He is known for his realistically painted compositions of ordinary objects in unexpected arrangements.
He was the eldest of four children of the secretary of the management board of the Musée d'Arts de Nantes who all became amateur painters. After gaining his baccalauréat at the local school he joined a firm of architects before enrolling at the Ecole des Beaux-Arts in Paris. Disappointed with the course, he left to work on the designs for the 1900 Paris Exposition.In 1905, he decided to devote himself to painting, beginning in 1906 at the Salon of the Société Nationale des Beaux-Arts (SNBA), a painters collective. He exhibited in 1907, 1908, 1913 and 1914 at the Société des Artistes Indépendants. In 1925, he took part in the first exhibition by surrealist painters alongside Giorgio de Chirico, Max Ernst and Pablo Picasso, and in 1926 had his first solo exhibition. In 1933 he was appointed for five years as a naval artist.
An exhibition devoted to his work was held at the Galerie des Beaux-Arts in Paris in 1935, and his work was displayed at the 1937 World's Fair and the Montaigne Gallery in Paris in 1938. He travelled and exhibited in galleries around the world: in New York at the Brummer Gallery in 1930 and 1933, at the Julien Levy Gallery in 1932, at the Museum of Modern Art in New York in 1936, at the Carstairs Gallery in 1949, in London in 1934, at the Wildenstein Gallery and in Hawaii in 1939 at the Honolulu Academy of Arts.
In addition he created stage sets, several covers for Vogue magazine, and advertising posters.
His work is classed as surrealism, and is based on assemblages of everyday objects such as shells, vegetables and fruits, woollen reels, ears and seeds, eggs and ribbons arranged to create poetic images.

Jean Lurçat (French: [ʒɑ̃ lyʁsa]; 1 July 1892 – 6 January 1966) was a French artist noted for his role in the revival of contemporary tapestry.

Henri Lebasque (25 September 1865 – 7 August 1937) was a French post-impressionist painter. He was born at Champigné (Maine-et-Loire). His work is represented in French museums, notably Angers, Geneva (Petit Palais), Lille (Musée des Beaux-Arts), Nantes, and Paris (Musée d’Orsay).

Charles Lucien Léandre (1862–1934) was a French caricaturist and painter. He was born at Champsecret (Orne), and studied painting under Émile Bin and Alexandre Cabanel.

Jean Le Moal (30 October 1909 – 16 March 2007) was a French painter of the new Paris school, designer of stained glass windows, and one of the founder members of the Salon de Mai.

André Lhote (5 July 1885 – 24 January 1962) was a French Cubist painter of figure subjects, portraits, landscapes and still life. He was also active and influential as a teacher and writer on art.

Luc-Marie Bayle (30 January 1914, Malo-les-Bains – 11 October 2000, Paris) was a French naval officer, painter, and artist.

Jean Messagier (Paris, 13 July 1920 – Montbéliard, 10 September 1999) was a French painter, sculptor, printmaker and poet. Jean Messagier had his first solo exhibition in Paris at Galerie Arc-en-Ciel in 1947. From 1945 to 1949 the artist worked under the influence of Pablo Picasso, André Masson, Paul Klee and François Desnoyer, his professor at École nationale supérieure des arts décoratifs in Paris. Messagier again was revealed to the public at an exhibition organized by Charles Estienne at the Galerie de Babylone in 1952, entitled "La Nouvelle École de Paris" (The New School of Paris). The following year, Messagier deliberately broke away from his expressionistic form of Post-Cubism; his inspirations now focused on Jean Fautrier and Pierre Tal-Coat to develop a personal vision in which he renders "light...approached abstractly." Jean Messagier is often associated with Lyrical abstraction, Tachisme, Nuagisme, Art informel and paysagisme abstrait, though the artist himself had never accepted any labels, and had always refused the distinction between abstraction and figuration. From 1962 until the year of his death Jean Messagier exhibited in France and abroad, taking part in some major international events as a representative of new trends in French painting.

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Edmond Aman-Jean (13 January 1858, Chevry-Cossigny – 25 January 1936, Paris) was a French symbolist painter, who co-founded the Salon des Tuileries in 1923.