French male painters

Alain_Jacquet

Alain Jacquet (22 February 1939 – 4 September 2008) was a French artist representative of the Nouvelle Figuration movement that was linked to the American Pop Art movement.
Jacquet lived in New York and Paris and taught at the École Nationale Supérieure des Arts Décoratifs. He was married (1992) to Sophie Matisse, great-granddaughter of the French Fauvist artist Henri Matisse. They had one daughter, Gaïa Jacquet-Matisse. Jacquet's art is displayed in the Museum of Modern Art in New York, and the Centre Pompidou, the Musée National d'Art Moderne, in Paris. Jacquet died of esophageal cancer in Manhattan.

Roger_Broders

Roger Broders (born Paris, France, 1883, died, Paris, 1953) was a French illustrator and artist. He was best known for his travel posters promoting tourism destinations in France, typically fashionable beaches of the Côte d'Azur and skiing resorts in the French Alps in the early 20th century.Broders' illustrations were distinctive for their simple lines and bold, flat areas of color, combined with noticeable graphical perspective showing the featured mountains and seascapes in the background. Broders' illustrations depicting people show active elongated figures wearing elegant, contemporary clothes. His posters were simply and boldly lettered identifying the destination, and were supplemented with a brief slogan.
The Paris Lyon Mediteranée Company (PLM), a railway, commissioned Broders' poster art, sponsoring his travel so he could visit the subjects of his work. From 1922 to 1932, Broders fully dedicated himself to poster art, though overall he produced fewer than 100 posters. Lithographs of Broders' travel posters are still available commercially. See for instance Christie's London Ski Sale on 21 January 2010. Others are shown in the book about Railway Posters, published in Munich in 2011 and listed below.
During the 1940s he illustrated four of the works of the German author Karl May which were published by Éditions Mame at Tours in France in French language.

Gerard_Manset

Gérard Manset (also known as Manset; born 21 August 1945 in Saint-Cloud, Hauts-de-Seine) is a French singer-songwriter, painter, photographer and writer. He is best known for his musical work. Since 1972, the covers of his albums state his name as simply "Manset".
Manset spent his childhood in the suburbs of Paris (Saint-Cloud) and then in the sixteenth arrondissement of Paris. He failed his baccalauréat due to a failing grade in French.
In 1964, Manset was the recipient of the Concours général, and enrolled in the École Nationale Supérieure des Arts Décoratifs. The Salon d'Automne welcomed Manset in its engraving section in 1966. Manset's work was also shown at the Paris Salon. At the same time, Manset approached various French advertising agencies with his drawings, without success.
Manset began to play guitar, but was also interested in the drums. He borrowed his sister's piano book, and began learning to play the piano as well.
The mystery that was created around Manset was born from the rarity of his media appearances, his refusal to give concerts, and, above all, the uncompromising character of his work.

Jules_Dupré

Jules Louis Dupré (April 5, 1811 – October 6, 1889) was a French painter, one of the chief members of the Barbizon school of landscape painters. If Corot stands for the lyric and Rousseau for the epic aspect of the poetry of nature, Dupré is the exponent of its tragic and dramatic aspects.

Charles-François-Prosper_Guérin

Charles-François-Prosper Guérin (1875 in Sens – 1939) was a French post-impressionist painter.
Guérin studied with Gustave Moreau in the l'École des Beaux Arts à Paris, and had one exhibition at the Grafton Galleries in 1910; in a review Huntly Carter wrote of his "daring extravagance" and that he "show[ed] how the strongest primary colours can be used without crudity, and whose work has a decorative value which the average muddy and colourless work of our day does not possess".Guérin attained some historic notoriety for sitting on the jury of the Salon d'Automne of 1908, which rejected almost all of the paintings of Georges Braque. The other jury members were Henri Matisse, Georges Rouault, and Albert Marquet, all of whom had also been students of Moreau.: 254 p.  The jury's action caused Braque—who had been a great success the year before—to withdraw completely from the Salon. Braque subsequently entered into an exclusive contract with the dealer Daniel-Henry Kahnweiler requiring him (and Picasso) to avoid salons, during which time Braque and Picasso developed cubism.
Guérin was teaching at the Académie de La Palette in 1907 when Henri Hayden studied there and at the Académie Moderne in 1913 when Blanche Lazzell enrolled there, as well as at the Académie de la Grande Chaumière.