French male painters

Maurice_Marinot

Maurice Marinot (born 20 March 1882 in Troyes, France, died 1960, Troyes) was a French artist. He was a painter considered a member of Les Fauves, and then a major artist in glass.
Marinot's father was a bonnet maker. Maurice did poorly in school, but convinced his parents to send him to the École des Beaux-Arts in 1901 to train as a painter under French painter, Fernand Cormon. He left art school after his work wasn't accepted by the standards of the day. In 1905 he returned to Troyes, where he stayed for the rest of his life.
In 1911 he visited his first glass shop, owned by his friends, the Viard brothers. He fell in love with the contrasts between colors, hot and cold, the play of light and fire. He began designing bowls, vases and bottles which his friends made, then he painted enamels on the surface.
In 1912 he had his first exhibition and by 1913 critics were praising his work, saying “It has been a long time since an innovation of such great importance has come to enrich the art of glass” (Leon Rosenthal, Gazette des Beaux-Arts, 1913). From that year he stopped exhibiting his paintings.
The Viard brothers give Marinot his own bench and a set of tools, so he learned quickly how to blow glass. In 1923 he stopped using enamels, and explored the use of bubbles, metal leaf, and colored glass. His production process was “Long and fraught with danger” and one piece could take as long as a year to reach his standards.
The Viard Glassworks closed in 1937. Marinot was ill, and never touched glass again, though he did continue to paint. In the 1944 Allied bombing of Troyes there was direct hit on his studio, destroying over 2,500 paintings, thousands of drawings, and much of his glass. His sister's extensive collection was not damaged.
Major donation of Maurice Marinot (glass and paintings) was made by Pierre and Denise Levy to the Museum of Modern Art in Troyes in 1976. Florence, Marinot's daughter also gave major Maurice Marinot pieces of art to the city of Rennes Museum of Art.
A 20 piece glass collection by Marinot including vases, goblets and stoppered bottles dating to 1926-27 was gifted to the National Gallery of Ireland in 1970.

Léopold_Survage

Léopold Frédéric Léopoldowitsch Survage (31 July 1879 – 31 October 1968) was a Russian-French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.

Gustave_Brion

Gustave Brion (1824–1877) was a French painter and illustrator. He was born at Rothau in the department of Bas-Rhin on 24 October 1824. In 1841, in Strasbourg, he entered the studio of Gabriel Guérin, with whom he remained three years; he also received tuition from Andreas Friedrich, the sculptor; but he soon afterwards went to Paris, where his first work appeared at the Salon in 1847; it was entitled Interior of a Farm at Dambach. Six years later he gained a medal of the second class for his 'Schlitteurs de la Foret-Noire' and the Potato Harvest during an Inundation, the former of which was subsequently burned at Strassburg by the Prussians. His fame was further established by his Le Train de Bois sur le Rhin in 1855, and from that time his works continued to increase in public favour, and gained considerable praise and recompense for their author. Brion received numerous medals in 1853, 1863, 1867, 1868, &c., and the decoration of the Legion of Honour in 1863. He died in Paris 3 November 1877.
With few exceptions, such as the 'Siege of a Town by Romans under Julius Caesar, painted on commission for Napoleon III, and at the cost of much research to the artist, Brion rarely indulged in historical subjects. He delighted to represent peasants in their natural avocations: here they gather in their potatoes or chat by the village well; there they conduct barges laden with wood down the river; now we see them at a marriage, now hearing mass or attending a burial. Putting aside several subjects drawn from Normandy and Brittany, from the Basque Provinces, and from a stay in Italy, Brion remained true to his love of
Alsace, and it is of the doings of her peasantry that he tells us in his paintings.
Brion also worked as a book illustrator. His most famous designs are those for the first edition of Victor Hugo's novel Les Misérables, for which he created the first portrayal of Inspector Javert. He also illustrated Hugo's The Hunchback of Notre-Dame, in which he depicted Quasimodo and Esmeralda.
Brion was a nephew of the legendary Friederike Brion.

Alain_Jacquet

Alain Jacquet (22 February 1939 – 4 September 2008) was a French artist representative of the Nouvelle Figuration movement that was linked to the American Pop Art movement.
Jacquet lived in New York and Paris and taught at the École Nationale Supérieure des Arts Décoratifs. He was married (1992) to Sophie Matisse, great-granddaughter of the French Fauvist artist Henri Matisse. They had one daughter, Gaïa Jacquet-Matisse. Jacquet's art is displayed in the Museum of Modern Art in New York, and the Centre Pompidou, the Musée National d'Art Moderne, in Paris. Jacquet died of esophageal cancer in Manhattan.

Roger_Broders

Roger Broders (born Paris, France, 1883, died, Paris, 1953) was a French illustrator and artist. He was best known for his travel posters promoting tourism destinations in France, typically fashionable beaches of the Côte d'Azur and skiing resorts in the French Alps in the early 20th century.Broders' illustrations were distinctive for their simple lines and bold, flat areas of color, combined with noticeable graphical perspective showing the featured mountains and seascapes in the background. Broders' illustrations depicting people show active elongated figures wearing elegant, contemporary clothes. His posters were simply and boldly lettered identifying the destination, and were supplemented with a brief slogan.
The Paris Lyon Mediteranée Company (PLM), a railway, commissioned Broders' poster art, sponsoring his travel so he could visit the subjects of his work. From 1922 to 1932, Broders fully dedicated himself to poster art, though overall he produced fewer than 100 posters. Lithographs of Broders' travel posters are still available commercially. See for instance Christie's London Ski Sale on 21 January 2010. Others are shown in the book about Railway Posters, published in Munich in 2011 and listed below.
During the 1940s he illustrated four of the works of the German author Karl May which were published by Éditions Mame at Tours in France in French language.