French male painters

Marcellin Gilbert Desboutin (Cérilly 26 August 1823 – 18 February 1902 Nice) was a French painter, printmaker, and writer. Desboutin always signed himself Baron de Rochefort.

Armand Séguin (1869–1903) was a post-Impressionist French painter who is remembered for his involvement in the Pont-Aven School beginning in 1891. In 1892, he returned to Pont-Aven where he met Renoir and Émile Bernard. The following year, he associated with Paul Gauguin, who gave him lessons, and collaborated with Roderic O'Conor in producing etchings.He died in Châteauneuf-du-Faou at the age of 34, a destitute alcoholic who was suffering from tuberculosis.He was a grandson of chemist Armand Séguin.

Jacques Pierre Paul Raverat (pronounced Rav-er-ah) (20 March 1885 – 6 March 1925) was a French painter; Raverat was the son of Georges Pierre Raverat and Helena Lorena Raverat, née Caron; he was born in Paris, France, in 1885.
Raverat started at Bedales School in Steep, Hampshire in 1898. From Bedales, he went up to Jesus College, Cambridge.He married the English painter and wood engraver Gwen Darwin, in 1911, the daughter of George Darwin and Lady Maud Darwin, née Maud du Puy; she was a granddaughter of Charles Darwin. They had two daughters, Elisabeth (1916–2014), who married the Norwegian politician Edvard Hambro, and Sophie Jane (1919–2011) who married the Cambridge scholar M. G. M. Pryor and later Charles Gurney. Raverat suffered from a form of multiple sclerosis and died on 6 March 1925, following complications of it. His funeral took place in Christ Church in Cannes, France, where he may be buried.
Before moving, in 1920, to Vence in France the couple were active members of an intellectual circle known as the "Neo-Pagans" and centred on Rupert Brooke. They also moved on the fringes of the Bloomsbury Group, whose members included Virginia Woolf, John Maynard Keynes, Vanessa Bell and Lytton Strachey.
In 2004, his grandson, William Pryor edited the complete correspondence between Raverat, his wife and Virginia Woolf which was published as Virginia Woolf and the Raverats.

Philippe Labarthe, pseudonym Ylipe (9 January 1936 – 8 March 2003) was a French humorist, artist, and writer.He was born in Bordeaux and studied Fine Arts there before moving to Paris to work as a cartoonist, painter and aphorist. He signed his cartoons φlipe, using the Greek letter phi (φ) in place of the first three letters of his forename. Maurice Nadeau misread the Greek φ as a Latin y and the name Ylipe stuck.In the 1960s he contributed to Arts, L'Express, and Lettres nouvelles, and signed the Manifesto of the 121 opposing the use of torture during the Algerian War. He later exhibited paintings in New York and Paris under his own name, with backing from Eugène Ionesco and Jacques Prévert.In 2000, a back injury prevented him painting and he returned to writing aphorisms. His writing and painting often exhibit black humour; Dominique Noguez described him as a "sparkling misanthrope" (French: misanthrope étincelant). He died of lung cancer, having refused medical treatment.

Maurice Marinot (born 20 March 1882 in Troyes, France, died 1960, Troyes) was a French artist. He was a painter considered a member of Les Fauves, and then a major artist in glass.
Marinot's father was a bonnet maker. Maurice did poorly in school, but convinced his parents to send him to the École des Beaux-Arts in 1901 to train as a painter under French painter, Fernand Cormon. He left art school after his work wasn't accepted by the standards of the day. In 1905 he returned to Troyes, where he stayed for the rest of his life.
In 1911 he visited his first glass shop, owned by his friends, the Viard brothers. He fell in love with the contrasts between colors, hot and cold, the play of light and fire. He began designing bowls, vases and bottles which his friends made, then he painted enamels on the surface.
In 1912 he had his first exhibition and by 1913 critics were praising his work, saying “It has been a long time since an innovation of such great importance has come to enrich the art of glass” (Leon Rosenthal, Gazette des Beaux-Arts, 1913). From that year he stopped exhibiting his paintings.
The Viard brothers give Marinot his own bench and a set of tools, so he learned quickly how to blow glass. In 1923 he stopped using enamels, and explored the use of bubbles, metal leaf, and colored glass. His production process was “Long and fraught with danger” and one piece could take as long as a year to reach his standards.
The Viard Glassworks closed in 1937. Marinot was ill, and never touched glass again, though he did continue to paint. In the 1944 Allied bombing of Troyes there was direct hit on his studio, destroying over 2,500 paintings, thousands of drawings, and much of his glass. His sister's extensive collection was not damaged.
Major donation of Maurice Marinot (glass and paintings) was made by Pierre and Denise Levy to the Museum of Modern Art in Troyes in 1976. Florence, Marinot's daughter also gave major Maurice Marinot pieces of art to the city of Rennes Museum of Art.
A 20 piece glass collection by Marinot including vases, goblets and stoppered bottles dating to 1926-27 was gifted to the National Gallery of Ireland in 1970.

Léopold Frédéric Léopoldowitsch Survage (31 July 1879 – 31 October 1968) was a Russian-French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.

Albert-Ernest Carrier-Belleuse (born Albert-Ernest Carrier de Belleuse; 12 June 1824 – 4 June 1887) was a French sculptor. He was one of the founding members of the Société Nationale des Beaux-Arts, and was made an officer of the Legion of Honour.

Gustave Brion (1824–1877) was a French painter and illustrator. He was born at Rothau in the department of Bas-Rhin on 24 October 1824. In 1841, in Strasbourg, he entered the studio of Gabriel Guérin, with whom he remained three years; he also received tuition from Andreas Friedrich, the sculptor; but he soon afterwards went to Paris, where his first work appeared at the Salon in 1847; it was entitled Interior of a Farm at Dambach. Six years later he gained a medal of the second class for his 'Schlitteurs de la Foret-Noire' and the Potato Harvest during an Inundation, the former of which was subsequently burned at Strassburg by the Prussians. His fame was further established by his Le Train de Bois sur le Rhin in 1855, and from that time his works continued to increase in public favour, and gained considerable praise and recompense for their author. Brion received numerous medals in 1853, 1863, 1867, 1868, &c., and the decoration of the Legion of Honour in 1863. He died in Paris 3 November 1877.
With few exceptions, such as the 'Siege of a Town by Romans under Julius Caesar, painted on commission for Napoleon III, and at the cost of much research to the artist, Brion rarely indulged in historical subjects. He delighted to represent peasants in their natural avocations: here they gather in their potatoes or chat by the village well; there they conduct barges laden with wood down the river; now we see them at a marriage, now hearing mass or attending a burial. Putting aside several subjects drawn from Normandy and Brittany, from the Basque Provinces, and from a stay in Italy, Brion remained true to his love of
Alsace, and it is of the doings of her peasantry that he tells us in his paintings.
Brion also worked as a book illustrator. His most famous designs are those for the first edition of Victor Hugo's novel Les Misérables, for which he created the first portrayal of Inspector Javert. He also illustrated Hugo's The Hunchback of Notre-Dame, in which he depicted Quasimodo and Esmeralda.
Brion was a nephew of the legendary Friederike Brion.

The artist André Hambourg (5 May 1909 – 4 December 1999) was a French painter of romantic compositions of Venice, luminous seascapes, and beach scenes.

Jacques Destoop (17 June 1931 – 6 June 2022) was a French actor and painter.