Articles with ADK identifiers

Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic Lehrstücke and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the Verfremdungseffekt.
During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator, actress Helene Weigel.

Heinrich Theodor Böll (German: [ˈhaɪnʁɪç ˈteːodoːɐ̯ ˈbœl] ; 21 December 1917 – 16 July 1985) was a German writer. Considered one of Germany's foremost post-World War II writers, Böll is a recipient of the Georg Büchner Prize (1967) and the Nobel Prize for Literature (1972).

Laurence Kerr Olivier, Baron Olivier, (; 22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career he had considerable success in television roles.
Olivier's family had no theatrical connections, but his father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End success in Noël Coward's Private Lives, and he appeared in his first film. In 1935 he played in a celebrated production of Romeo and Juliet alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an established star. In the 1940s, together with Richardson and John Burrell, Olivier was the co-director of the Old Vic, building it into a highly respected company. There his most celebrated roles included Shakespeare's Richard III and Sophocles's Oedipus. In the 1950s Olivier was an independent actor-manager, but his stage career was in the doldrums until he joined the avant-garde English Stage Company in 1957 to play the title role in The Entertainer, a part he later played on film. From 1963 to 1973 he was the founding director of Britain's National Theatre, running a resident company that fostered many future stars. His own parts there included the title role in Othello (1965), and Shylock in The Merchant of Venice (1970).
Among Olivier's films are Wuthering Heights (1939), Rebecca (1940) and a trilogy of Shakespeare films as actor/director: Henry V (1944), Hamlet (1948) and Richard III (1955). His later films included Spartacus (1960), The Shoes of the Fisherman (1968), Sleuth (1972), Marathon Man (1976) and The Boys from Brazil (1978). His television appearances included an adaptation of The Moon and Sixpence (1960), "Long Day's Journey into Night" (1973), Love Among the Ruins (1975), Cat on a Hot Tin Roof (1976), Brideshead Revisited (1981) and King Lear (1983).
Olivier's honours included a knighthood (1947), a life peerage (1970) and the Order of Merit (1981). For his on-screen work he received two Academy Awards, two British Academy Film Awards, five Emmy Awards and three Golden Globe Awards. The National Theatre's largest auditorium is named in his honour, and he is commemorated in the Laurence Olivier Awards, given annually by the Society of London Theatre. He was married three times, to the actresses Jill Esmond from 1930 to 1940, Vivien Leigh from 1940 to 1960, and Joan Plowright from 1961 until his death.

K.R.H. Sonderborg (1923–2008) was a German painter, graphic artist, university professor, and from 1980 prorector of the State Academy of Fine Arts Stuttgart for several years.
He was born in Sønderborg/Als, Denmark. Starting in 1953, he became a member of the group Zen 49, and studied at the Atelier 17 in St. W. Hayter in Paris. In the years 1953-1965, he spent time working in London, New York City, Tokyo, Chicago, Osaka, Cornwall, Ascona, Rome and Paris.
In 1951, the artist Kurt Rudolf Hoffmann called himself K.R.H. Sonderborg, after the town he was born in. Sonderborg went to school in Hamburg and completed a merchant's apprenticeship in 1939. He became a private student of the painter Ewald Becker-Carus in Hamburg in 1946. From 1947 to 1949 he studied painting, graphic art, and textile design at the State Art School in Hamburg under Willem Grimm and Maria May. In 1953 he joined the artists group Zen 49. He went to Paris the same year where he received training in engraving from Stanley William Hayter in the Atelier 17. Paris is also the place where he first encountered Tachism. In the following years, the artist went on longer journeys and worked for some time in London, Cornwall, New York, Ascona, Rome, and Paris again. In New York K.R.H. Sonderborg came into contact with Action Painting.
His own style became abstract, painting in swift broad strokes, that reveal the painting process, with spontaneous color application. Black and white contrasts are an important feature, later he added colors such as cadmium red. K.R.H. Sonderborg took part in the 1958 Biennale in Venice. He was awarded the Prize for Graphic Art at the Biennale in Tokyo in 1960 and the Great International Prize for Drawing at the 1963 Biennale in São Paulo. The artist showed works at the Documenta in Kassel in both 1959 and 1964. From 1965 to 1990 he held a post as Professor for Painting at the State Academy of Fine Arts Stuttgart. In 1969/70 he was a guest lecturer at the Minneapolis College of Art and Design, as well as at the Art Institute of Chicago in 1986. Along with artists such as Karl Otto Götz, and Bernhard Schulze, K.R.H. Sonderborg is one of the most important and most impressive representatives of German Informal Art.
K.R.H. Sonderborg died in Hamburg on 18 February 2008, aged 84.

Friedrich Wilhelm von Schadow (7 September 1789 – 19 March 1862) was a German Romantic painter.

Oswald Mathias Ungers (12 July 1926 – 30 September 2007) was a German architect and architectural theorist, known for his rationalist designs and the use of cubic forms. Among his notable projects are museums in Frankfurt, Hamburg and Cologne.

Aras Ören is a writer of Turkish origin, currently living in Germany. He was born in November 1939 in Istanbul, and moved to Berlin in 1969. He was editor of the SFB and head of the Turkish editorial team of Radio Multikulti of the RBB. In 1981, he received an honorary prize from the Bavarian Academy of Fine Arts. In 1985, he was awarded the Adelbert von Chamisso Prize. In 1999 he was a lecturer at the University of Tübingen. Since 2012 he has been a member of the Akademie der Künste, Berlin.
Ören writes in Turkish and helps to translate his works into German. Some of his works first appeared in German. His works include “What does Niyazi want in Naunynstrasse” (1973), “Privatexil” (1976), “Germany. A Turkish fairy tale ”(1978), “ Please no police ”(1981), “ Berlin-Savignyplatz ”(1995) and “Longing for Hollywood ”(1999). In 2014, Verbrecher Verlag published the volume of short stories Kopfstand, and in 2016 We New Europeans, both with illustrations by Wolfgang Neumann.

Friedrich Weinbrenner (24 November 1766 – 1 March 1826) was a German architect and city planner admired for his mastery of classical style.

Ernst Hermann Ludimar Meyer (8 December 1905 – 8 October 1988) was a German composer and musicologist, noted for his expertise on seventeenth-century English chamber music.

Margarete Emma Dorothea "Grete" Mosheim (8 January 1905 – 29 December 1986) was a German film, theatre, and television actress.