Wikipedia articles incorporating text from the 1911 Encyclop\u00e6dia Britannica

Edmond Hébert (12 June 1812 – 4 April 1890), French geologist, was born at Villefargau, Yonne.
He was educated at the College de Meaux, Auxerre, and at the École Normale in Paris. In 1836 he became professor at Meaux, in 1838 demonstrator in chemistry and physics at the École Normale, and in 1841 sub-director of studies at that school and lecturer on geology. In 1857 the degree of D. es Sc. was conferred upon him, and he was appointed professor of geology at the Sorbonne.There he was eminently successful as a teacher, and worked with great zeal in the field, adding much to the knowledge of the Jurassic and older strata. He devoted, however, special attention to the subdivisions of the Cretaceous and Tertiary formations in France, and to their correlation with the strata in England and in southern Europe.To him we owe the first definite arrangement of the Chalk into palaeontological zones (see "Table" in Geol. Hag., 1869, p. 200). During his later years he was regarded as the leading geologist in France.He was elected a member of the Académie des sciences in 1877, Commander of the Legion of Honour in 1885, and he was three times president of the Geological Society of France. He died in Paris on 4 April 1890.

Joseph Jean Baptiste Xavier Fournet (May 15, 1801 – January 8, 1869), French geologist and metallurgist, was born at Strasbourg.
He was educated at the École des Mines in Paris, and after considerable experience as a mining engineer he was in 1834 appointed professor of geology at Lyon.
He was a man of wide knowledge and extensive research, and wrote memoirs on chemical and mineralogical subjects, on eruptive rocks, on the structure of the Jura, the metamorphism of the Western Alps, on the formation of oolitic limestones, on kaolinization and on metalliferous veins. On metallurgical subjects he also was an acknowledged authority; and he published observations on the order of sulphurability of metals (loi de Fournet).
He died in Lyon. His chief publications were: Études sur les dépôts métallifères (Paris, 1834); Histoire de la dolomie (Lyon, 1847); De l'extension des terrains houillers (1855); and Géologie lyonnaise (Lyon, 1861).

Charles Eugene Barrois (21 August 1851 – 5 November 1939) was a French geologist and palaeontologist.

Jane Hading (25 November 1859 – 28 February 1941) was a French actress. Her real name was Jeanne-Alfrédine Tréfouret.

Suzanne Desprès (16 December 1875 – 1 July 1951) was a French actress who was born at Verdun, Meuse and trained at the Paris Conservatoire, where in 1897 she obtained the first prize for comedy, and the second for tragedy.
She then became associated with, and subsequently married, Lugné-Poe, the actor-manager, who had founded a new school of modern drama at the Théâtre de l'Œuvre. She achieved marked success in several of his plays there.
In succeeding years she played at the Gymnase and at the Porte Saint-Martin, and in 1902 made her debut at the Comédie-Française, appearing in Phèdre and other important parts.

Anna Amalia of Brunswick-Wolfenbüttel (24 October 1739 – 10 April 1807), was a German princess and composer. She became the duchess of Saxe-Weimar-Eisenach by marriage, and was also regent of the states of Saxe-Weimar and Saxe-Eisenach from 1758 to 1775. She transformed her court and its surrounding into the most influential cultural center of Germany.

Émile Souvestre (April 15, 1806 – July 5, 1854) was a Breton novelist who was a native of Morlaix, Brittany. Initially unsuccessful as a writer of drama, he fared better as a novelist (he wrote a sci-fi novel, Le Monde Tel Qu'il Sera) and as a researcher and writer of Breton folklore. He was posthumously awarded the Prix Lambert.

François-Benoît Hoffman (11 July 1760 – 25 April 1828) was a French playwright and critic, best known today for his operatic librettos, including those set to music by Étienne Méhul and Luigi Cherubini (most notably Cherubini's Médée, 1797).

Clair Josèphe Hippolyte Leris (25 January 1723 – 29 January 1803), known as Mademoiselle Clairon or La Clairon was a French actress, born at Condé-sur-l'Escaut, Hainaut, the daughter of an army sergeant. She is primarily known for developing a new style of acting in which she encouraged focus on the emotional connection between the actor and the character they played instead of what she saw as the stiff portrayals of characters traditionally performed in one manner.In 1736 she made her first stage appearance, at age 12, at the Comédie Italienne, a small part in Pierre de Marivaux's L'Île des esclaves. After several years in the provinces she returned to Paris. Her memoirs, Mémoires d'Hippolyte Clairon (1798) are filled with her own thoughts about the acting styles and theatrical elements such as makeup and costume. In her memoirs, she establishes her opinions on a new style of acting in which the actor use inspiration from their own emotions and experiences in order to create a greater lasting impact on the audience. She was particularly against actors performing characters the exact same way as those who came before them because she thought it produced stiff, uninteresting patterns that an audience would become too familiar with. Her memoirs also include anecdotes about what she perceived as a regular supernatural occurrence in her life (the haunting of a ghost from a past suitor), providing insight into the mind and social life of Mademoiselle Clairon off the stage.She had great difficulty in obtaining an order to make her debut at the Comédie-Française. Succeeding, however, at last, she had the courage to select the title-role of Phèdre, and she obtained a veritable triumph. During her twenty-two years at this theatre, dividing the honors with her rival Marie Françoise Dumesnil, she filled many of the classical roles of tragedy, and created a great number of parts in the plays of Voltaire, Marmontel, Bernard-Joseph Saurin, de Belloy and others.
She retired in 1766, and trained pupils for the stage, among them Mlle Raucourt. Oliver Gunusualth called Mlle Clairon "the most perfect female figure I have ever seen on any stage" (The Bee, 2nd No.); and David Garrick, recognizing her unwillingness or inability to make use of the inspiration of the instant, admitted that she has everything that art and a good understanding with great natural spirit can give her.
She was a mistress of Charles Alexander, Margrave of Brandenburg-Ansbach, who renovated his "White Castle" at his country seat and hunting estate in Triesdorf for her.

Élie Catherine Fréron (20 January 1718 – 10 March 1776) was a French literary critic and controversialist whose career focused on countering the influence of the philosophes of the French Enlightenment, partly through his vehicle, the Année littéraire. Thus Fréron, in recruiting young writers to counter the literary establishment became central to the movement now called the Counter-Enlightenment.