Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference

Suzanne_Desprès

Suzanne Desprès (16 December 1875 – 1 July 1951) was a French actress who was born at Verdun, Meuse and trained at the Paris Conservatoire, where in 1897 she obtained the first prize for comedy, and the second for tragedy.
She then became associated with, and subsequently married, Lugné-Poe, the actor-manager, who had founded a new school of modern drama at the Théâtre de l'Œuvre. She achieved marked success in several of his plays there.
In succeeding years she played at the Gymnase and at the Porte Saint-Martin, and in 1902 made her debut at the Comédie-Française, appearing in Phèdre and other important parts.

Herbert_Coleridge

Herbert "Herbie" Coleridge (7 October 1830 – 23 April 1861) was an English philologist, technically the first editor of what ultimately became the Oxford English Dictionary. He was a grandson of the poet Samuel Taylor Coleridge.

Henri_Didon

Henri Didon (17 March 1840, in Le Touvet – 13 March 1900, in Toulouse) was a famous French Dominican preacher. He was also a writer, educator, and a promoter of youth sports. His outsize personality often put him in conflict with his religious hierarchy.
He coined the term Citius, Altius, Fortius for an 1891 youth sports competition he organized in Arcueil and that his friend Pierre de Coubertin was assisting. The latter proposed it as the official motto of the IOC in 1894.

Émile_Souvestre

Émile Souvestre (April 15, 1806 – July 5, 1854) was a Breton novelist who was a native of Morlaix, Brittany. Initially unsuccessful as a writer of drama, he fared better as a novelist (he wrote a sci-fi novel, Le Monde Tel Qu'il Sera) and as a researcher and writer of Breton folklore. He was posthumously awarded the Prix Lambert.

La_Clairon

Clair Josèphe Hippolyte Leris (25 January 1723 – 29 January 1803), known as Mademoiselle Clairon or La Clairon was a French actress, born at Condé-sur-l'Escaut, Hainaut, the daughter of an army sergeant. She is primarily known for developing a new style of acting in which she encouraged focus on the emotional connection between the actor and the character they played instead of what she saw as the stiff portrayals of characters traditionally performed in one manner.In 1736 she made her first stage appearance, at age 12, at the Comédie Italienne, a small part in Pierre de Marivaux's L'Île des esclaves. After several years in the provinces she returned to Paris. Her memoirs, Mémoires d'Hippolyte Clairon (1798) are filled with her own thoughts about the acting styles and theatrical elements such as makeup and costume. In her memoirs, she establishes her opinions on a new style of acting in which the actor use inspiration from their own emotions and experiences in order to create a greater lasting impact on the audience. She was particularly against actors performing characters the exact same way as those who came before them because she thought it produced stiff, uninteresting patterns that an audience would become too familiar with. Her memoirs also include anecdotes about what she perceived as a regular supernatural occurrence in her life (the haunting of a ghost from a past suitor), providing insight into the mind and social life of Mademoiselle Clairon off the stage.She had great difficulty in obtaining an order to make her debut at the Comédie-Française. Succeeding, however, at last, she had the courage to select the title-role of Phèdre, and she obtained a veritable triumph. During her twenty-two years at this theatre, dividing the honors with her rival Marie Françoise Dumesnil, she filled many of the classical roles of tragedy, and created a great number of parts in the plays of Voltaire, Marmontel, Bernard-Joseph Saurin, de Belloy and others.
She retired in 1766, and trained pupils for the stage, among them Mlle Raucourt. Oliver Gunusualth called Mlle Clairon "the most perfect female figure I have ever seen on any stage" (The Bee, 2nd No.); and David Garrick, recognizing her unwillingness or inability to make use of the inspiration of the instant, admitted that she has everything that art and a good understanding with great natural spirit can give her.
She was a mistress of Charles Alexander, Margrave of Brandenburg-Ansbach, who renovated his "White Castle" at his country seat and hunting estate in Triesdorf for her.

Mieczysław_Halka-Ledóchowski

Mieczysław Halka-Ledóchowski (IPA: /mʲɛˈtʂɨswaf ˈxalka lɛduˈxɔfski/), (29 October 1822 – 22 July 1902) was born in Górki (near Sandomierz) in Russian-controlled Congress Poland to Count Josef Ledóchowski and Maria Zakrzewska. He was uncle to Saint Ursula Ledóchowska, the Blessed Maria Teresia (Theresa) Ledóchowska and Father Włodzimierz Ledóchowski, General Superior of the Society of Jesus.

Élie_Catherine_Fréron

Élie Catherine Fréron (20 January 1718 – 10 March 1776) was a French literary critic and controversialist whose career focused on countering the influence of the philosophes of the French Enlightenment, partly through his vehicle, the Année littéraire. Thus Fréron, in recruiting young writers to counter the literary establishment became central to the movement now called the Counter-Enlightenment.

Paul_Lacroix

Paul Lacroix (French: [lakʁwa]; 27 February 1806 – 16 October 1884) was a French author and journalist. He is known best by his pseudonym P.L. Jacob, bibliophile, or Bibliophile Jacob, suggested by his great interest in libraries and books generally.