Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference

Henri_Lavedan

Henri Léon Emile Lavedan (9 April 1859 – 4 September 1940), French dramatist and man of letters, was born at Orléans, the son of Hubert Lavedan, a well-known Catholic and liberal journalist.
Lavedan contributed to various Parisian papers a series of witty tales and dialogues of Parisian life, many of which were collected in volume form. In 1891 he produced at the Théâtre Français Une Famille, followed at the Vaudeville in 1894 by Le Prince d'Aurec, a satire on the nobility, afterward renamed Les Descendants.He had a great success with Le Duel (Comédie-Française 1905), a powerful psychological study of the relations of two brothers, which was turned into a movie—The Duel—on which he was a co-writer. It was translated into English by Louis N. Parker and performed in New York in 1906 at the Hudson Theatre.Lavedan was admitted to the Académie française in 1898.

Jef_Lambeaux

Jef Lambeaux or Josef Lambeaux (14 January 1852 – 5 June 1908) was a Belgian sculptor. His best known work is Temple of Human Passions, a colossal marble bas-relief.

Gaston_Paris

Bruno Paulin Gaston Paris (French pronunciation: [ɡastɔ̃ paʁis]; 9 August 1839 – 5 March 1903) was a French literary historian, philologist, and scholar specialized in Romance studies and medieval French literature. He was nominated for the Nobel Prize in Literature in 1901, 1902, and 1903.

Charles-François_Daubigny

Charles-François Daubigny ( DOH-bin-yee, US: DOH-been-YEE, doh-BEEN-yee, French: [ʃaʁl fʁɑ̃swa dobiɲi]; 15 February 1817 – 19 February 1878) was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism.
He was also a prolific printmaker, mostly in etching but also as one of the main artists to use the cliché verre technique.

Félix_Ravaisson-Mollien

Jean-Gaspard-Félix Laché Ravaisson-Mollien (French: [ʁavɛsɔ̃ mɔljɛ̃]; 23 October 1813 – 18 May 1900) was a French philosopher, 'perhaps France's most influential philosopher in the second half of the nineteenth century'. He was originally and remains more commonly known as Félix Ravaisson.His 'seminal' 'key' work was De l’habitude (1838), translated in English as Of Habit. Ravaisson's philosophy is in the tradition of French Spiritualism, which was initiated by Pierre Maine de Biran (1766–1824) with the essay "The Influence of Habit on the Faculty of Thinking" (1802). However, Ravaisson developed his doctrine as what he called 'spiritualist realism' and 'spiritualist positivism', and – according to Ravaisson scholar Mark Sinclair – can be thought of as founding 'the school of contingency'. His most well known and influential successor was Henri Bergson, with whom the tradition can be seen to end during the 1930s; although the 'lineage' of this 'philosophy of life' can be seen to return in the late twentieth century with Gilles Deleuze. Ravaisson never worked in the French state university system, in his late 20s declining a position at the University of Rennes. In 1838 he was employed as the principle private secretary to the Minister of Public Instruction, going on to secure high-ranking positions such as Inspector General of Libraries, and then the Curator of Classical Antiquities at the Louvre. Later in his life he was appointed as the President of the Jury of the Aggregation of philosophy in France, 'a position of considerable influence'. Ravaisson, was not only a philosopher, classicist, archivist, and educational administrator, but also a painter exhibiting under the name Laché.

Adolphe_Willette

Adolphe Léon Willette (30 July 1857 in Châlons-sur-Marne – 4 February 1926 in Paris) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections.