20th-century Scottish painters

William McCance (1894–1970) was a Scottish artist, and was second Controller of the Gregynog Press in Powys, mid-Wales.

Sir William Russell Flint (4 April 1880 – 30 December 1969) was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.

Duncan Max Meldrum (3 December 1875 – 6 June 1955) was a Scottish-born Australian artist and art teacher, best known as the founder of Australian tonalism, a representational painting style that became popular in Melbourne during the interwar period. He also won fame for his portrait work, winning the prestigious Archibald Prize for portraiture in 1939 and 1940.

Ian Fairweather (29 September 1891 – 20 May 1974) was a Scottish painter resident in Australia for much of his life. He combined western and Asian influences in his work.

Sir William MacTaggart, (1903–1981) was a Scottish painter known for his landscapes of East Lothian, France, Norway and elsewhere. He is sometimes called William MacTaggart the Younger to distinguish him from his grandfather, the painter William McTaggart.

John Patrick Byrne (6 January 1940 – 30 November 2023) was a Scottish playwright, screenwriter, artist and designer. He wrote The Slab Boys Trilogy, plays which explore working-class life in Scotland, and the TV dramas Tutti Frutti and Your Cheatin' Heart. Byrne was also a painter, printmaker and scenic designer.

Sir James Guthrie (10 June 1859 – 6 September 1930) was a Scottish painter, associated with the Glasgow Boys. He is best known in his own lifetime for his portraiture, although today more generally regarded as a painter of Scottish Realism.

Sir Muirhead Bone (23 March 1876 – 21 October 1953) was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars.
A figure in the last generation of the Etching Revival, Bone's early large and heavily-worked architectural subjects fetched extremely high prices before the Wall Street Crash of 1929 deflated the collectors' market. He was well known, if not notorious, for publishing large numbers of different states of etchings, encouraging collectors to buy several impressions.
Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War. He promoted the work of many young artists and served as a Trustee of the Tate Gallery, the National Gallery, and the Imperial War Museum.