Modernist architects

John_Yeon

John Yeon (October 29, 1910 – March 13, 1994) was an American architect in Portland, Oregon, in the mid-twentieth century. He is regarded as one of the early practitioners of the Northwest Regional style of Modernism. Largely self-taught, Yeon’s wide ranging activities encompassed planning, conservation, historic preservation, art collecting, and urban activism. He was a connoisseur of objets d’art as well as landscapes, and one of Oregon’s most gifted architectural designers, even while his output was limited.The family name is pronounced "yawn," not "yee-on."

Victor_Bourgeois

Victor Bourgeois (29 August 1897 – 24 July 1962) was a Belgian architect and urban planner, considered the greatest Belgian modernist architect.
Bourgeois was born in Charleroi and studied at the Royal Academy of Fine Arts in Brussels from 1914 through 1918, and was mentored by Henry van de Velde. Together with his brother Pierre Bourgeois, he founded several magazines, including 7 Arts (1922–1928).
In 1927 Bourgeois became the only Belgian invited to design a house for the Weissenhof Estate exhibition in Stuttgart, and the following year Bourgeois was a delegate to the first meeting of the Congrès international d'architecture moderne and a founding member of that organization.
He died on 24 July 1962 in Ixelles.

Bruno_Ahrends

Bruno Ahrends (1878–1948), born as Bruno Arons, was an internationally known German architect, who worked in Berlin, Germany. He was a representative of Berlin Modernism Housing Estates before World War I and during Weimar Republic (1910s to 1930s). Most of his creations today are under Cultural heritage management, some are part of a World Heritage Site.

Avriel_Shull

Avriel Shull (born Avriel Joy Christie; February 9, 1931 – March 6, 1976) was an American architectural designer/builder and interior decorator whose career spanned from the 1950s until her death in 1976. She is best known for her mid-century modern architectural designs, which are especially unusual given the predominantly traditional tastes of mid-century Indiana. Most of Shull's projects were single-family homes around Hamilton and Marion counties in central Indiana, most notably the homes in Christie's Thornhurst Addition in Carmel, Indiana. Shull also designed a number of custom homes in Indianapolis's toniest suburbs, in other Indiana towns, and in other states. In the 1970s Shull began selling house plans in do-it-yourself home building periodicals, which were sold in the United States and Canada. Shull also designed apartment buildings and commercial/industrial properties. Her first major project outside of Indiana was a public library in Elkins, West Virginia. She also did designs for restaurants, including one in California and one in Carmel, Indiana.
Born Avriel Joy Christie in Hamilton County, Indiana, she graduated from Carmel High School and attended Butler University and the John Herron School of Art in Indianapolis, Indiana. She left school before completing her degree in 1948 to launch her own commercial art business. In 1951 she married Richard K. Shull, a well-known Indianapolis journalist who became a syndicated columnist and television critic. The couple had two daughters.
Shull, a self-taught artist without a degree in architecture (in fact with no college degree of any sort), devoted her artistic skills to building projects. A female builder/designer was unique for the time, but even more so was Shull's lack of formal architectural training. By 1954 Shull had designed and supervised the construction of her first project, the "Golden Unicorn", a modern-style home in Carmel, Indiana, named after the unicorn installed on an exterior wall. In 1955, Shull began her first large-scale construction project, a new suburban development on a large parcel of land just west of what is now downtown Carmel. Named Christie's Thornhurst Addition, the subdivision is unusual for its large concentration of Shull's strikingly-designed homes. In addition to the design work, Shull supervised construction, laying stone on many of the homes' exteriors herself; coordinated interior design; and assisted in furniture selection. Between 1956 and 1971 Shull designed and built twenty-one houses in Thornhurst.Shull died in 1976 of complications from diabetes. Despite her early death, she left behind a raft of Avriel-designed homes. Christie's Thornhurst Addition was listed on the National Register of Historic Places in 2010 for its mid-century modern architecture and as the work of a master builder. Ladywood Estates was subsequently added to the National Register of Historic Places in 2019. The Avriel Shull architectural collection is housed at the Indiana Historical Society. Shull was a member of the National Association of Home Builders and the Builders Association of Greater Indianapolis.

Paul_H._Kirk

Paul Hayden Kirk (18 November 1914 – 22 May 1995) was a Pacific Northwest architect. Paul Kirk's designs contributed to development of a regionally appropriate version of Modern architecture. Many of his buildings are as much appreciated today as they were at the time they were built.
Born in Salt Lake City, Utah in 1914, Paul Hayden Kirk arrived in Seattle at the age of eight, graduating from Roosevelt High School in 1932. During his childhood Kirk suffered from polio which left him permanently disabled. His use of one of his arms was limited, he walked with a limp, and he sometimes used a crutch.
After receiving his architecture degree from the University of Washington in 1937, Kirk worked for a variety of architects including Floyd Naramore, A.M. Young, B. Dudley Stuart, and Henry Bittman. Kirk then started his own practice in 1939 and began designing homes for his older brother, Blair Kirk, a building contractor.
Early tendencies toward simplified forms and details emerged in Kirk's early design for a speculative housing development on Columbia Ridge where limited materials and budget necessitated a more functional solution. During World War II, Kirk joined with other architects to take advantage of war contracts, partnering with former employer B. Dudley Stuart and Robert L. Durham. After the war, Kirk established a partnership with architect James J. Chiarelli in 1944. The firm of Chiarelli & Kirk produced a variety of Modernist structures such as the Crown Hill Medical-Dental Clinic in Seattle (1947), the Hammack House in North Edmonds (1946), the Dr. Schueler House (1947) in Port Angeles, a variety of buildings at Camp Nor’wester (1946–62) on Lopez Island, the Lakewood Community Church (1949), and homes in Bellevue’s Norwood Village (1951).
From 1950 to 1957 Kirk worked again as sole practitioner. During this time, his designs for single-family residences displayed characteristics of the International style with flat roofs, bands of windows, and simple cubic shapes. Noteworthy examples include the Lewis Dowell House (1954) in Seattle, the George Tavernites House (1952) in Seattle, and the Lake City Clinic (1952). Eventually, Kirk dismissed the International style “as an architecture which has been imposed on the land by man.”
During the 1950s Kirk's projects displayed an increasing tendency towards complex structural detailing, often with exposed layers of wood framing. This is visible in his designs for the Group Heath Cooperative Northgate Clinic (1958), the Blakeley Clinic (1957), and the University Unitarian Church (1959). Many of Kirk’s residential work during this time gained national attention. Among them was the Frank Gilbert House (1957) in the Highlands, the Bowman House (1956) in Kirkland and the Evans House (1956) on Mercer Island. In 1957, several of his projects were selected by a jury for House and Garden magazine to receive four of five national design awards. Other work was featured in Sunset Magazine and McCall’s Book of Modern Houses.
As accolades came in, business increased for the firm. In 1957, he established Paul Hayden Kirk & Associates. Three years later, after promoting Donald S. Wallace, and David A. McKinley to partnership level, the firm was reorganized as Kirk, Wallace, McKinley & Associates. In 1960, in association with Victor Steinbrueck, he designed the University of Washington Faculty Center (later known as the UW Faculty Club), honored with design awards from AIA Washington and the American Institute of Steel Construction and published in Progressive Architecture and Steel Construction Digest. Projects from this period also include the Magnolia Branch, Seattle Public Library (1963), the Japanese Presbyterian Church (1963), the French Administration Building at Washington State University (1967), Edmond Meany Hall at University of Washington (1974), the IBM Office Building (1965) in Spokane, and the Alexander Graham Bell Elementary School (1967) in Kirkland.
Kirk’s work was widely published. Between 1945 and 1970, his designs were included in over sixty articles in various national architectural publications. His work was respected both locally and nationally, which led to Kirk’s election as a Fellow of the AIA in 1959. In 1976 he was elected into the National Academy of Design as an Associate member and became a full Academician in 1994.
Kirk was also active in civic affairs in Seattle. Throughout his career he served as a frequent juror of professional design competitions. He was appointed to the City of Seattle Housing Board; served as president of the Seattle Art Museum's Contemporary Arts Council; served as president of the Seattle Chapter of the AIA; and was a trustee on the boards of the Arboretum Foundation and the Bloedel Reserve. With architect John Morse, he authored a plan to purchase and rehabilitate buildings in the Pike Place Market as a city facility in 1969, a step that led to the Market's eventual preservation.
Paul Hayden Kirk retired from practice and transferred his firm to partner David McKinley in 1979. He died in Kirkland on May 22, 1995.

Jaap_Bakema

Jacob Berend "Jaap" Bakema (8 March 1914 – 20 February 1981) was a Dutch modernist architect, notable for design of public housing and involvement in the reconstruction of Rotterdam after the Second World War.Born in Groningen, Bakema studied at the Groningen Higher Technical College (1931–1936) and the Academy of Architecture in Amsterdam, where he studied among others with Mart Stam. In 1946 he began attending meetings of the Congrès International d'Architecture Moderne, became its Secretary in 1955, and was a core member of its offshoot Team 10.From 1948 onward, Bakema worked with Jo van den Broek in the architectural firm Van den Broek and Bakema. They collaborated to design landmarks and neighborhoods in Rotterdam and around the Netherlands, and participated in the 1957 Interbau project in Berlin.
In 1964 Bakema became a professor at Delft University of Technology, and in 1965 became a professor at Staatliche Hochschule in Hamburg.

Charlotte_Perriand

Charlotte Perriand (French pronunciation: [ʃaʁlɔt peʁjɑ̃]; 24 October 1903 – 27 October 1999) was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment."
Charlotte liked to take her time in a space before starting the design process. In Perriand's Autobiography, "Charlotte Perriand: A Life of Creation", she states: "I like being alone when I visit a country or historic site. I like being bathed in its atmosphere, feeling in direct contact with the place without the intrusion of a third party." Her approach to design includes taking in the site and appreciating it for what it is. Perriand felt she connected with any site she was working with or just visiting she enjoyed the living things and would reminisce on a site that was presumed dead.