Hans Nathan Feibusch (15 August 1898 – 18 July 1998) was a German painter and sculptor of Jewish heritage who lived and worked in Britain from 1933 until his death. He is best known for his murals, particularly in Anglican churches. In all he worked in thirty Anglican churches (28 as a muralist, and two—including Ely Cathedral—as sculptor only) and produced what is probably the largest body of work in his particular métier by any artist in the history of the Church of England.
Ludwig Hirschfeld Mack (11 July 1893, in Frankfurt-am-Main – 7 January 1965, in Allambie Heights, in Sydney) was a German-born Australian artist.
His formative education was 1912–1914 at Debschitz art school in Munich. He studied at the Bauhaus from 1919–24 and remained working there until 1926 where, along with Kurt Schwerdtfeger, he further developed the Farblichtspiele ('coloured-light-plays'), which used a projection device to produced moving colours on a transparent screen accompanied by music composed by Hirschfeld Mack. It is now regarded as an early form of multimedia. He was a participant, along with the former Bauhaus master Gertrud Grunow, in den II. Kongreß für Farbe-Ton-Forschung (Hamburg 1. - 5. Oktober 1930) (English: Second Congress for Colour-Sound Research, Hamburg). In 1923 he participated in the prestigious film festival "Der Absolute Film in Berlin with other film producers such as Hans Richter Viking Eggeling, Walter Ruttmann, Fernand Léger. Francis Picabia and Renée Clair. Music and colour theory remained lifelong interests, informing his art work in a number of media, and it was the inspiration for his well-respected and influential teaching.
Walter Rudolf Leistikow (1865–1908) was a German landscape painter, graphic artist, designer and art critic.
Hans Paul Klimsch (15 June 1868 in Frankfurt – 4 June 1917) was a German Impressionist painter and illustrator, best known for his landscapes and animals. He was one of the foremost representatives in Germany of the plein air style.
Johann Georg Mohr (1864–1943) was a German painter, associated with the Kronberger Malerkolonie.
He was born in the Free City of Frankfurt, where he studied at the Städelschule and at the Academy of Berlin. Among his classmates at the Städel Institute included Fritz Rumpf, Robert Forell, Oscar Goebel, Jacob Happ (1861-1936) and the sculptor Hugo Kauffmann. In the first decade of the 20th century Mohr founded his own art school in Frankfurt. He died at the age of 79 in his hometown.
Johann Heinrich Philipp Franck (9 April 1860, Frankfurt am Main - 13 March 1944, Berlin) was a German Impressionist painter, graphic artist and illustrator.
Werner Gilles (29 August 1894 – 23 June 1961) was a German artist.
Gilles was born in Rheydt/Rheinland (today Mönchengladbach) He found his artistic calling while at the academies of Kassel and Weimar, studying under Lyonel Feininger of the Bauhaus school. He later moved after 1921 to Ischia, Italy. He moved to Düsseldorf in 1923, but between 1925 and 1930 he also worked in Berlin and Paris and lived in both during the period.
The Nazi regime named him as a degenerate artist from the 1930s, and he had to stop working until after the war. From 1951 he moved to München in the winter, and Ischia in the summer. He died in Essen in 1961.
Johann Wilhelm Preyer (July 19, 1803 – February 20, 1889) was a German still life painter of the Düsseldorf school of painting.
Georg Friedrich Zundel (13 October 1875 in Iptingen, Wiernsheim – 7 June 1948 in Stuttgart) was a German painter, farmer and art patron.
At the age of fourteen, he went to Pforzheim, where he successfully finished an apprenticeship as a painter in 1891. He then worked as a scene painter at a Frankfurt theatre for six years, before deciding to study art in Karlsruhe, later in Stuttgart, in 1897/98. He was, however, expelled from the State Academy of Fine Arts Stuttgart, after organising a student protest (strike).
His rebellious behaviour was mainly sparked by socialist ideas, that he had taken up in the previous years; in this context, he wanted to fight exploitation and repression of workers. Around the same time, he began a relationship with the much older socialist and feminist editor, politician and translator Clara Zetkin. They married in 1899. From 1903 until their separation in 1928, they lived at a house in Sillenbuch, outside of Stuttgart, where many socialist leaders visited them (most famously Vladimir Lenin in 1907).
In his early years, Zundel painted in the style of realism, mostly choosing socialist motives, often very detailed portrayals of working-class people. He also designed posters and interiors of homes for workers. Later, in the 1910s, he began to focus more on religious and mythological motives. This led to increasing estrangement between Clara Zetkin and him; they split and divorced in 1927.
The following year, Zundel married Paula Bosch, daughter of the industrialist Robert Bosch, whom he had known (and once portrayed) since she had been a child. The couple moved into a farmhouse on a hill, the so-called "Berghof", near Tübingen, which Zundel himself had designed in 1921, and which had been financed by Robert Bosch for his daughters. He started to work as a farmer, painting occasionally, with the focus on idealistic and Christian motives. Paula's and his son Georg (later a famous physical chemist and philanthropist) was born in 1931.
Zundel died in Stuttgart in 1948 and was buried at Tübingen's Stadtfriedhof (site of the graves of Friedrich Hölderlin and Ludwig Uhland).
His widow Paula and her sister Margarete Fischer-Bosch founded Tübingen's now most famous museum, the Kunsthalle Tübingen, in honour of Zundel, in 1971.
Rudolf Levy (15 July 1875, in Stettin – January 1944, in Italy or Auschwitz) was a German expressionist painter of Jewish ancestry.