19th-century German painters

Bernhard Hoetger (4 May 1874 in Dortmund – 18 July 1949 in Interlaken) was a German sculptor, painter and handicrafts artist of the Expressionist movement.

Wilhelm von Kaulbach (15 October 1805 – 7 April 1874) was a German painter, noted mainly as a muralist, but also as a book illustrator. His murals decorate buildings in Munich. He is associated with the Düsseldorf school of painting.

Arthur Kampf (28 September 1864 – 8 February 1950) was a German painter. He was associated with the Düsseldorf school of painting.

Fidus was the pseudonym used by German illustrator, painter and publisher Hugo Reinhold Karl Johann Höppener (October 8, 1868 – February 23, 1948). He was a symbolist artist, whose work directly influenced the psychedelic style of graphic design of the late 1960s.

Max Slevogt (8 October 1868 – 20 September 1932) was a German Impressionist painter and illustrator, best known for his landscapes. He was, together with Lovis Corinth and Max Liebermann, one of the foremost representatives in Germany of the plein air style.

Carl Spitzweg (February 5, 1808 – September 23, 1885) was a German romantic painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.

Franz Ritter von Stuck (February 23, 1863 – August 30, 1928), born Franz Stuck, was a German painter, sculptor, printmaker, and architect. Stuck was best known for his paintings of ancient mythology, receiving substantial critical acclaim with The Sin in 1892. In 1906, Stuck was awarded the Order of Merit of the Bavarian Crown and was henceforth known as Ritter von Stuck.

Wilhelm Maria Hubertus Leibl (October 23, 1844 – December 4, 1900) was a German realist painter of portraits and scenes of peasant life.

Anselm Feuerbach (12 September 1829 – 4 January 1880) was a German painter. He was the leading neoclassical painter of the German 19th-century school.

Adrian Ludwig Richter (September 28, 1803 – June 19, 1884) was a German painter and etcher, who was strongly influenced by Erhard and Chodowiecki. He was a representative of both Romanticism and Biedermeier styles.
He was the most popular, and in many ways the most typical German illustrator of the middle of the 19th century. His work is described as typically German and homely as are the fairy-tales of Grimm, for whom he produced several woodcuts.