Suicides by firearm in Germany

Walther_Model

Otto Moritz Walter Model (IPA: [ˈmoːdəl]; 24 January 1891 – 21 April 1945) was a German Generalfeldmarschall during World War II. Although he was a hard-driving, aggressive panzer commander early in the war, Model became best known as a practitioner of defensive warfare. His relative success as commander of the Ninth Army in the battles of 1941–1942 determined his future career path.
Model first came to Hitler's attention before World War II, but their relationship did not become especially close until 1942. His tenacious style of fighting and loyalty to the Nazi regime won him plaudits from Hitler, who considered him one of his best field commanders and repeatedly sent him to salvage apparently desperate situations on the Eastern Front as commander of Army Group North, Army Group North Ukraine and
Army Group Centre.
In August 1944 Model was sent to the Western Front as commander of OB West and Army Group B. His relationship with Hitler broke down by the end of the war after the German defeat at the Battle of the Bulge. In the aftermath of the defeat of Army Group B and its encirclement in the Ruhr Pocket, Model took his own life on 21 April 1945.

Heinrich_Von_Kleist

Bernd Heinrich Wilhelm von Kleist (18 October 1777 – 21 November 1811) was a German poet, dramatist, novelist, short story writer and journalist. His best known works are the theatre plays Das Käthchen von Heilbronn, The Broken Jug, Amphitryon and Penthesilea, and the novellas Michael Kohlhaas and The Marquise of O. Kleist died by suicide together with a close female friend who was terminally ill.
The Kleist Prize, a prestigious prize for German literature, is named after him, as was the Kleist Theater in his birthplace Frankfurt an der Oder.

Hans_Leybold

Hans Leybold (2 April 1892 – 8 September 1914) was a German expressionist poet, whose small body of work was a major inspiration behind much of the Dada movement, in particular the works of his close friend Hugo Ball. Although Leybold died two years before the emergence of Dada, his absurdist writings and poems represent an important stage in the development of expressionist movement in Germany.
Born into a middle-class family in Frankfurt am Main, Leybold was raised in Hamburg where he completed his schooling in 1911 and joined the German Army. In his compulsory year of conscription he impressed his superior officers so much he was offered a commission and embarked on a military career. Taking a leave of absence to attend university, Leybold traveled to Munich to study German literature and whilst there he fell in with the crowd of German poets and authors who would head the Dada movement post-war. These figures included Richard Huelsenbeck, Emmy Hennings, Klabund, Johannes R. Becher, Franz Jung and most importantly of all his particular friend Hugo Ball. It was Ball who interested Leybold in the expressionist movement and soon the two of them were soon producing poetry together under the pseudonym Ha Hu Baley. In the company of these authors, Leybold experimented wildly with technique and imagery in his poetry, seeking both to develop his skills and in the process deconstruct poetry itself, heavily influenced by Alfred Kerr and Friedrich Nietzsche. In consequence of his literary experimentation, his studies went neglected and he began to edit and contribute to expressionist magazines, such as Die Aktion and his own work, the short lived magazine Revolution, in which he and his colleagues issued their literary manifesto.
"Protect yourself against responsibilities! Hit out: against old household rubbish! And if some valuable piece gets torn up in the process: what does it matter? You respected people! You well-polished ones! You bigwigs! We ought to stick our tongues out at you! Boys, you'll say. Old men! we'll reply"
In August 1914 the First World War erupted and Leybold was immediately called up as an active reservist. Less than a month later, Leybold was seriously wounded during operations near Namur and was evacuated to a casualty clearing hospital. He recovered rapidly from his wound but on 8 September, the night he returned to his regiment, he committed suicide by gunshot to the head. His death was never fully explained, although a rumour persisted that he had syphilis and had given up on survival following his wound. His works were collected together many years after his death, as he never had a book published independently, and he is now recognised as an important influence both on Dadism and German expressionism itself.

Max_Joseph_von_Pettenkofer

Max Joseph Pettenkofer, ennobled in 1883 as Max Joseph von Pettenkofer (3 December 1818 – 10 February 1901) was a Bavarian chemist and hygienist. He is known for his work in practical hygiene, as an apostle of good water, fresh air and proper sewage disposal. He was further known as an anti-contagionist, a school of thought, named later on, that did not believe in the then novel concept that bacteria were the main cause of disease. In particular he argued in favor of a variety of conditions collectively contributing to the incidence of disease including: personal state of health, the fermentation of environmental ground water, and also the germ in question. He was most well known for his establishment of hygiene as an experimental science and also was a strong proponent for the founding of hygiene institutes in Germany. His work served as an example which other institutes around the world emulated.

Amelie_Beese

Amelie Hedwig Boutard-Beese (13 September 1886 – 22 December 1925), also known as Melli Beese, was the first female German pilot, and airplane engineer female aviator.