Articles with KULTURNAV identifiers

Léon Augustin Lhermitte (French pronunciation: [leɔ̃ oɡystɛ̃ lɛʁmit]; 31 July 1844 – 28 July 1925) was a French naturalist painter and etcher whose primary subject matter was rural scenes depicting peasants at work.

Hans Hartung (21 September 1904 – 7 December 1989) was a German-French painter, known for his gestural abstract style. He was also a decorated World War II veteran of the Legion d'honneur.

Hugo Junkers (3 February 1859 – 3 February 1935) was a German aircraft engineer and aircraft designer who pioneered the design of all-metal airplanes and flying wings. His company, Junkers Flugzeug- und Motorenwerke AG (Junkers Aircraft and Motor Works), was one of the mainstays of the German aircraft industry in the years between World War I and World War II. His multi-engined, all-metal passenger- and freight planes helped establish airlines in Germany and around the world.
In addition to aircraft, Junkers also built both diesel and petrol engines and held various thermodynamic and metallurgical patents. He was also one of the main sponsors of the Bauhaus movement and facilitated the move of the Bauhaus from Weimar to Dessau (where his factory was situated) in 1925.
Amongst the highlights of his career were the Junkers J 1 of 1915, the world's first practical all-metal aircraft, incorporating a cantilever wing design with virtually no external bracing, the Junkers F 13 of 1919 (the world's first all-metal passenger aircraft), the Junkers W 33 (which made the first successful heavier-than-air east-to-west crossing of the Atlantic Ocean), the Junkers G.38 "flying wing", and the Junkers Ju 52, affectionately nicknamed "Tante Ju", one of the most famous airliners of the 1930s.
When the Nazis came into power in 1933, they requested Junkers and his businesses aid in the German re-armament. When Junkers declined, the Nazis placed him under house arrest in 1934 and eventually seized control of his patents and company. He died the following year. Under Nazi control, his company produced some of the most successful German warplanes of the Second World War.

Henri-Joseph Harpignies (French pronunciation: [ɑ̃ʁi ʒɔzɛf aʁpiɲi]; June 28, 1819 – August 28, 1916) was a French landscape painter of the Barbizon school.

Sir Muirhead Bone (23 March 1876 – 21 October 1953) was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars.
A figure in the last generation of the Etching Revival, Bone's early large and heavily-worked architectural subjects fetched extremely high prices before the Wall Street Crash of 1929 deflated the collectors' market. He was well known, if not notorious, for publishing large numbers of different states of etchings, encouraging collectors to buy several impressions.
Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War. He promoted the work of many young artists and served as a Trustee of the Tate Gallery, the National Gallery, and the Imperial War Museum.

Willi Baumeister (22 January 1889 – 31 August 1955) was a German painter, scenic designer, art professor, and typographer. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.

Dany Robin (French pronunciation: [dani ʁɔbɛ̃]; 14 April, 1927 – 25 May, 1995) was a French actress of the 1950s and the 1960s.

Roland Topor (7 January 1938 – 16 April 1997) was a French illustrator, cartoonist, comics artist, painter, novelist, playwright, film and TV writer, filmmaker and actor, who was known for the surreal nature of his work. He was of Polish-Jewish origin. His parents were Jewish émigrés from Warsaw, Poland. He spent the early years of his life in Savoy, where his family hid him from the Gestapo.

Charlotte Perriand (French pronunciation: [ʃaʁlɔt peʁjɑ̃]; 24 October 1903 – 27 October 1999) was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment."
Charlotte liked to take her time in a space before starting the design process. In Perriand's Autobiography, "Charlotte Perriand: A Life of Creation", she states: "I like being alone when I visit a country or historic site. I like being bathed in its atmosphere, feeling in direct contact with the place without the intrusion of a third party." Her approach to design includes taking in the site and appreciating it for what it is. Perriand felt she connected with any site she was working with or just visiting she enjoyed the living things and would reminisce on a site that was presumed dead.

Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material goods.