Articles with KULTURNAV identifiers

Jean_Messagier

Jean Messagier (Paris, 13 July 1920 – Montbéliard, 10 September 1999) was a French painter, sculptor, printmaker and poet. Jean Messagier had his first solo exhibition in Paris at Galerie Arc-en-Ciel in 1947. From 1945 to 1949 the artist worked under the influence of Pablo Picasso, André Masson, Paul Klee and François Desnoyer, his professor at École nationale supérieure des arts décoratifs in Paris. Messagier again was revealed to the public at an exhibition organized by Charles Estienne at the Galerie de Babylone in 1952, entitled "La Nouvelle École de Paris" (The New School of Paris). The following year, Messagier deliberately broke away from his expressionistic form of Post-Cubism; his inspirations now focused on Jean Fautrier and Pierre Tal-Coat to develop a personal vision in which he renders "light...approached abstractly." Jean Messagier is often associated with Lyrical abstraction, Tachisme, Nuagisme, Art informel and paysagisme abstrait, though the artist himself had never accepted any labels, and had always refused the distinction between abstraction and figuration. From 1962 until the year of his death Jean Messagier exhibited in France and abroad, taking part in some major international events as a representative of new trends in French painting.

Edmond_Aman-Jean

Sommaire

Début
Description
Conditions d’utilisation

Edmond Aman-Jean (13 January 1858, Chevry-Cossigny – 25 January 1936, Paris) was a French symbolist painter, who co-founded the Salon des Tuileries in 1923.

Jean-Robert_Ipoustéguy

Jean-Robert Ipoustéguy ((1920-01-06)January 6, 1920 – (2006-02-08)February 8, 2006), a figurative French sculptor, was born "Jean Robert" in Dun-sur-Meuse. His artwork had a distinct style, combining abstract elements with the human figure, often in the écorché style of French anatomists. The American writer John Updike once wrote that he "may be France's foremost living sculptor, but he is little known in the United States".: 157  He and other critics noted sharp contrasts between rough and smooth, abstract and realistic, tender and violent, delicate and crude, and many other paired oppositions in his artwork, and his recurrent themes of sex, birth, growth, decay, death, and resurrection.: 158–171 
Ipoustéguy was unafraid to depict emotional intensity in a sometimes controversial way; several of his major commissioned works were rejected, but later installed as planned, or in other locations.

Charles-François_Daubigny

Charles-François Daubigny ( DOH-bin-yee, US: DOH-been-YEE, doh-BEEN-yee, French: [ʃaʁl fʁɑ̃swa dobiɲi]; 15 February 1817 – 19 February 1878) was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism.
He was also a prolific printmaker, mostly in etching but also as one of the main artists to use the cliché verre technique.