20th-century French male singers

Gérard Blanc (8 December 1947 – 24 January 2009) was a French singer, guitarist and actor.

Giani Esposito (23 August 1930 – 1 January 1974) was a French film actor and singer-songwriter.
Esposito was born from the union of a French mother with an Italian father in Etterbeek (Belgium), and he died from viral hepatitis in Neuilly-sur-Seine, France. He appeared in 50 films between 1951 and 1973.
As singer-songwriter, between 1958 and 1973, he recorded numerous albums marked with spirituality and poetry. His biggest success is The Clowns (Les Clowns, 1957), several covers by Raymond Devos, Jeanne-Marie Sens, Hervé Vilard and Bernard Lavilliers.
He was married with the French actress Pascale Petit and they had a girl, Doushka Esposito (born in 1963), today singer, and younger, under the name of Douchka, she was ambassadress of Walt Disney's productions on the French television.

Patrick Pierre Hernandez (born 6 April 1949) is a French singer who had a worldwide hit with "Born to Be Alive" in 1979.

Daniel Rozoum (20 May 1959 – 28 February 2013), known as Daniel Darc, was a French singer, who achieved success with his band Taxi Girl (together with Mirwais Ahmadzaï) between 1978 and 1986, and also as a solo artist.
After Taxi Girl was disbanded in 1986, he continued a solo career, releasing Sous influence divine in 1987. Produced by Jacno, this included a cover version of "Comment te dire adieu", a song with lyrics by Serge Gainsbourg that had been popularized by Françoise Hardy. In 1994 he released Nijinsky, followed by two albums in cooperation with composer, director and producer Frédéric Lo: Crève cœur in 2004 and then Amours suprêmes in 2008, with appearances by Alain Bashung, Robert Wyatt, Morgane (singer of Cocoon) and Steve Nieve. The title of the latter album is a reference to "A Love Supreme" by John Coltrane.
The last album released while he was alive was La Taille de mon âme in 2011. Darc died on 28 February 2013. He was 53.Some of his materials were released posthumously in 2013 under the title Chapelle Sixteen

Éric Charden (French pronunciation: [eʁik ʃaʁdɛ̃]; born Jacques-André Puissant [ʒak‿ɑ̃dʁe pɥisɑ̃]; 15 October 1942 – 29 April 2012) was a French singer and songwriter, best known for his collaborations with singer Stone, with whom they formed the band Stone et Charden.Éric Charden was born in Haiphong, French Indochina during World War II. He is from a French father (who was a port engineer in France and overseas) and a Tibetan mother. He moved to Marseille, France, in 1950 with his mother (his father returned to France in 1954) and graduated with a Baccalauréat from HEC Paris in 1960.
He alongside Annie Gautrat were both decorated with the honorable Legion of Honour on 1 January 2012 just months before his death from cancer at age 69.

Gérard Rinaldi (February 17, 1943 – March 2, 2012) was a French actor, musician, lyricist, artistic director and singer with Les Charlots.

Pierre Bachelet (25 May 1944 – 15 February 2005) was a French singer-songwriter and film score composer. He was also known as Andrew Bacson.
He died of lung cancer in 2005.

Claude Dhotel (born 21 December 1946 in Paris, France; died 14 March 2000), better known by his stage name C. Jérôme, was a French singer.

Frank Alamo (born Jean-François Grandin; 12 October 1941 – 11 October 2012) was a French singer. He achieved his greatest success in the 1960s.

Camille Maurane (November 29, 1911 – January 21, 2010), born Camille Moreau, was a French baryton-martin singer. His father was a music teacher and he started singing as a child in the Maîtrise Saint-Evode in Rouen. The sudden death of his mother and family upheaval meant a break of twelve years in regular singing.
He studied at the Paris Conservatoire in the class of Claire Croiza from 1936 to 1939. He began his professional career as a singer in 1940 at the Opéra-Comique in Paris. After his debut as the Moine musicien in Le Jongleur de Notre-Dame on 14 January 1940, he went to create the following roles at the Opéra-Comique:

the captain (Nèle Dooryn, 1940)
Doria (Ginevra, 1942)
a man, a peasant (Mon Oncle Benjamin, 1942)
a young man (Le Oui des Jeunes Filles, 1949).
Un Soldat (Dolorès, 1952)He also sang in The Barber of Seville, La Basoche, Carmen, Lakmé, Louise, Madame Bovary, Madame Butterfly, Werther, Pelléas et Mélisande and oratorios like La Chanson du mal-aimé. He was occasionally billed under the name Moreau.His voice was typical of the baryton-martin range (between baritone and tenor). He is famous for his interpretation of Debussy's Pelléas, for which he took part in three complete recordings of Pelléas et Mélisande. He is also regarded as one of the best interpreters of French mélodies, of which he left many recordings, since reissued on CD, and of Fauré's Requiem. His repertoire extended back to music of Rameau through to Arthur Honegger, Léo Ferré and other contemporaries.
A dedicated teacher, he taught at the Paris Conservatory until 1981.