Writers from Paris

Jean_Luc_Godard

Jean-Luc Godard (UK: GOD-ar, US: goh-DAR; French: [ʒɑ̃ lyk ɡɔdaʁ]; 3 December 1930 – 13 September 2022) was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).During his early career as a film critic for the influential magazine Cahiers du Cinéma, Godard criticised mainstream French cinema's "Tradition of Quality", which de-emphasised innovation and experimentation. In response, he and like-minded critics began to make their own films, challenging the conventions of traditional Hollywood in addition to French cinema. Godard first received global acclaim for his 1960 feature Breathless, helping to establish the New Wave movement. His work makes use of frequent homages and references to film history, and often expressed his political views; he was an avid reader of existentialism and Marxist philosophy, and in 1969 formed the Dziga Vertov Group with other radical filmmakers to promote political works. After the New Wave, his politics were less radical, and his later films came to be about human conflict and artistic representation "from a humanist rather than Marxist perspective."Godard was married three times, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films, and later to his longtime partner Anne-Marie Miéville. His collaborations with Karina — which included such critically acclaimed films as Vivre sa vie (1962), Bande à part (1964) and Pierrot le Fou (1965) — were called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. In a 2002 Sight & Sound poll, Godard ranked third in the critics' top ten directors of all time. He is said to have "generated one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." His work has been central to narrative theory and has "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award.

Madame_de_Stael

Anne Louise Germaine de Staël-Holstein (French: [an lwiz ʒɛʁmɛn də stal ɔlstajn]; née Necker; 22 April 1766 – 14 July 1817), commonly known as Madame de Staël (French: [madam də stal]), was a prominent woman of letters and political theorist in both Parisian and Genevan intellectual circles. She was the daughter of banker and French finance minister Jacques Necker and Suzanne Curchod, a respected salonhostess. Throughout her life, she held a moderate stance during the tumultuous periods of the French Revolution and the Napoleonic era, persisting until the time of the French Restoration.Her presence at critical events such as the Estates General of 1789 and the 1789 Declaration of the Rights of Man and of the Citizen underscored her engagement in the political discourse of her time. However, Madame de Staël faced exile for extended periods: initially during the Reign of Terror and subsequently due to personal persecution by Napoleon. She claimed to have discerned the tyrannical nature and ambitions of his rule ahead of many others.During her exile, she fostered the Coppet group, a network that spanned across Europe, positioning herself at its heart. Her literary works, emphasizing individuality and passion, left an enduring imprint on European intellectual thought. De Staël's repeated championing of Romanticism contributed significantly to its widespread recognition.While her literary legacy has somewhat faded with time, her critical and historical contributions hold undeniable significance. Though her novels and plays may now be less remembered, the value of her analytical and historical writings remains steadfast. Within her work, de Staël not only advocates for the necessity of public expression but also sounds cautionary notes about its potential hazards.

Reid_Buckley

Fergus Reid Buckley (July 14, 1930 – April 14, 2014) was an American writer, speaker, and educator. Buckley was the founder of The Buckley School of Public Speaking. Among his books is a history of his family, An American Family—The Buckleys (2008).

Roger_Arnaldez

Roger Arnaldez (13 September 1911 – 7 April 2006, aged 94) was a French professor of Islamic studies born in Paris, and also a publisher of Philo.
Arnaldez was elected a member of the Académie des sciences morales et politiques 10 February 1986 and présided the Académie in 1997. He is also associate member of the Royal Academy of Science, Letters and Fine Arts of Belgium and corresponding member of the Cairo Academy of Arabic Language.
He was quoted by Pope Benedict XVI in his famous speech which led to the Regensburg controversy.
Roger Arnaldez was also interested in an English author, Gilbert K. Chesterton (29 May 1874 – 14 June 1936), to whom he devoted a book.

Léon_Gandillot

Léon Gandillot (20-25 January 1862 – 21 September 1912) was a French playwright.
Gandillot was the nephew of the librettist and dramatist Hector Crémieux. In 1886, his first comédie en vaudeville Les Femmes collantes gave him the opportunity to be known very quickly. He later gained other successes with comedies such as La Mariée récalcitrante, La Course aux jupons, and Ferdinand le noceur. Two of these plays have until now been adapted to film: Les Femmes collantes twice, in 1919 by Georges Monca and in 1938 by Pierre Caron as well as Ferdinand le noceur in 1934 by René Sti.

Paul_Lacroix

Paul Lacroix (French: [lakʁwa]; 27 February 1806 – 16 October 1884) was a French author and journalist. He is known best by his pseudonym P.L. Jacob, bibliophile, or Bibliophile Jacob, suggested by his great interest in libraries and books generally.

Léon_Xanrof

Léon Alfred Fourneau (9 December 1867, in Paris – 17 May 1953, in Paris) was a French humourist, music-hall artist, playwright and songwriter. Originally trained as a lawyer he invented the stage- and pen name Xanrof by inversion of the Latin fornax of his French surname fourneau ("furnace"), before finally legally changing his name to Léon Xanrof. Yvette Guilbert experienced early success singing Xanrof's songs at Rodolphe Salis' cabaret Le Chat Noir.
Born in an bourgeois upper middle class environment, with his father a wealthy physician,young Leon Fourneau was inclined to a literary and poetry career, but his family insisted on him graduating (Baccalauréat) and taking up further éducation (he obediently undertook successful law studies and registered at the paris bar, aged 23), but he still felt inclined to song and opérette writing.
The Xanrof alias was a measure of appeasement towards his family and the bar auhorities as léon Fourneau kept writing and publishing songs for cabaret singers.
A bizarre incident then occurred: As he was crossing the bustling rue Lepic (Lower Montmartre)he was almost run down by a closed winter Fiacre (French Hansom cab with a closed body). The reason for the cab driver being neglectful was both salacious and funny: As Leon Fourneau was dusting himself he saw one of the cab's blinds briefly lifted and got a glimpse of a half-naked couple gazing at him . The cab-ride was what was termed a "course d'alcôve" (lovebed-ride),a not unfrequent instance in "Belle époque"Paris where illegitimate couples enjoyed "comprehensive flirtation" in the intimacy of a cab (At least two short humoristic tales by Alphonse Allais harp on this particular theme).
Leon Fourneau quickly wrote a witty and somewhat racy song called ''Le Fiacre, he was paid 50 gold francs for it and the song was inserted in a comic intermede in an operette called "Les Mohicans de Paris"adapted from a novel By Alexandre Dumas about Paris underworld.
In this song a cuckolded old man walking in a Parisian street hears kisses, moans, and his wife's voice coming from inside a suspiciously rolling and pitching cab. He rushes forward, trips on the slippery wooden paved road ad is squashed to death by the cab. The lady then opens the door and rejoices, telling her lover that they do not need hiding any more. She then urges her lover to pay the princely tip of cent sous (Five gold francs) to the cab driver.
The song then rocketed to French and international success when it was sung by the then-beginner Yvette Guilbert.
Yvette Guilbert's career as a singer was definitely launched and most of her best-remembered songs where written by Léon Fourneau who undertook official action to have his pen name duly registered as his official surname. In time he would resign from the bar, taking up full time operette and song writing work and being elected at the SACEM board (SACEM stands for Société des Auteurs et Compositeurs de Musique and is the mutual organisation in charge of music author's rights).