French male painters

Henri Cadiou (March 26, 1906, Paris – April 6, 1989) was a French realist painter and lithographer, best known for his work in trompe-l'œil paintings. He is credited with being a founder of the l’école de la réalité in 1949 (now called Mouvement Trompe-l'œil-réalité). The movement, a reaction against abstract art, became relevant at the Salon de Mai of 1960, where Cadiou exhibited almost photorealistic paintings. These paintings (in particular Shower Curtain and Electoral Panel) caused a stir in the artistic community.Cadiou’s trompe-l'œil paintings feature large groups of everyday objects depicted in a realistic style. He was also a painter of genre scenes.Due to renewed interest in precursors to contemporary hyperrealism, the group of painters associated with the “peintres de la réalité” have been seeing a contemporary resurgence, with recent exhibitions in Europe, Asia, and North America.

Félix Hilaire Buhot (July 9, 1847 - April 26, 1898) was a French painter and illustrator.

Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 – 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of that movement. He was a significant influence on Henri Matisse and many other artists. His work was instrumental in the development of Fauvism.

Jean-Gaspard-Félix Laché Ravaisson-Mollien (French: [ʁavɛsɔ̃ mɔljɛ̃]; 23 October 1813 – 18 May 1900) was a French philosopher, 'perhaps France's most influential philosopher in the second half of the nineteenth century'. He was originally and remains more commonly known as Félix Ravaisson.His 'seminal' 'key' work was De l’habitude (1838), translated in English as Of Habit. Ravaisson's philosophy is in the tradition of French Spiritualism, which was initiated by Pierre Maine de Biran (1766–1824) with the essay "The Influence of Habit on the Faculty of Thinking" (1802). However, Ravaisson developed his doctrine as what he called 'spiritualist realism' and 'spiritualist positivism', and – according to Ravaisson scholar Mark Sinclair – can be thought of as founding 'the school of contingency'. His most well known and influential successor was Henri Bergson, with whom the tradition can be seen to end during the 1930s; although the 'lineage' of this 'philosophy of life' can be seen to return in the late twentieth century with Gilles Deleuze. Ravaisson never worked in the French state university system, in his late 20s declining a position at the University of Rennes. In 1838 he was employed as the principle private secretary to the Minister of Public Instruction, going on to secure high-ranking positions such as Inspector General of Libraries, and then the Curator of Classical Antiquities at the Louvre. Later in his life he was appointed as the President of the Jury of the Aggregation of philosophy in France, 'a position of considerable influence'. Ravaisson, was not only a philosopher, classicist, archivist, and educational administrator, but also a painter exhibiting under the name Laché.

Adolphe Léon Willette (30 July 1857 in Châlons-sur-Marne – 4 February 1926 in Paris) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections.

Paul-Élie Ranson (29 March 1861 – 20 February 1909) was a French painter and writer associated with Les Nabis.

Martial Raysse (born 12 February 1936 in Golfe-Juan) is a French artist and actor. He lives in Issigeac, France. He holds the record for the most expensive work sold by a living French artist.

Paul Rebeyrolle (3 November 1926 in Eymoutiers – 7 February 2005 in Côte-d'Or) was a French painter.

Pierre Tal-Coat (real name Pierre Louis Jacob; 1905–1985) was a French artist considered to be one of the founders of Tachisme.

Pierre-Yves Trémois (8 January 1921 – 16 August 2020) was a French visual artist and sculptor, known for evocative works drawing in equal proportions on surrealism and science illustration, and for combining graphic precision and rigor with flamboyant fantasy. He was born in Paris.
He held seat #2 in the engraving section at the Académie des Beaux-Arts.