Vocation : Art : Fine art artist

Ferdinand Hodler (March 14, 1853 – May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".

Jean-Paul Laurens (French pronunciation: [ʒɑ̃pol loʁɑ̃]; 28 March 1838 – 23 March 1921) was a French painter and sculptor, and one of the last major exponents of the French Academic style.

Jacob Henricus Maris (August 25, 1837 – August 7, 1899) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. He was considered to be the most important and influential Dutch landscape painter of the last quarter of the nineteenth century. His first teacher was painter J.A.B. Stroebel who taught him the art of painting from 1849 to 1852. Jacob Maris's most known works are the series of portraits of the royal House of Orange, he worked on these with his brother Matthijs Maris. He is also known for landscapes such as Ship on the Scheveningen beach.

Hendrik Willem Mesdag (Dutch pronunciation: [ˈɦɛndrɪk ˈʋɪləm ˈmɛzdɑx]; 23 February 1831 – 10 July 1915) was a Dutch marine painter.

Jean-Jacques Henner (5 March 1829 – 23 July 1905) was a French painter, noted for his use of sfumato and chiaroscuro in painting nudes, religious subjects and portraits.

Adolphe Yvon (1817–1893) was a French painter known for his paintings of the Napoleonic Wars. Yvon studied under Paul Delaroche, rose to fame during the Second Empire, then finished his career as a teacher.

Jean-Louis-Ernest Meissonier (French: [ʒɑ̃ lwi ɛʁnɛst mɛsɔnje]; 21 February 1815 – 31 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille.
Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae".Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The Grande Maison included two large studios, the atelier d'hiver, or winter workshop, situated on the top floor of the house, and at ground level, a glass-roofed annexe, the atelier d'été or summer workshop. Meissonier himself said that his house and temperament belonged to another age, and some, like the critic Paul Mantz for example, criticised the artist's seemingly limited repertoire. Like Alexandre Dumas, he excelled at depicting scenes of chivalry and masculine adventure against a backdrop of pre-Revolutionary and pre-industrial France, specialising in scenes from seventeenth- and eighteenth-century life.

Jean-François Millet (French pronunciation: [ʒɑ̃ fʁɑ̃swa milɛ]; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings.