Traits : Personality : Perfectionist

Andy_Griffith

Andy Samuel Griffith (June 1, 1926 – July 3, 2012) was an American actor, comedian, television producer, singer, and writer whose career spanned seven decades in music and television. Known for his Southern drawl, his characters with a folksy-friendly personality, as well as his gruff but friendly voice, Griffith was a Tony Award nominee for two roles. He gained prominence in the starring role in director Elia Kazan's film A Face in the Crowd (1957) and No Time for Sergeants (1958) before he became better known for his television roles, playing the lead roles of Andy Taylor in the sitcom The Andy Griffith Show (1960–1968) and Ben Matlock in the legal drama Matlock (1986–1995).

Francois_Truffaut

François Roland Truffaut (UK: TROO-foh, TRUU-, US: troo-FOH; French: [fʁɑ̃swa ʁɔlɑ̃ tʁyfo]; 6 February 1932 – 21 October 1984) was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. With a career of more than 25 years, he is an icon of the French film industry.
Truffaut's film The 400 Blows (1959) is a defining film of the French New Wave movement, and has four sequels: Antoine et Colette (1962), Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979). Truffaut's 1973 film Day for Night earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include Shoot the Piano Player (1960), Jules and Jim (1962), The Soft Skin (1964), The Wild Child (1970), Two English Girls (1971), The Last Metro (1980), and The Woman Next Door (1981). He played one of the main roles in Steven Spielberg's Close Encounters of the Third Kind (1977).
Truffaut wrote the book Hitchcock/Truffaut (1966), based on his interviews with film director Alfred Hitchcock during the 1960s.

Sir_Laurence_Olivier

Laurence Kerr Olivier, Baron Olivier, (; 22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career he had considerable success in television roles.
Olivier's family had no theatrical connections, but his father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End success in Noël Coward's Private Lives, and he appeared in his first film. In 1935 he played in a celebrated production of Romeo and Juliet alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an established star. In the 1940s, together with Richardson and John Burrell, Olivier was the co-director of the Old Vic, building it into a highly respected company. There his most celebrated roles included Shakespeare's Richard III and Sophocles's Oedipus. In the 1950s Olivier was an independent actor-manager, but his stage career was in the doldrums until he joined the avant-garde English Stage Company in 1957 to play the title role in The Entertainer, a part he later played on film. From 1963 to 1973 he was the founding director of Britain's National Theatre, running a resident company that fostered many future stars. His own parts there included the title role in Othello (1965), and Shylock in The Merchant of Venice (1970).
Among Olivier's films are Wuthering Heights (1939), Rebecca (1940) and a trilogy of Shakespeare films as actor/director: Henry V (1944), Hamlet (1948) and Richard III (1955). His later films included Spartacus (1960), The Shoes of the Fisherman (1968), Sleuth (1972), Marathon Man (1976) and The Boys from Brazil (1978). His television appearances included an adaptation of The Moon and Sixpence (1960), "Long Day's Journey into Night" (1973), Love Among the Ruins (1975), Cat on a Hot Tin Roof (1976), Brideshead Revisited (1981) and King Lear (1983).
Olivier's honours included a knighthood (1947), a life peerage (1970) and the Order of Merit (1981). For his on-screen work he received two Academy Awards, two British Academy Film Awards, five Emmy Awards and three Golden Globe Awards. The National Theatre's largest auditorium is named in his honour, and he is commemorated in the Laurence Olivier Awards, given annually by the Society of London Theatre. He was married three times, to the actresses Jill Esmond from 1930 to 1940, Vivien Leigh from 1940 to 1960, and Joan Plowright from 1961 until his death.

Gelsey_Kirkland

Gelsey Kirkland (born December 29, 1952) is an American ballerina. She received early ballet training at the School of American Ballet. Kirkland joined the New York City Ballet in 1968 at age 15, at the invitation of George Balanchine. She was promoted to soloist in 1969, and principal in 1972. She went on to create leading roles in many of the great twentieth century ballets by Balanchine, Jerome Robbins, and Antony Tudor, including Balanchine's revival of The Firebird, Robbins' Goldberg Variations, and Tudor's The Leaves are Fading.
Balanchine re-choreographed his version of Stravinsky's The Firebird specifically for her. She left the New York City Ballet to join the American Ballet Theatre in 1974 as a principal dancer.Kirkland appeared in the dance role of Clara Stahlbaum in Mikhail Baryshnikov's 1977 televised production of The Nutcracker, which Baryshnikov also acted in as the titular Nutcracker/Prince. She left the American Ballet Theatre in 1984.

Gerard_Schwarz

Gerard Schwarz (born August 19, 1947), also known as Gerry Schwarz or Jerry Schwarz, is an American symphony conductor and trumpeter. As of 2019, Schwarz serves as the Artistic and Music Director of Palm Beach Symphony and the Director of Orchestral Activities and Music Director of the Frost Symphony Orchestra at the Frost School of Music at the University of Miami.