American jazz flautists

Anthony Robert "Tony" Ortega (June 7, 1928 – October 30, 2022) was an American jazz clarinetist, saxophonist, and flautist.

Clifford Donley Scott (June 21, 1928 – April 19, 1993), born and raised in San Antonio, Texas, was an American saxophonist and flautist who played in jazz, blues, and R&B idioms.
Scott started as a drummer in a family band and also learned to play piano and violin before picking up clarinet as a teenager. He played in a house band led by James Hopkins at San Antonio's Avalon Grill in the late 1940s, then worked with Amos Milburn, Jay McShann, Lionel Hampton, Roy Brown, and Roy Milton. In 1955 he began working with Bill Doggett, and was a prominent soloist on many of Doggett's most famous recordings, including "Honky Tonk". He also recorded as a leader in the late 1950s and early 1960s and worked as a session musician for rock, pop, and R&B recordings. In the 1960s he worked with Sonny Thompson, Jimmy Witherspoon, Gerald Wilson, Onzy Matthews, and Frank Butler, and was a member of Ray Charles's ensemble from 1966 to 1968 and again in 1970. Late in his career he worked primarily locally in San Antonio, playing with George Prado and Jim Cullum, Jr.

William B. Lawsha, better known as Prince Lasha (), (September 10, 1929 – December 12, 2008) was an American jazz alto saxophonist, baritone saxophonist, flautist, clarinetist and English horn player.

John Wallace Carter (September 24, 1929 – March 31, 1991) was an American jazz clarinet, saxophone, and flute player. He is noted for the acclaimed Roots and Folklore series, a five-album concept album set inspired by African American life and experiences.

Clifford Everett "Bud" Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton's Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of "Harlem Nocturne" used as the theme song in Mickey Spillane's Mike Hammer. He is also well known for the alto flute solo on the song "California Dreamin'" recorded by The Mamas & the Papas in 1965.

Samuel Most (December 16, 1930 – June 13, 2013) was an American jazz flutist, clarinetist and tenor saxophonist, based in Los Angeles. He was "probably the first great jazz flutist", according to jazz historian Leonard Feather.