Vocation : Art : Photography

Elena Sánchez Valenzuela (2 March 1900 – 30 September 1950) was a Mexican actress, journalist and creator of the Mexican film archive. One of her country’s first silent film stars, she was also a feminist and suffragette.

Phillip Earl Niblock (October 2, 1933 – January 8, 2024) was an American composer, filmmaker, and videographer. In 1985, he was appointed director of Experimental Intermedia, a foundation for avant-garde music based in New York with a parallel branch in Ghent, Belgium.

Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi-documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, Berlin: Symphony of a Metropolis. His audio montage Wochenende (Weekend) (1930) is considered a major contribution in the development of audio plays.

Robert "Bob" Jackson (born April 8, 1934) is an American photographer. In 1964, Jackson, then working for the Dallas Times Herald, was awarded the Pulitzer Prize for Photography for his photograph of the murder of Lee Harvey Oswald by Jack Ruby.

Armand Sabatier (UK: , US: , French: [aʁmɑ̃ sabatje]; 13 January 1834 – 22 December 1910) was a French zoologist known for his studies of comparative anatomy of animals, and for his work in photography, discovering and publishing in 1860 the Sabattier effect, also known as pseudo-solarisation.He studied in Montpellier, where he took special mathematics courses in high school, then enrolled in medicine. He then did three years of internship in Lyon, then returned to Montpellier, where he defended in 1863 his doctoral thesis of medicine, entitled "Anatomical, physiological and clinical study on pulmonary auscultation in children".
He married Laure Gervais de Rouville and they had a daughter, Jeanne. During the Franco-Prussian War of 1870 he was surgeon in charge of the ambulances of the South.
After the war, he prepared his doctorate of sciences, which he obtained in 1873, after defending his thesis entitled "The heart and the central circulation of the vertebrates". He was appointed professor and chair of zoology of the faculty of sciences of Montpellier in 1876. He was Dean of the Faculty of Science from 1891 till 1904. In 1905 he founded and managed the maritime zoology station of Sète.
The sculptor Auguste Baussan made a bust of him which is situated at the University of Montpellier. The painter Edouard Marsal painted his portrait, situated at the Faculty of Sciences of Montpellier.
He was the founder of the independent Reformed Church of Montpellier. Sabatier supported the theory of evolutisme and gave a series of courses to the Protestant theology faculty of Montauban in 1884–1885.He was a member of the French Academy of Science from 1835 till his death in 1910 in the departments of zoology and anatomy, and a member of the Academy of Sciences and Letters of Montpellier (1871–1886). He was buried at the Protestant cemetery of Montpellier .

Charles (Carl Michael) Bernhoeft (22 July 1859 – 1933) was a photographer in Luxembourg, where he took portraits of the Grand Ducal court as well as numerous landscapes which he turned into postcards.

Marius Ely Joseph Sestier (8 September 1861 – 8 November 1928) was a French cinematographer. Sestier was best known for his work in Australia, where he shot some of the country's first films.
Born in Sauzet, Drôme, Sestier was a pharmacist by profession. He was employed by early filmmakers the Lumière brothers (Auguste and Louis Lumière) to demonstrate their cinématographe abroad. In this capacity he travelled to India in June 1896, where he held a showcase of six short films made by the Lumière brothers at Watson's Hotel, Bombay on 7 July 1896; this was the first time moving pictures had been shown in India. Sestier also shot his own films while in Bombay, but the Lumière brothers rejected these for their catalogue as they were not satisfied with the quality as French customs had opened the package of undeveloped film.After Sestier completed his work in India he travelled to Sydney where he met with Australian photographer Henry Walter Barnett, who had darkroom facilities to develop films locally.In September 1896 Sestier, Barnett and Charles Westmacott opened Australia's first cinema, the Salon Lumière in Pitt Street, Sydney. Sestier and Barnett began making their own films, starting with a short film of passengers disembarking from the ship PS Brighton in Manly, which was the first film shot and screened in Australia. Sestier and Barnett made approximately 19 films together in Sydney and Melbourne, most notably a film of the 1896 Melbourne Cup horse race. The feature, which consisted of 10 one-minute films shown in chronological order (separate films were required due to limitations of cameras of the time), was premiered at the Princess Theatre, Melbourne on 19 November 1896, with Sestier giving an accompanying lecture. It was covered in the Australian press, including The Age and The Bulletin, and has been cited as Australia's first film production.After his business partnership with Barnett ended Sestier continued to tour Australia, demonstrating the cinématographe and showcasing films until May 1897. After returning to France he went on to become director of the Lumière Patents Company.

Jean Alexandre Louis Promio (9 July 1868 – 24 December 1926) was a French film photographer and director. He is mentioned as a pioneer in film and was the director for Sweden's first Newsreel. The newsreel was shown for King Oscar II:s arrival at the General Art and Industrial Exposition on 15 May 1897.

Alexandre Promio came from an Italian family that moved to France and resided in Lyon. During his time as an assistant to an optician in Lyon, he witnessed the first presentation of the medium of moving pictures cinematograph. Promio was interested in the art of photography, and in March 1896 left his work at the optician to start working for Auguste and Louis Lumière. After just some time at the work he became the boss for the film unit and got the responsibility for the education of the first cinematograph-operators.His first assignment was to present and marketing of the new media worldwide. Promio visited several cities between April 1896 and September 1897. The first trip went to Madrid where he demonstrated the moving pictures on 13 May 1896 On 7 July he did a film demonstration for the Tsar Nikolaj II of Russia and the empress of Saint Petersburg, after that he visited England, Germany and Hungary. In September 1896, he arrived in the US, and filmed the first films of Chicago. In Italy he on 25 October 1896 filmed the city of Venice from a Gondola. The film had its premiere on 13 December 1897 in Lyon under the title of Panorama du Grand Canal vu d'un bateau which shows the short trip of Canal Grande. It was most likely the world's first moving film, also the first being filmed by a moving camera.After 1898 he did not do anymore travels and resided permanently in Lyon France where he continued to be an employee of Lumière. In 1907 he filmed for Pathé and between 1914 and 1915 he was a soldier in the first world war. After his duty in the war he became a still photographer and film photographer to the Algerian government, there he created 3000 photographs and 38 documentary films. He returned to France sick and resided in Asnières-sur-Seine near Paris. He died in his home on Christmas eve 1926. His death however was not announced until four months after.