Zurich University of the Arts alumni

Hans Falk (1918–2002) was a Swiss painter, who lived in New York City, Ireland, England, Switzerland and Stromboli, Italy. Hans Falk was one of the most important modern Swiss painters.
Hans Falk was born in Zurich in 1918 and went on to study at the Kunstgewerbeschule Zürich and the art schools in Lucerne. His first commissioned works were posters and graphic designs, which won him numerous awards. Amongst his most important competition wins were a series of seven posters he designed for the 1964 Swiss National Exhibition. He went on to travel extensively, living abroad for extended periods in England, New York and Ireland. In his later years he divided his home between Switzerland and the Sicilian island of Stromboli. He died in 2002, after a fruitful career that produced a large body of paintings, posters and sought-after graphic designs, and made him one of the most important contemporary Swiss artists.

Othmar Schoeck (1 September 1886 – 8 March 1957) was a Swiss Romantic classical composer, opera composer, musician, and conductor.
He was known mainly for his considerable output of art songs and song cycles, though he also wrote a number of operas, notably his one-act Penthesilea, which was premiered at the Semperoper in Dresden in 1927 and revived at the Lucerne Festival in 1999. He wrote a handful of instrumental compositions, including two string quartets and concertos for violin (for Stefi Geyer, dedicatee also of Béla Bartók's first concerto), cello and horn.

Adrian Johann Frutiger (Swiss Standard German: [ˈaːdriaːn ˈjoːhan ˈfruːtɪɡər]; 24 May 1928 – 10 September 2015) was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern.Frutiger's most famous designs, Univers, Frutiger and Avenir, are landmark sans-serif families spanning the three main genres of sans-serif typefaces: neogrotesque, humanist and geometric. Univers was notable for being one of the first sans-serif faces to form a consistent but wide-ranging family, across a range of widths and weights. Frutiger described creating sans-serif types as his "main life's work," partially due to the difficulty in designing them compared to serif fonts.