20th-century American women opera singers

Ruth Kobart (April 24, 1924 – December 14, 2002) was an American performer, whose six-decade career encompassed opera, Broadway musical theatre, regional theatre, films, and television.

Maralin Niska (November 16, 1926 – July 9, 2016) was an American operatic soprano. Well known as a singing-actress, she was a mainstay of the New York City Opera during the 1960s and 1970s. She was also a regular performer at the Metropolitan Opera from 1970 to 1977.

Dorothy Dow (8 October 1920 – 26 February 2005) was an American classical dramatic soprano who had an active international career in concerts, operas, and recitals during the 1940s through the 1960s. After retiring from the stage in 1968, she embarked on a second career as an academic.

Jan (Janice) DeGaetani (July 10, 1933 – September 15, 1989) was an American mezzo-soprano known for her performances of contemporary classical vocal compositions.
DeGaetani was born in Massillon, Ohio. Educated at The Juilliard School with Sergius Kagen, she was best known for her wide range, precise pitch, clear tone, and command of extended techniques that made her voice perfectly suited to the demanding style of modern and avant-garde vocal composition. Her recording of Schoenberg's song cycle Pierrot lunaire is one of the classic recordings of the piece. (Due to its use of atonality, wide range, and virtuoso techniques such as sprechstimme, all while requiring a lyrical sensibility, it is exceptionally difficult to sing.) Her collaboration with George Crumb was also a fruitful one; she premiered his song cycle Ancient Voices of Children, and many of his other works were written for her. Uncommonly for a singer of her caliber (though her voice was not as powerful as most), DeGaetani rarely appeared in opera, instead concentrating on solo recital work in the art song literature.
Her talent at foreign languages also made her an accomplished interpreter of lieder; she sang and recorded works by composers such as Hugo Wolf, Hector Berlioz, and Gustav Mahler and was noted for her intelligence and skillful analytical interpretation. Her interpretive skills also lent themselves to songs in her native tongue of English, such as Aaron Copland's 12 Poems of Emily Dickinson, and the songs of Charles Ives. On the other end of the spectrum, DeGaetani was also a noted performer of the medieval and Renaissance repertoire.
DeGaetani made her New York performance debut in 1958. Afterward, she performed with the Contemporary Chamber Ensemble regularly, and also appeared with several world-famous orchestras, including the New York Philharmonic, the Philadelphia Orchestra, the Berlin Philharmonic, the BBC Symphony, and the Chicago Symphony, and made numerous recordings with them and in chamber ensembles. She was professor of voice at Eastman School of Music and Artist in Residence at the Aspen Music Festival from 1973 until her death. Notable students include American sopranos Dawn Upshaw, Karen Holvik, Renée Fleming, and Lucy Shelton, mezzo-sopranos Milagro Vargas and Mary Nessinger, and baritone William Sharp.
DeGaetani died in Rochester, New York, in 1989, aged 56, of leukemia.

Mattiwilda Dobbs (July 11, 1925 – December 8, 2015) was an American coloratura soprano and was one of the first black singers to enjoy a major international career in opera. She was the first black singer to perform at La Scala in Italy, the first black woman to receive a long-term performance contract and to sing a lead role at the Metropolitan Opera, New York and the first black singer to play a lead role at the San Francisco Opera.

Ashley Putnam (born 10 August 1952) is an American soprano from New York City. Her professional singing career began in 1976 and has spanned over 30 years.

Carol Theresa Vaness (born July 27, 1952) is an American lirico-spinto soprano and university professor.

Benita Valente (born October 19, 1934) is an American soprano whose career has encompassed the operatic stage as well as performance of lieder, chamber music and oratorio. She is especially lauded for her interpretations of Mozart and Handel, but she also excelled in certain Verdi roles. The New York Times once referred to her as "as gifted a singer as we have today, worldwide."

Patrice Munsel (born Patrice Beverly Munsil; May 14, 1925 – August 4, 2016) was an American coloratura soprano. Nicknamed "Princess Pat", she was the youngest singer ever to star at the Metropolitan Opera.