Cabaret singers

Dora Gerson (born Dorothea Gerson; 23 March 1899 – 14 February 1943) was a German cabaret singer and stage and motion picture actress of the silent film era. She was murdered at Auschwitz during the Holocaust.

Pia Colombo (6 July 1934, in Homblières, Aisne, France – 16 April 1986) was a French singer of Franco-Italian origin, been born Eliane Marie Amélie Pia Colombo who acted in radio, cinema and television between 1956 and 1981.Her father was from Milan and her mother came from the Nord.She was compared to Édith Piaf and was believed to be her successor when Piaf died in 1963 but Colombo was too intellectual for the taste of the general public.

Claire Waldoff (21 October 1884 – 22 January 1957), born Clara Wortmann, was a German singer. She was a famous kabarett singer and entertainer in Berlin during the 1910s to the 1930s, chiefly known for performing ironic songs in the Berlin dialect and with lesbian undertones and themes.

Marianne Oswald (January 9, 1901 – February 25, 1985) was the stage name of Sarah Alice Bloch, a French singer and actress born in Sarreguemines in Alsace-Lorraine. She took this stage name from a character she much admired, the unhappy Oswald in the Ibsen play Ghosts. She was noted for her hoarse voice, heavy half-Lorraine, half-German accent, and for singing about unrequited love, despair, sadness, and death. She sang the songs of Kurt Weill and Bertolt Brecht. She was friends with Jean Cocteau, Jacques Prévert, François Mauriac, and Albert Camus. In fact, the text for one of her album covers was written by Camus. She was an inspiration for the composers Francis Poulenc and Arthur Honegger.

Robert Waltrip Short (September 15, 1924 – March 21, 2005) was an American cabaret singer and pianist, who interpreted songs by popular composers from the first half of the 20th century such as Rodgers and Hart, Cole Porter, Jerome Kern, Harold Arlen, Richard A. Whiting, Vernon Duke, Noël Coward and George and Ira Gershwin.
Short also championed African-American composers of the same period such as Eubie Blake, James P. Johnson, Andy Razaf, Fats Waller, Duke Ellington and Billy Strayhorn, presenting their work not in a polemical way, but as simply the obvious equal of that of their white contemporaries.
Short's dedication to his great love – what he called the "Great American Song" – left him equally adept at performing the witty lyrics of Bessie Smith's "Gimme a Pigfoot (And a Bottle of Beer)" or Gershwin and Duke's "I Can't Get Started". Short stated his favorite songwriters were Ellington, Arlen and Kern, and he was instrumental in spearheading the construction of the Ellington Memorial in New York City. He was a friend of Tom Jobim and was present during the composer's final days in New York City.