American male jazz musicians

Earle Warren (born Earl Ronald Warren; July 1, 1914 – June 4, 1994) was an American saxophonist. He was part of the Count Basie Orchestra from 1937.

Charles William Butterfield (January 14, 1917 – March 18, 1988) was an American jazz bandleader, trumpeter, flugelhornist, and cornetist.

Clifford Everett "Bud" Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton's Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of "Harlem Nocturne" used as the theme song in Mickey Spillane's Mike Hammer. He is also well known for the alto flute solo on the song "California Dreamin'" recorded by The Mamas & the Papas in 1965.

Charles Frank Mangione ( MAN-jee-OH-nee; born November 29, 1940) is an American flugelhorn player, trumpeter and composer.
He came to prominence as a member of Art Blakey's band in the 1960s, and later co-led the Jazz Brothers with his brother, Gap. He achieved international success in 1978 with his jazz-pop single "Feels So Good". Mangione has released more than 30 albums since 1960.

Hale Smith (June 29, 1925 – November 24, 2009) was an American composer, arranger, and pianist.

Samuel Most (December 16, 1930 – June 13, 2013) was an American jazz flutist, clarinetist and tenor saxophonist, based in Los Angeles. He was "probably the first great jazz flutist", according to jazz historian Leonard Feather.

Robert Waltrip Short (September 15, 1924 – March 21, 2005) was an American cabaret singer and pianist, who interpreted songs by popular composers from the first half of the 20th century such as Rodgers and Hart, Cole Porter, Jerome Kern, Harold Arlen, Richard A. Whiting, Vernon Duke, Noël Coward and George and Ira Gershwin.
Short also championed African-American composers of the same period such as Eubie Blake, James P. Johnson, Andy Razaf, Fats Waller, Duke Ellington and Billy Strayhorn, presenting their work not in a polemical way, but as simply the obvious equal of that of their white contemporaries.
Short's dedication to his great love – what he called the "Great American Song" – left him equally adept at performing the witty lyrics of Bessie Smith's "Gimme a Pigfoot (And a Bottle of Beer)" or Gershwin and Duke's "I Can't Get Started". Short stated his favorite songwriters were Ellington, Arlen and Kern, and he was instrumental in spearheading the construction of the Ellington Memorial in New York City. He was a friend of Tom Jobim and was present during the composer's final days in New York City.