African-American LGBT people

Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) was an American blues singer, pianist, and entertainer during the Harlem Renaissance.
Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer. She headlined in the early 1930s at Harlem's Ubangi Club, where she was backed up by a chorus line of drag queens. She dressed in men's clothes (including a signature tail coat and top hat), played piano, and sang her own raunchy lyrics to popular tunes of the day in a deep, growling voice while flirting with women in the audience.
On the decline of the Harlem speakeasies with the repeal of Prohibition, she relocated to southern California, where she was billed as "America's Greatest Sepia Piano Player" and the "Brown Bomber of Sophisticated Songs". She was frequently harassed for wearing men's clothing. She tried to continue her musical career but did not achieve as much success as she had had in the past. Bentley was openly lesbian early in her career, but during the McCarthy Era she started wearing dresses and married, claiming to have been "cured" by taking female hormones.

Ramona Lofton (born August 4, 1950), better known by her pen name Sapphire, is an American author and performance poet.

Reginald Shepherd (April 10, 1963 – September 10, 2008) was an American poet, born in New York City and raised in the Bronx. He died of cancer in Pensacola, Florida, in 2008.

Robert Waltrip Short (September 15, 1924 – March 21, 2005) was an American cabaret singer and pianist, who interpreted songs by popular composers from the first half of the 20th century such as Rodgers and Hart, Cole Porter, Jerome Kern, Harold Arlen, Richard A. Whiting, Vernon Duke, Noël Coward and George and Ira Gershwin.
Short also championed African-American composers of the same period such as Eubie Blake, James P. Johnson, Andy Razaf, Fats Waller, Duke Ellington and Billy Strayhorn, presenting their work not in a polemical way, but as simply the obvious equal of that of their white contemporaries.
Short's dedication to his great love – what he called the "Great American Song" – left him equally adept at performing the witty lyrics of Bessie Smith's "Gimme a Pigfoot (And a Bottle of Beer)" or Gershwin and Duke's "I Can't Get Started". Short stated his favorite songwriters were Ellington, Arlen and Kern, and he was instrumental in spearheading the construction of the Ellington Memorial in New York City. He was a friend of Tom Jobim and was present during the composer's final days in New York City.