Vocation : Entertain/Music : Jazz

Laura Fygi (born 27 August 1955) is a Dutch jazz singer.
Fygi's father was a Dutch businessman, a director of Philips, and her mother an Egyptian belly dancer. She was raised in Uruguay, until her father's death in the late 1960s, when she moved back to the Netherlands with her mother. She was then under the care of a French-speaking governess before being adopted by the principal of her school. During the 1980s, she was a member of Centerfold, an all-female Dutch disco band which was popular in the Europe and Japan.In the early 1990s, she began a solo career and recorded her debut album with Toots Thielemans. During her career, she has worked with Johnny Griffin, Michel Legrand, Clark Terry and the Pasadena Roof Orchestra and considers Julie London one of her influences. She has sung in English, Chinese, French, Portuguese, and Spanish.

Josette Daydé (March 28, 1923 – March 4, 1995) was a French jazz singer, chansonnière, and actress.
Her first appearance as a singer was on the operettas "Au soleil de Marseille" by Vincent Scotto, "Toi c'est moi" (in January 1942 at l'Appollo with Georges Guétary) and "On a volé une étoile". During the German occupation in World War II in 1942, she recorded "Grand-père n'aime pas le swing" (Grandpa doesn't like the swing), written by F. Llenas and N. Matisson, and her version of "Oui!" (Yes!), after versions by Louis Gasté, G. Breysse and Alix Combelle. In 1945 she recorded her interpretation of the song "Le Rythme Américain" (The American Rhythm). During her film career, she recorded several interpretations of chansons by Louis Gasté.
In 2002, the song "Coucou", which she recorded with the Quintette du Hot Club de France in October 1940, was part of the video game Mafia: The City of Lost Heaven soundtrack.

Nicola Arigliano (6 December 1923 – 30 March 2010) was an Italian jazz singer, musician, and occasional actor. Born in Squinzano, Province of Lecce, at young age he ran away from home because of the humiliations received even by family members due to his stuttering and moved to Turin, where he was hosted by fellow immigrants. He later moved to Milan and later to Rome, where he held several jobs.After studying music theory, learning to play the saxophone and singing as an amateur in several orchestras, Arigliano became first known in 1952 thanks to the participation at the Newport Jazz Festival (at the suggestion of Marshall Brown), which back in Italy got him several television appearances and which gave the way to his professional career. After some 78 rpm released in 1956 for RCA, in 1958 he took part at Canzonissima, and in 1960 he got his first hit with the song "I Sing Ammore", which reached the ninth place on the Italian hit parade. In 1961 he got his major success with the song "Sentimentale", which peaked on first place at the hit parade, while in 1964 he entered the main competition at the Sanremo Music Festival with the song "20 Km Al Giorno".His song Permettete signorina also knows a version in English by Nat King Cole: Cappuccina. In 1968, Arigliano moved to Magliano Sabina and significantly slowed his activities. In 2005 he came back at the Sanremo Music Festival and won the Critics' Award with the song "Colpevole". Arigliano sang in Italian and in English, sometimes playfully mixing the languages.

Vincent Hugh Jones (born 24 March 1954) is an Australian jazz singer, songwriter, and trumpet, flugelhorn and flumpet player. His music includes both original material and new contemporary versions of jazz standards. His themes are often love, inequity, injustice, peace and anti-greed.

René Didi Duprat (12 October 1926 – 8 August 1996) was a French jazz manouche guitarist.

Francis Marmande (born 1945) is a French author, musician and journalist for the French newspaper Le Monde since 1977. Marmande currently serves as the director of a modern literature laboratory (Littérature au présent) at University of Paris VII: Denis Diderot.Marmande graduated in 1966 from the École Normale Supérieure in Saint-Cloud. A jazz critic, Marmande also plays double bass and has recorded with the Jac Berrocal Group. He was a contributor to Jazz Magazine from 1971 to 2000, which he also helped illustrate from 1976 to 1994.
Since 2006, he has had a regular column in Le Monde, writing on topics such as jazz, bullfighting, and literature.

Louis Vola (La Seyne-sur-Mer, France, 6 July 1902 – 15 August 1990, Paris) was a French double-bassist known for his work with the Quintette du Hot Club de France. He is the godfather of guitarist Francois Vola.
As well as the Hot Club de France, Vola played bass for Ray Ventura, Duke Ellington and singer Charles Trenet. He was also an accomplished accordionist.
In 1934 he was a founding member of the Quintette du Hot Club de France. In a 1976 interview, Vola recalled that he discovered Joseph and Django Reinhardt playing guitars together on a beach at Toulon. Vola invited them to play with his band. Violinist Stéphane Grappelli and guitarist Roger Chaput were members of Vola's jazz ensemble. Vola later left the Quintette but eventually rejoined.

Bernard Vitet (26 May 1934 – 3 July 2013) was a French trumpeter, multi-instrumentist and composer, co-founder of the first free jazz band in France (1964) together with François Tusques, Michel Portal Unit (1972) and Un Drame Musical Instantané with Jean-Jacques Birgé and Francis Gorgé in 1976.

Henri Texier (born 27 January 1945) is a French jazz double bassist.At the age of sixteen, fascinated by the double bass, Texier became a self-taught bassist, crediting Wilbur Ware most as an influence. He formed his first group with Georges Locatelli, Alain Tabar-Nouval, Jean-Max Albert, and Klaus Hagel, inspired by the music of Don Cherry and Ornette Coleman. In spite of an almost absence of recorded documents this group represents one of the first expressions of free jazz in France (1965).From 1968 to 1972, Texier was a member of Phil Woods and his European Rhythm Machine, along with George Gruntz, Gordon Beck and Daniel Humair. Throughout the 1970s, Texier remained active in Europe on the jazz scene, performing with musicians such as John Abercrombie and Didier Lockwood, among others. In 1982, he formed a quartet with Louis Sclavis. With the trio Romano-Sclavis-Texier, he collaborated in three albums having for theme Africa as seen by the photographer Guy Le Querrec: Carnet de routes, Suite africaine and African Flashback.