Burials at La Chacarita Cemetery

Tito Lusiardo (September 13, 1896 – June 25, 1982 in Buenos Aires) was an iconic Argentine film actor and tango singer of the classic era.
Lusiardo began acting for film in 1933 and made some 50 film appearances as an actor.
He began appearing in tango films in the 1930s such as Idolos de la radio (1934), Así es el tango (1937), Adiós Buenos Aires (1938) and Así te quiero (1942).
In 1951 he appeared in the Cuban musical A La Habana me voy.
He retired from the industry in 1969.

Eduardo Arolas (February 24, 1892 – September 29, 1924) was an Argentine tango bandoneon player, leader and composer.
Arolas first learned to play the guitar before learning the bandoneon which became his instrument of choice. His nickname was El Tigre del bandoneón (the tiger of the bandoneon).
Arolas composed his first tango in 1909 before he could even read or write music. He went on to play with such early masters as Agustín Bardi and Roberto Firpo.
In 1917 Arolas moved to Montevideo where he settled, he played a number of times at the Teatro Casino. From 1920 he resided mainly in Paris where he died alone and alcoholic in 1924.

María de la O Lejárraga García (28 December 1874 – 28 June 1974), usually known in Spanish under the pseudonym María Martínez Sierra was a Spanish feminist writer, dramatist, translator and politician. She collaborated with her husband Gregorio Martínez Sierra.

Aníbal Carmelo Troilo (11 July 1914 – 18 May 1975), also known as Pichuco, was an Argentine tango musician.
Troilo was a bandoneon player, composer, arranger, and bandleader in Argentina. His orquesta típica was among the most popular with social dancers during the golden age of tango (1940–1955), but he changed to a concert sound by the late 1950s.
Troilo's orchestra is best known for its instrumentals, though he also recorded with many well-known vocalists such as Roberto Goyeneche, Edmundo Rivero and Francisco Fiorentino. His rhythmic instrumentals and the recordings he made with vocalist Francisco Fiorentino from 1941 to 1943, known as milongas, were some of the favourites in tango salons. The renowned bandoneonist Astor Piazzolla played in and arranged for Troilo's orquesta típica during the period of 1939–1944.

Alfonsina Storni (29 May 1892 – 25 October 1938) was an Swiss-Argentine poet and playwright of the modernist period.

Carlos Gardel (born Charles Romuald Gardès; 11 December 1890 – 24 June 1935) was a French-born Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango. He was one of the most influential interpreters of world popular music in the first half of the 20th century. Gardel is the most famous popular tango singer of all time and is recognized throughout the world. Described variously as a baritone or tenor because of his wide vocal range, he was known for his rich voice and dramatic phrasing. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos.
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" ("The Song thrush"), "The King of Tango", "El Mago" (The Wizard), "El Morocho del Abasto" (The Brunette boy from Abasto), and ironically "El Mudo" (The Mute).
In 1967, a controversial theory was published by Uruguayan writer Erasmo Silva Cabrera, asserting that Gardel was born in Tacuarembó, Uruguay. Other authors expanded upon this theory, and a museum to Gardel was established in Tacuarembó. But Gardel's friends and family all knew him as a French immigrant from Toulouse. Scholarly researchers analyzed the contradictory evidence, especially French birth and baptismal records, and confirmed his birthplace as Toulouse.