Articles with BNMM identifiers

Pierre Vilar (3 May 1906, Frontignan – 7 August 2003, Saint-Palais) was a French historian specialized in the history of Catalonia and Hispanism. He is considered one of the most authoritative 20th-century historians for the history of Spain, for both the Ancien Régime and modern history. He and Jaume Vicens Vives were among the most influential historians of Catalonia.
His short 1947 essay Histoire de l'Espagne (History of Spain), despite being banned under Francoism, has a great success, and after the death of the Francisco Franco was frequently used in progressive circles and for teaching. In 2009, it reached its 22nd edition.

Amado Alonso (13 September 1896, Lerín Navarre, Spain – 26 May 1952, Arlington, Massachusetts) was a Spanish philologist, linguist and literary critic, who became a naturalised citizen of Argentina and one of the founders of stylistics.
He was a pupil of Ramón Menéndez Pidal at the Center for Historical Studies in Madrid, where he worked on phonetic and geographical linguistics. Between 1927 and 1946 he lived in Buenos Aires, where he headed the Institute of Philology. He then went to Harvard University and lived in America until his death.

Felip Pedrell Sabaté (Spanish: Felipe) (19 February 1841 – 19 August 1922) was a Catalan composer, guitarist and musicologist.

Atahualpa Yupanqui (Spanish pronunciation: [ataˈwalpa ʝuˈpaŋki]; born Héctor Roberto Chavero Aramburu; 31 January 1908 – 23 May 1992) was an Argentine singer, songwriter, guitarist, and writer. He is considered the most important Argentine folk musician of the 20th century.

Emilia Pardo Bazán y de la Rúa-Figueroa (16 September 1851 – 12 May 1921), countess of Pardo Bazán, was a Spanish novelist, journalist, literary critic, poet, playwright, translator, editor and professor. She is known for introducing naturalism into Spanish literature, for her detailed descriptions of reality, and for her ground-breaking introduction of feminist ideas into the literature of her era. Her ideas about women's rights for education also made her a prominent feminist figure.

'Flora' Alejandra Pizarnik (29 April 1936 – 25 September 1972) was an Argentine poet. Her idiosyncratic and thematically introspective poetry has been considered "one of the most unusual bodies of work in Latin American literature", and has been recognized and celebrated for its fixation on "the limitation of language, silence, the body, night, the nature of intimacy, madness, [and] death".Pizarnik studied philosophy at the Universidad de Buenos Aires and worked as a writer and a literary critic for several publishers and magazines. She lived in Paris between 1960 and 1964, where she translated authors such as Antonin Artaud, Henri Michaux, Aimé Césaire and Yves Bonnefoy. She also studied history of religion and French literature at the Sorbonne. Back in Buenos Aires, Pizarnik published three of her major works: Los trabajos y las noches, Extracción de la piedra de locura and El infierno musical as well as a prose work titled, La condesa sangrienta. In 1969 she received a Guggenheim Fellowship and later, in 1971, a Fulbright Fellowship.
On September 25, 1972, she died by suicide after ingesting an overdose of secobarbital. Her work has influenced generations of authors in Latin America.

Mariano Federico Picón Salas was a Venezuelan diplomatic, cultural critic and writer of the 20th century, born in Mérida (Mérida State) on January 26, 1901, and died in Caracas on January 1, 1965.

Carlos Arniches Barreda (11 October 1866 – 16 April 1943) was a Spanish playwright, born in Alicante. His prolific work, drawing on the traditions of the género chico, the zarzuela and the grotesque, came to dominate the Spanish comic theatre in the early twentieth century.
After starting his career as a novelist and journalist, Arniches turned to theatre in 1888 with the publication of his first play, Casa editorial. Much of his work is set in lower-class Madrid and uses colloquial language, song, dance and music.Arniches was complimented in a 1935 interview by Federico García Lorca, often a scathing critic of contemporary Spanish theatre, as 'more of a poet than almost any of those who are writing theatre in verse at the moment'.Following the end of the Spanish Civil War, the social dramas of Carlos Arniches were among the relatively non-controversial plays allowed by the new government.

Oliverio Girondo (August 17, 1891 – January 24, 1967) was an Argentine poet. He was born in Buenos Aires to a relatively wealthy family, enabling him from a young age to travel to Europe, where he studied in both Paris and England. He is perhaps most famous for his participation in the magazines (Proa, Prisma and Martín Fierro), which ushered in the arrival of ultraism, the first of the vanguardist movements to settle in Argentina.His first poems, full of color and irony, surpass the simple admiration of beauty in nature which was then a common theme, opting instead for a fuller and more interesting topic: a sort of celebration of living cosmopolitan and urbane, both praising such a lifestyle and criticizing some of the customs of its society.
Girondo was contemporary to Jorge Luis Borges, Raúl González Tuñón and Macedonio Fernández and Norah Lange (whom he married in 1943) whom he met at a lunch banquet in 1926 held in honor of Ricardo Güiraldes. Of these authors, all also involved in the vanguardia (avant gardism) of Argentina, most identified with the Florida group in the somewhat farcical literary hostility between that group and another called Grupo Boedo. Girondo was one of the most enthusiastic animators of the ultraist movement, exerting influence over many poets of the next generation, among them Enrique Molina with whom he translated the work of Arthur Rimbaud “Una temporada en el infierno.”
Other notable peers include Pablo Neruda and Federico García Lorca with whom he began lasting friendships in 1934, era when both were to be found in Buenos Aires, capital city of Argentina. Around the year 1950 he began painting in the style of surrealism, but he never published or sold any of these works.
He was buried in La Recoleta Cemetery in Buenos Aires.

Pedro Antonio de Alarcón y Ariza (10 March 1833 – 19 July 1891) was a nineteenth-century Spanish novelist, known best for his novel El sombrero de tres picos (1874), an adaptation of popular traditions which provides a description of village life in Alarcón's native region of Andalusia. It was the basis for Hugo Wolf's opera Der Corregidor (1897); for Riccardo Zandonai's opera La farsa amorosa (1933); and Manuel de Falla's ballet The Three-Cornered Hat (1919).
Alarcón wrote another popular short novel, El capitán Veneno ('Captain Poison', 1881). He produced four other full-length novels. One of these novels, El escándalo ('The Scandal', 1875), became noted for its keen psychological insights. Alarcón also wrote three travel books and many short stories and essays.Alarcón was born in Guadix, near Granada. In 1859, he served in a Spanish military operation in Morocco. He gained his first literary recognition with Diary of a Witness to the African War (1859–1860), a patriotic account of the campaign.