Lifestyle : Financial : Gain - Grant

Alvin_V._Tollestrup

Alvin Virgil Tollestrup (March 22, 1924 – February 9, 2020) was an American high-energy particle physicist best known for his key roles in the development of the superconducting magnets for Fermilab's Tevatron and the formation of CDF.

Edna_Taçon

Edna Jeanette Taçon, whose name is often written, incorrectly, as Edna Tacon, (born Milwaukee, Wisconsin in 1905, died New York, New York in 1980) was a Canadian pioneer of modernism.

Marty_Wyall

Mary Anna Martin "Marty" Wyall (January 24, 1922 – March 9, 2017) was an American aviator. Wyall was part of the last class of Women Airforce Service Pilots (WASP) and later became the unofficial WASP historian. She was instrumental in organizing the WASP veterans together years after they served.

Halsey_Royden

Halsey Lawrence Royden, Jr. (September 26, 1928 – August 22, 1993) was an American mathematician, specializing in complex analysis on Riemann surfaces, several complex variables, and complex differential geometry. Royden is the author of a popular textbook on real analysis.

Ward_Just

Ward Swift Just (September 5, 1935 – December 19, 2019) was an American writer. He was a war correspondent and the author of 19 novels and numerous short stories.

Laird_Cregar

Samuel Laird Cregar (known professionally as Laird Cregar, July 28, 1913 – December 9, 1944) was an American stage and film actor. Cregar was best known for his villainous performances in films such as I Wake Up Screaming (1941), This Gun For Hire (1942) and The Lodger (1944).
Cregar's screen career began in 1940 with small uncredited roles in films. By 1941, he had signed a film contract with 20th Century Fox. Cregar quickly rose to stardom, appearing in a variety of genres from film noir to screwball comedy to horror movies. He was a popular actor at the time of his death in 1944 at age 31, a result of complications from binge dieting undertaken to suit him for leading man roles.

Valerie_Hegarty

Valerie Hegarty (born 1967) is an American painter, sculptor, and installation artist. She is known for irreverent, often critical works that replicate canonical paintings, furnishings, and architectural spaces from American or personal history undergoing various processes of transformation. Hegarty most often portrays her recreations in meticulously realized, trompe l’oeil states of decay, ruin, or physical attack related to their circumstances (e.g., a seascape pierced by harpoons, a still life of food being eaten by crows). Her work examines American historical themes involving colonization, slavery, Manifest Destiny, nationalism, art-historical movements and their ideological tenets, romantic conceptions of nature, and environmental degradation. Sculpture critic Robin Reisenfeld wrote that among other things, Hegarty's art is "informed by 19th-century American landscape painting as an expression of the sublime, as well as by the manufacturing of two-dimensional 'masterworks' to be destroyed in three-dimensional fashion in order to evoke entropic forces of growth and decay."Hegarty has exhibited at venues including the Brooklyn Museum, MoMA PS1, Museum of Contemporary Art, Chicago (MCA), and Artists Space. She has received awards from the Pollock-Krasner Foundation, Adolph and Esther Gottlieb Foundation and Louis Comfort Tiffany Foundation, among others. Her work belongs to institutional collections including the Brooklyn Museum, Hood Museum of Art, Portland Museum of Art, Perez Art Museum, and Wadsworth Atheneum Museum of Art. She is based between New York City and Sullivan County, New York.

Philip_L._Cantelon

Philip Louis Cantelon (born 1940) is the co-founder and CEO of History Associates Incorporated and a leading pioneer in the field of applied history. He previously taught contemporary American history at Williams College, and is a founding member of the National Council on Public History and the Society for History in the Federal Government. Cantelon is an expert on oral history, foundations, business and institutional history, as well as the history of deregulation.