Film theorists

Jean-Luc Godard (UK: GOD-ar, US: goh-DAR; French: [ʒɑ̃ lyk ɡɔdaʁ]; 3 December 1930 – 13 September 2022) was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).During his early career as a film critic for the influential magazine Cahiers du Cinéma, Godard criticised mainstream French cinema's "Tradition of Quality", which de-emphasised innovation and experimentation. In response, he and like-minded critics began to make their own films, challenging the conventions of traditional Hollywood in addition to French cinema. Godard first received global acclaim for his 1960 feature Breathless, helping to establish the New Wave movement. His work makes use of frequent homages and references to film history, and often expressed his political views; he was an avid reader of existentialism and Marxist philosophy, and in 1969 formed the Dziga Vertov Group with other radical filmmakers to promote political works. After the New Wave, his politics were less radical, and his later films came to be about human conflict and artistic representation "from a humanist rather than Marxist perspective."Godard was married three times, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films, and later to his longtime partner Anne-Marie Miéville. His collaborations with Karina — which included such critically acclaimed films as Vivre sa vie (1962), Bande à part (1964) and Pierrot le Fou (1965) — were called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. In a 2002 Sight & Sound poll, Godard ranked third in the critics' top ten directors of all time. He is said to have "generated one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." His work has been central to narrative theory and has "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award.

François Roland Truffaut (UK: TROO-foh, TRUU-, US: troo-FOH; French: [fʁɑ̃swa ʁɔlɑ̃ tʁyfo]; 6 February 1932 – 21 October 1984) was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. With a career of more than 25 years, he is an icon of the French film industry.
Truffaut's film The 400 Blows (1959) is a defining film of the French New Wave movement, and has four sequels: Antoine et Colette (1962), Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979). Truffaut's 1973 film Day for Night earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include Shoot the Piano Player (1960), Jules and Jim (1962), The Soft Skin (1964), The Wild Child (1970), Two English Girls (1971), The Last Metro (1980), and The Woman Next Door (1981). He played one of the main roles in Steven Spielberg's Close Encounters of the Third Kind (1977).
Truffaut wrote the book Hitchcock/Truffaut (1966), based on his interviews with film director Alfred Hitchcock during the 1960s.

Sydney Alvin Field (December 19, 1935 – November 17, 2013) was an American author and speaker who wrote several books on screenwriting, the first being Screenplay: The Foundations of Screenwriting (Dell Publishing, 1979). He led workshops and seminars about producing salable screenplays. Hollywood film producers use Field's ideas on structure to measure the potential of screenplays.In 2001, he was inducted into American Screenwriters Association's Screenwriting Hall of Fame.

Nicholas Joseph Clooney (born January 13, 1934) is an American journalist, anchorman, and television host. He is the brother of singer Rosemary Clooney and the father of actor George Clooney.

William Moritz (May 6, 1941 – March 12, 2004), film historian, specialized in visual music and experimental animation. His principal published works concerned abstract filmmaker and painter Oskar Fischinger. He also wrote extensively on other visual music artists who worked with motion pictures, including James and John Whitney and Jordan Belson; Moritz also published on German cinema, Visual Music, color organs, experimental animation, avant-garde film and the California School of Color Music.

Ricciotto Canudo (French: [kanydo]; 2 January 1877, Gioia del Colle – 10 November 1923, Paris) was an early Italian film theoretician who lived primarily in France. In 1913 he published a bimonthly avant-garde magazine entitled Montjoie!, promoting Cubism in particular. Involved in numerous movements yet confined to none, Canudo exuded seemingly boundless energy. He ventured into poetry, penned novels (pioneering a style emphasizing interpersonal psychology, which he dubbed sinestismo), and established open-air theatre in southern France. As an art critic, he unearthed talents like Chagall, curating a Chagall exhibition in 1914. In that same year, alongside Blaise Cendrars, he issued a call for foreigners residing in France to enlist in the French army. Among the 80,000 who responded was Canudo himself.He saw cinema as "plastic art in motion", and gave cinema the label "the Sixth Art", later changed to "the Seventh Art", still current in French, Italian, and Spanish conceptions of art, among others. Canudo subsequently added dance as a precursor to the sixth—a third rhythmic art with music and poetry—making cinema the seventh art.Canudo is often regarded as the inaugural aesthetician of cinema, thus making his "Manifesto" pertinent for an English-speaking readership. Several of Canudo's concepts found resonance with two prominent early French film experimenters—Jean Epstein and Abel Gance.

Teresa de Lauretis (Italian: [teˈrɛːza de lauˈreːtis]; born 1938 in Bologna) is an Italian author and Distinguished Professor Emerita of the History of Consciousness at the University of California, Santa Cruz. Her areas of interest include semiotics, psychoanalysis, film theory, literary theory, feminism, women's studies, lesbian- and queer studies. She has also written on science fiction. Fluent in English and Italian, she writes in both languages. Additionally, her work has been translated into sixteen other languages.
De Lauretis received her doctorate in Modern Languages and Literatures from Bocconi University in Milan before coming to the United States. She joined the History of Consciousness with Hayden White, Donna Haraway, Fredric Jameson and Angela Davis. Has held Visiting Professorships at universities worldwide including ones in Canada, Germany, Italy, Sweden, Austria, Argentina, Chile, France, Spain, Hungary, Croatia, Mexico and the Netherlands.
She currently lives in San Francisco, CA, but often spends time in Italy and the Netherlands.

André Bazin (French: [bazɛ̃]; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about film in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951, with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca.
He is notable for arguing that realism is the most important function of cinema. His call for objective reality, deep focus, and lack of montage are linked to his belief that the interpretation of a film or scene should be left to the spectator. This placed him in opposition to film theory of the 1920s and 1930s, which emphasized how the cinema could manipulate reality.