Tad Mosel (May 1, 1922 – August 24, 2008) was an American playwright and one of the leading dramatists of hour-long teleplay genre for live television during the 1950s. He received the 1961 Pulitzer Prize for Drama for his play All the Way Home.
Kathryn Grayson (born Zelma Kathryn Elisabeth Hedrick; February 9, 1922 – February 17, 2010) was an American actress and coloratura soprano.
From the age of 12, Grayson trained as an opera singer. She was under contract to Metro-Goldwyn-Mayer by the early 1940s, soon establishing a career principally through her work in musicals. After several supporting roles, she was a lead performer in such films as Thousands Cheer (1943), Anchors Aweigh (1945) with Frank Sinatra and Gene Kelly and Show Boat (1951) and Kiss Me Kate (1953), both with Howard Keel.She also worked in theatre, appearing in Camelot (1962–1964). Later in the decade, she performed in several operas, including La bohème, Madama Butterfly, Orpheus in the Underworld and La traviata.
Marjorie Celeste Champion (née Belcher; September 2, 1919 – October 21, 2020) was an American dancer and actress. At fourteen, she was hired as a dance model for Walt Disney Studios animated films. Later, she performed as an actress and dancer in film musicals, and in 1957 had a television show based on song and dance. She also did creative choreography for liturgy, and served as a dialogue and movement coach for the 1978 TV miniseries, The Awakening Land, set in the late 18th century in the Ohio Valley.
Laurence Kerr Olivier, Baron Olivier, (; 22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career he had considerable success in television roles.
Olivier's family had no theatrical connections, but his father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End success in Noël Coward's Private Lives, and he appeared in his first film. In 1935 he played in a celebrated production of Romeo and Juliet alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an established star. In the 1940s, together with Richardson and John Burrell, Olivier was the co-director of the Old Vic, building it into a highly respected company. There his most celebrated roles included Shakespeare's Richard III and Sophocles's Oedipus. In the 1950s Olivier was an independent actor-manager, but his stage career was in the doldrums until he joined the avant-garde English Stage Company in 1957 to play the title role in The Entertainer, a part he later played on film. From 1963 to 1973 he was the founding director of Britain's National Theatre, running a resident company that fostered many future stars. His own parts there included the title role in Othello (1965), and Shylock in The Merchant of Venice (1970).
Among Olivier's films are Wuthering Heights (1939), Rebecca (1940) and a trilogy of Shakespeare films as actor/director: Henry V (1944), Hamlet (1948) and Richard III (1955). His later films included Spartacus (1960), The Shoes of the Fisherman (1968), Sleuth (1972), Marathon Man (1976) and The Boys from Brazil (1978). His television appearances included an adaptation of The Moon and Sixpence (1960), "Long Day's Journey into Night" (1973), Love Among the Ruins (1975), Cat on a Hot Tin Roof (1976), Brideshead Revisited (1981) and King Lear (1983).
Olivier's honours included a knighthood (1947), a life peerage (1970) and the Order of Merit (1981). For his on-screen work he received two Academy Awards, two British Academy Film Awards, five Emmy Awards and three Golden Globe Awards. The National Theatre's largest auditorium is named in his honour, and he is commemorated in the Laurence Olivier Awards, given annually by the Society of London Theatre. He was married three times, to the actresses Jill Esmond from 1930 to 1940, Vivien Leigh from 1940 to 1960, and Joan Plowright from 1961 until his death.
June Knight, born Margaret Rose Valliquietto (January 22, 1913 – June 16, 1987), was an American theatre actress, film actress and singer.
Vera-Ellen (born Vera-Ellen Rohe; February 16, 1921 – August 30, 1981) was an American dancer and actress. She is remembered for her solo performances as well as her work with partners Fred Astaire, Gene Kelly, Danny Kaye, and Donald O'Connor. She is best known for her starring roles in On the Town (1949) with Gene Kelly and White Christmas (1954) with Danny Kaye.
Katherine MacGregor (born Dorlee Deane McGregor; January 12, 1925 – November 13, 2018) was an American actress, best known for her role as Harriet Oleson in Little House on the Prairie. She started her career on stage in New York City, in theatres off and on Broadway, credited as Scottie MacGregor.
Patrick William Cassidy (born January 4, 1962) is an American actor and singer best known for his roles in musical theatre and television.
Phyllis Ann Love (December 21, 1925 – October 30, 2011) was an American theater and television actress.
Ruth Kobart (April 24, 1924 – December 14, 2002) was an American performer, whose six-decade career encompassed opera, Broadway musical theatre, regional theatre, films, and television.