20th-century Swiss painters

Cuno Amiet (28 March 1868 – 6 July 1961) was a Swiss painter, illustrator, graphic artist and sculptor. As the first Swiss painter to give precedence to colour in composition, he was a pioneer of modern art in Switzerland.

Albrecht Samuel Anker (1 April 1831 – 16 July 1910) was a Swiss painter and illustrator who has been called the "national painter" of Switzerland because of his enduringly popular depictions of 19th-century Swiss social life.

Hans Falk (1918–2002) was a Swiss painter, who lived in New York City, Ireland, England, Switzerland and Stromboli, Italy. Hans Falk was one of the most important modern Swiss painters.
Hans Falk was born in Zurich in 1918 and went on to study at the Kunstgewerbeschule Zürich and the art schools in Lucerne. His first commissioned works were posters and graphic designs, which won him numerous awards. Amongst his most important competition wins were a series of seven posters he designed for the 1964 Swiss National Exhibition. He went on to travel extensively, living abroad for extended periods in England, New York and Ireland. In his later years he divided his home between Switzerland and the Sicilian island of Stromboli. He died in 2002, after a fruitful career that produced a large body of paintings, posters and sought-after graphic designs, and made him one of the most important contemporary Swiss artists.

Willy Leopold Guggenheim, known as Varlin (16 March 1900 – 30 October 1977), was a Swiss painter. His figurative work emphasized the fragility of everyday life.
Varlin was friends with Hugo Loetscher and Friedrich Dürrenmatt, and painted them.

Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material goods.

Ferdinand Hodler (March 14, 1853 – May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".

Heinrich Altherr (11 April 1878, in Basel – 27 April 1947, in Zürich) was a Swiss painter. He is best known for his murals in churches and various public buildings.