Italian male sculptors

Giovanni della Robbia (1469–1529) was an Italian Renaissance sculptor, mostly in ceramics.

Michelangelo Naccherino (Florence, March 6, 1550 – Naples, February, 1622) was an Italian sculptor and architect, active mainly in the Kingdom of Naples, Italy.
He supposedly was a pupil of Giambologna in Florence, but due to disagreements moved to the Kingdom of Naples in 1573. From 1575-1577, he was active in Palermo, where he worked alongside Camillo Camilliani in the construction of the Fontana Pretoria, a project of Francesco Camilliani.

Returning to Naples, he completed a number of Mannerist projects such as the tomb of Alfonso Sanchez (1588–89) in the Basilica of Santissima Annunziata Maggiore and a crucifix (1599) for the church of San Carlo all'Arena. He also completed a Madonna della Sanità for the church of Santa Maria della Sanità in the zone of Materdei, where he lived.
In the early 1600s, he participated in a variety of projects, including the Fontana di Santa Lucia and the Fontana del Gigante (along with Pietro Bernini). In 1607, he submitted a design for the Cappella del Tesoro di San Gennaro, in which he competed against Ceccardo Bernucci, Giovan Battista Cavagna, Giulio Cesare Fontana, Giovan Giacomo Di Conforto, Dionisio Nencioni di Bartolomeo, Francesco Grimaldi, and Giovanni Cola di Franco. The latter two won the competition.
In 1612, he completed some tombs in the church of Santo Stefano in Capri, and in 1616, he returned to Florence to sculpt an ‘’Adam and Eve’’ for the Boboli Gardens. Among those who worked with him were Giuliano Finelli, Francesco Cassano, Tommaso Montani, Angelo Landi, and Mario Marasi.
Other works

Pietà, Chapel of Palazzo of Monte di Pietà
Fontana di Santa Lucia (Villa Reale)
Fontana del Gigante (con Pietro Bernini)
Statue, Fontana del Nettuno
Madonna del Carmine, San Giovanni a Carbonara
Bust of Fabrizio Pignatelli, Church of Santissima Trinità dei Pellegrini
Christ Risen, Certosa di San Martino
Tomb of Ferdinando Maiorca, Pontificia Reale Basilica of San Giacomo degli Spagnoli, Naples
Christ at the Column, Museo Lázaro Galdiano, Madrid, Spain
Virgin and Child, Jesus Nazareno church, Cudillero, Spain
Funerary statue of García de Barrionuevo (bronze), San Ginés church, Madrid, Spain

Arnaldo Pomodoro (born 23 June 1926) is an Italian sculptor. He was born in Morciano, Romagna, and lives and works in Milan. His brother, Giò Pomodoro (1930–2002) was also a sculptor.
Pomodoro designed a controversial fiberglass crucifix for the Cathedral of St. John the Evangelist in Milwaukee, Wisconsin. The piece is topped with a fourteen-foot diameter crown of thorns which hovers over the figure of Christ.
Some of Pomodoro's Sphere Within Sphere (Sfera con Sfera) can be seen in the Vatican Museums, Trinity College, Dublin, the United Nations Headquarters and Mt. Sinai Hospital in New York, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., Christian Theological Seminary in Indianapolis, the de Young Museum in San Francisco, Tehran Museum of Contemporary Art, American Republic Insurance Company in Des Moines, Iowa, the Columbus Museum of Art in Columbus, Ohio, the University of California, Berkeley, the Virginia Museum of Fine Arts in Richmond, Virginia, Stanford University, and the Tel Aviv University, Israel.

Giacomo Manzoni (22 December 1908 – 17 January 1991), known professionally as Giacomo Manzù, was an Italian sculptor.

Roberto Lardera (December 18, 1911 – February 23, 1989), informally known as Berto Lardera, was an Italian sculptor of the 20th century. He was born in La Spezia, Italy, the son of a naval engineer. He was self-taught and his leanings towards monumental, metallic sculptures may have been influenced by the sights he grew up with in the naval dockyards.
In 1947 Lardera moved to Paris, where he remained until his death in 1989. He exhibited at the Galerie Denise René and then at the Salon de Mai and the Salon des Réalités Nouvelles. Lardera's sculpture began with abstract metal structures based on two dimensions, or a flat geometrical plane, which challenged the conventional form of sculpture based around volume and enclosed spaces. Later his work became more diverse, with his geometrical constructions branching out into the horizontal as well as the vertical plane and often resulting in series based on a single theme, such as his Miracles, Aubes and Archanges series.
His sculptures are to be found the world over, in Europe, America and Japan. They show the use of a wide range of different metals, as well as different dimensions. Lardera did not produce very many prints, but his interest in using different planes and dimensions led to him making markedly "sculptural" prints. He used a unique technique, cutting forms and designs with his sculpting tools in thick iron plates from which the prints were pulled. He used no acid or chemical processes.