1911 births

James_John_Hogan

James John Hogan (October 17, 1911 – June 14, 2005) was an American prelate of the Roman Catholic Church who served as the sixth bishop of the Diocese of Altoona-Johnstown in Pennsylvania (1966–1986). He previously served as an auxiliary bishop of the Diocese of Trenton in New Jersey (1959–1966).

Hy_Hirsh

Hyman Hirsh (October 11, 1911, Philadelphia, Pennsylvania – November 1961, Paris, France), was an American photographer and experimental filmmaker. He is regarded as a visual music filmmaker, as well as one of the first filmmakers to use electronic imagery (filmed oscilloscope patterns) in a film.

Greg_Bautzer

Gregson Edward Bautzer (April 3, 1911 – October 26, 1987) was an American attorney who represented such individuals as Ginger Rogers, Ingrid Bergman and Joan Crawford, Kirk Kerkorian, Howard Hughes and William R. Wilkerson.

Charles_Shaw_(journalist)

Charles Shaw (June 25, 1911 – December 14, 1987), was an American journalist who worked with Edward R. Murrow during World War II and then went on to be News Director and broadcast journalist at WCAU-TV, the CBS affiliate in Philadelphia.
Shaw was born in Charleroi, Pennsylvania, near Pittsburgh.
While at WCAU in the early 1950s, he was one of the first broadcast journalists to speak out against Senator Joseph McCarthy, even before Murrow did so.
In the late 1950s, Shaw was drawn to the story of the burgeoning Cuban revolution, and he travelled to Cuba to secretly meet with Fidel Castro and his brother Raúl Castro in the mountains of southern Cuba. When Castro came to power, Shaw was invited to Cuba by the new government, and he was also given a commendation by Castro when the new Cuban leader visited Washington in the early 1960s, before relations between the two governments turned sour.
After leaving CBS in the early 1960s, Shaw became editor of the Bucks County Gazette, in New Hope, Pennsylvania.

Perry_T._Rathbone

Perry Townsend Rathbone (July 3, 1911 – January 22, 2000) was one of the leading American art museum directors of the 20th century. As director of the St. Louis Art Museum from 1940 to 1955, and the Museum of Fine Arts, Boston from 1955 to 1972, he transformed these institutions from quiet repositories of art to vibrant cultural centers. Known for his sensitive installations as well as his bold publicity stunts, he increased the membership and attendance figures of both institutions exponentially, and also added significant works to their permanent collections across the board.