Italian painter

Jan_Philip_Koelman

Jan (Johan) Philip Koelman (11 March 1818, in The Hague – 10 January 1893, in The Hague) was a Dutch painter, sculptor, writer and teacher, involved during part of his life in revolutionary activity.
He attended Cornelis Kruseman's studio together with other artists of this period, such as Alexander Hugo Bakker Korff, David Bles and Herman ten Kate.Between 1846 and 1851 Koelman lived in Rome, to where he travelled for artistic purposes, but where he found himself involved in the revolutionary Roman Republic of 1849, and eventually joined Garibaldi's defence of Rome against the French Army.Koelman's memoirs of that period are used as source material for historians researching Garibaldi's life and the struggle which eventually led to the Unification of Italy, providing some details not recorded elsewhere.Henry Van Ingen, professor of art at Vassar from 1865 to 1898, was Koelman's brother-in-law.

Giovanni_Domenico_Ferretti

Giovanni Domenico Ferretti (Giandomenico), also called Giandomenico d'Imola (15 June 1692 – 18 August 1768), was an Italian Rococo style painter from Florence. According to the contemporary Giovanni Camillo Sagrestani, Ferretti was a pupil of the Bolognese painter Giuseppe Maria Crespi. Others say he worked with painter Giovanni Gioseffo dal Sole.He returned to Florence with a letter of recommendation of Cardinal Gozzadini seeking patronage from Cosimo III de' Medici. He found work in the studio of Tommaso Redi and Sebastiano Galeotti. He travelled to Bologna to work under Felice Torelli and then resettled in Florence in 1715. Ferretti soon joined the Florentine Accademia del Disegno, where he later taught painting but also designed tapestries for the Medici. He found abundant patronage in fresco painting for the Florentine Abbey (Badia Fiorentina), the Chapel of San Giuseppe in the Duomo, and the altar and cupola of the Church of San Salvatore al Vescovo. One of his most important works was the decoration of the ceiling of the Church of Santa Maria del Carmine, since lost in a fire.
Ferretti's fresco style was influenced by Sebastiano Ricci's lively, colourful, and pastel-hued frescoes in the Palazzo Marucelli-Fenzi. Ferretti himself decorated the Palazzo Amati Cellesi in Pistoia, the Palazzo Sansedoni in Siena, and the Villa Flori in Pescia. The frescoes for the cupola of the cathedral of San Zeno in Pistoia are attributed to him.

Scipione_(Gino_Bonichi)

Gino Bonichi (February 25, 1904 – November 9, 1933), known as Scipione, was an Italian painter and writer.
He was born in Macerata. In 1909 he moved to Rome, where he later enrolled at the Scuola Libera di Nudo of the Accademia di Belle Arti di Roma. He founded with Mario Mafai and Antonietta Raphael the Scuola romana, a group of artists active in Rome who were influenced by Expressionism, and opposed the officially approved art of the Fascist period. He exhibited his work for the first time in 1927. At about this time, he also began publishing his poetry and essays.
Scipione's interest in art history led him to study the Italian old masters, as well as El Greco and Goya. Expressionists such as Chaïm Soutine, James Ensor and George Grosz influenced the development of his style, which was characterized by mysticism and a personal symbolism. His period of greatest activity was between 1927 and the autumn of 1930; during these years he produced his most important works, such as Still-life with a Bowler Hat (1929) and Still-life with a Feather (1929).His unique style combined elements of symbolism, surrealism, and expressionism, evoking an intense emotional impact through his vivid color palette and distorted figuration.He exhibited in the Venice Biennale in 1930, and at the first Rome Quadriennale in 1931. In the last two years of his life, the tuberculosis from which he had suffered for years forced him to abandon painting in favor of drawing. He died in Arco on November 9, 1933.
The Italian painter Claudio Bonichi (born in 1943) is Scipione's nephew.