Italian film score composers

Amedeo Minghi (born 12 August 1947) is an Italian singer-songwriter, composer and producer.

Mimmo Locasciulli (born 7 July 1949) is an Italian singer-songwriter, composer, producer and musician.

Nico Fidenco (artistic name Domenico Colarossi; 24 January 1933 – 18 November 2022) was an Italian singer and film soundtrack composer who gained considerable popularity in 1960 with the release of the song "What a Sky" (Italian: "Su nel cielo"), taken from the film Silver Spoon Set by Francesco Maselli.
Self-taught in music, Fidenco did a few cover versions of film title songs for the Italian market. With the song "Legata a un granello di sabbia", he was the first Italian singer to sell one million copies of a single. This interest in cinema led him to be a prolific soundtrack composer, including scores for westerns and many Joe D'Amato films.

Mario Castelnuovo-Tedesco (3 April 1895 – 16 March 1968) was an Italian composer, pianist and writer. He was known as one of the foremost guitar composers in the twentieth century with almost one hundred compositions for that instrument. In 1939 he immigrated to the United States and became a film composer for Metro-Goldwyn-Mayer for some 200 Hollywood movies for the next fifteen years. He also wrote concertos for Jascha Heifetz and Gregor Piatigorsky.

Giuseppe "Pippo" Barzizza (Italian pronunciation: [dʒuˈzɛppe ˈpippo barˈdziddza]; 15 May 1902 – 4 April 1994) was an Italian composer, arranger, conductor and music director.
Giuseppe Barzizza, called Pippo, was born in Genova on 15 May 1902, and died in Sanremo on 4 April 1994. He became famous in the 1930s and 1940s, at the beginning with Blue Star Orchestra and then with Orchestra Cetra. He composed songs and film soundtracks. His treatise, "Barzizza's method" was printed in 1952. His basics and exercises "are so clear that's it's enough to read this little book to overcome any doubts or hesitation!” Franco Franchi said, "Barzizza was among the first to be interested in jazz music and swing and he became for many years, together with his friend and rival Cinico Angelini, a great example for his fellows, both for his extraordinary compositions and his skills to find out new talents and songs, and for his attempt to give a modern mark to Italian music".