French male poets

Pierre_Reverdy

Pierre Reverdy (French: [ʁəvɛʁdi]; 13 September 1889 – 17 June 1960) was a French poet whose works were inspired by and subsequently proceeded to influence the provocative art movements of the day, Surrealism, Dadaism and Cubism. The loneliness and spiritual apprehension that ran through his poetry appealed to the Surrealist credo. He, though, remained independent of the prevailing "-isms", searching for something beyond their definitions. His writing matured into a mystical mission seeking, as he wrote: "the sublime simplicity of reality."

Louis_Bouilhet

Louis Hyacinthe Bouilhet (27 May 1821 – 18 July 1869) was a French poet and dramatist.
Bouilhet was born in Cany, Seine Inférieure. He was a schoolfellow of Gustave Flaubert, to whom he dedicated his first work, Melaenis, conte romain (1851), a narrative poem in five cantos dealing with Roman manners under the emperor Commodus. His volume of poems Fossiles attracted considerable attention for being an attempt to make science a subject for poetry. These poems were also included in his Festons et astragales (1859).
As a dramatist he was successful with his first play, Madame de Monlarcy (1856), which ran for 28 nights at the Odéon; Hélène Peyron (1858) and L'Oncle Million (1860) were also favorably received. Of his other plays, only Conjuration d'Amboise (1866) met with any real success.
Bouilhet died on 18 July 1869, at Rouen. Flaubert published his posthumous poems with a notice by the author in 1872.
Bouilhet was Flaubert's mentor and guide; Flaubert never wrote anything without his advice. A few months after Bouilhet's death in 1869, Flaubert wrote about his old friend, "When I lost my poor Bouilhet, I lost my midwife, the man who saw more clearly into my mind than I did myself." According to Starkie, Maxime Du Camp, who knew Bouilhet and Flaubert well, said of the two authors, "It was Bouilhet who was the master, in the matter of literature at least, and that it was Flaubert who obeyed." Throughout their lives, Flaubert referred to Bouilhet as "Monseigneur."

Auguste_Brizeux

Julien Auguste Pélage Brizeux (12 September 1803 – 3 May 1858) was a French poet. He was said to belong to a family of Irish origin, long settled in Brittany. He was educated for the law, but in 1827 he produced at the Théâtre Français a one-act verse comedy, Racine, in collaboration with Philippe Busoni.
His most important works are, first, Marie (1832, 1836, 1840), then, Les Bretons (1845, 1846). He also wrote in the Breton language, notably Telenn-Arvor and Furnez Breiz.

Henri_Chantavoine

Henri Chantavoine (6 August 1850 – 25 August 1918) was a French writer and Professor of Rhetoric.
Chantavoine was born in Montpellier and educated at the École Normale Supérieure. After teaching in the provinces he moved, in 1876, to the Lycée Charlemagne in Paris, and subsequently became Professor of Rhetoric at the Lycée Henri IV and maître de conférences at the École Normale at Sèvres. He was associated with the Nouvelle Revue from its foundation in 1879, and he joined the Journal des débats in 1884. His poems include Poèmes sincères (1877), Satires contemporaines (1881), Ad memoriam (1884), and Au fil des jours (1889).

Tristan_Klingsor

Tristan Klingsor, birth name (Arthur Justin) Léon Leclère (born Lachapelle-aux-Pots, Oise department, 8 August 1874; died Nogent-sur-Marne, 3 August 1966), was a French poet, musician, painter and art critic, best known for his artistic association with the composer Maurice Ravel.
His pseudonym, combining the names of Wagner's hero Tristan (from Tristan und Isolde) and his (Wagner's) villain Klingsor (from Parsifal), indicates one aspect of his artistic interests, though he said that he chose the names because he liked the "sounds" they made, the associations with Arthurian and Breton legends he had read as a child, and that there were already too many literary men in Paris with the surname Leclère. Some of his "orientalist" poems are addressed to a mysterious "jeune étranger," possibly symbolising his gay orientation, although he did marry in 1903, and had a daughter two years later. His first collection, Filles-fleurs (1895), was in eleven-syllable verse. After this he often used a personal form of free verse. He was a member of the Fantaisiste group of French poets. Certain of his poems were set to music by composers including Charles Koechlin, Georges Hüe and Georges Migot, and he is best remembered as providing the texts for Ravel’s song cycle Shéhérazade (1903). He and Ravel belonged to the Paris avant-garde artistic group known as Les Apaches for whose meetings he was sometimes the host. He recorded his long acquaintance with the composer in an essay, "L'Époque Ravel". Ravel dedicated the first of his Trois Chansons to him in 1915.
Klingsor was also a painter (exhibiting from 1905 at the Salon d'Automne and being awarded the Prix Puvis de Chavannes in 1952). His visual art was reviewed twice by Guillaume Apollinaire: In 1906, he called Klingsor's attempts "Merde!" but in 1908, he was kinder, stating: "Klingsor animates his painting with the same sentimental delicacy that gives his poetry its somewhat contrived, dated charm. For my part, I prefer the poet to the painter.” He was also the author of several studies on art, and a composer in his own right, with several collections of melodies, four-part songs, and piano music.

Clovis_Hugues

Clovis Hugues (November 3, 1851 – June 11, 1907) was a French poet, journalist, dramatist, novelist, and socialist activist. He wrote some of his works in Provençal and un 1898 was elected a majoral of the Félibrige, a society for the promotion of the Occitan language and culture.

Jean-Marie_Guyau

Jean-Marie Guyau (28 October 1854 – 31 March 1888) was a French philosopher and poet.
Guyau was inspired by the philosophies of Epicurus, Epictetus, Plato, Immanuel Kant, Herbert Spencer, and Alfred Fouillée, and the poetry and literature of Pierre Corneille, Victor Hugo, and Alfred de Musset.

Maurice_de_Guérin

Georges-Maurice de Guérin (4 August 1810 – 19 July 1839) was a French poet. His works were imbued with a passion for nature whose intensity reached almost to worship and was enriched by pagan elements. According to Sainte-Beuve, no French poet or painter rendered "the feeling for nature, the feeling for the origin of things and the sovereign principle of life" as well as Guérin.