Articles with KANTO identifiers

Josephine Caroline Lang (14 March 1815 – 2 December 1880) was a German composer. Josephine Lang was the daughter of Theobald Lang, a violinist, and Regina Hitzelberger, opera singer. Her mother taught young Josephine how to play piano, and from age five it became apparent that Josephine was possessed with great potential as a composer. As early as age eleven Josephine started giving piano lessons herself. Through her godfather, Joseph Stieler, Josephine was exposed to some of the greatest artists of her time. Both Felix Mendelssohn and Ferdinand Hiller went to great lengths to ensure that Lang learned the proper theory for song-writing, and used their connections to publish Lang's music. Even Robert Schumann published a song of Josephine's in Neue Zeitschrift für Musik in 1838.

Joseph Jean-Baptiste Laurent Arban (28 February 1825 – 8 April 1889) was a cornetist, conductor, composer, pedagogue and the first famed virtuoso of the cornet à piston or valved cornet. He was influenced by Niccolò Paganini's virtuosic technique on the violin and successfully proved that the cornet was a true solo instrument by developing virtuoso technique on the instrument.

Alan Loy McGinnis (10 November 1933 in Friendswood, Texas – 9 January 2005 in Glendale, California) was an author, Christian psychotherapist, and founder and director of the Valley Counseling Center in Glendale, California, United States. He was the minister of Grandview Presbyterian church around 1970.
Today there are over 3 million copies of his books in print. His 1979 book The Friendship Factor has sold over 1,000,000 copies and his 1985 book Bringing Out the Best in People sold over 600,000 copies. His books have been translated into over 14 languages.
His books are characterized by a clear writing style using simple, short sentences.
He was a family therapist, corporate consultant, and speaker to television, radio, and corporate audiences.
His books include:

The Friendship Factor (1979)
Bringing Out the Best in People (1985)
Confidence (self-help-book) (1987)
The Power of Optimism (1993)
The Romance Factor
The Balanced Life

Mary Ford (born Iris Colleen Summers; July 7, 1924 – September 30, 1977) was an American guitarist and vocalist, comprising half of the husband-and-wife musical team Les Paul and Mary Ford. Between 1950 and 1954, the couple had 16 top-ten hits, including "How High the Moon" and "Vaya con Dios", which were number one hits on the Billboard charts. In 1951 alone they sold six million records. With Paul, Ford became one of the early practitioners of multi-tracking.

Jean Shinoda Bolen (born June 29, 1936) is an American psychiatrist, Jungian analyst and author. She is of Japanese descent. A Distinguished Life Fellow of the American Psychiatric Association and a Diplomate of the American Board of Psychiatry and Neurology, she is an emeritus clinical professor of psychiatry at Langley Porter Psychiatric Institute, UCSF Medical Center and member of the C.G. Jung Institute of San Francisco. She is the author of thirteen books in over one hundred foreign editions. She was an NGO delegate to the United Nations Commission on the Status of Women (2002-2018).

Mirriam Johnson (born May 25, 1943), known professionally as Jessi Colter, is an American country singer who is best known for her collaborations with her husband, country musician Waylon Jennings, and for her 1975 crossover hit "I'm Not Lisa".
Colter was one of the few female artists to emerge from the mid-1970s "outlaw country" movement.
After meeting Jennings, Colter pursued a career in country music, releasing her first studio LP in 1970, A Country Star Is Born. Five years later, Colter signed with Capitol Records and released "I'm Not Lisa", which topped the country charts and reached the top five on the pop charts. In 1976 she was featured on the collaboration LP Wanted: The Outlaws, which became an RIAA-certified Platinum album.

Bruno Balz (6 October 1902, in Berlin – 14 March 1988, in Bad Wiessee) was a German songwriter and schlager writer.
From the time he wrote the music for the first German sound film until his retirement in the 1960s, Balz was responsible for the lyrics to over a thousand popular hits. Much of his output was in conjunction with the composer Michael Jary; their songs helped make the singer Zarah Leander popular.
Balz was arrested several times for homosexuality. In 1936, he spent several months in prison, and was released under an agreement that mandated that his name was no longer to appear in public. To maintain the appearance of propriety, he entered a "lavender marriage" with a woman named Selma. He was rearrested in 1941 by the Gestapo and was kept in the Gestapo headquarters in Prinz-Albrecht-Straße. He was released from imprisonment by the intervention of Jary, who persuaded officials that he could produce songs that would aid the war effort. Within a day of his release, they had written two of their greatest successes, "Davon geht die Welt nicht unter" ("This Will Not End the World") and "Ich weiß, es wird einmal ein Wunder gescheh'n" ("I Know Some Day a Miracle Will Happen"). His film songs for Leander, a star of UFA musicals which were later criticised as having helped public and armed forces morale during the war, became anthems for homosexuals imprisoned in concentration camps.
The fall of the Nazi regime did not spell an end to the persecution of Balz, as Paragraph 175, the law against homosexuality, continued in force. Thus his name is considerably less well-known than if he had been properly credited for his lyrics.
Balz's companion was painter and actor Jürgen Draeger, who was enjoined by a clause in Balz's will from talking about their relations for ten years following Balz's death.
The Bruno Balz Theatre in Berlin is named for him.

Hans Schmidt-Isserstedt (5 May 1900 – 28 May 1973) was a German conductor and composer. After studying at several music academies, he worked in German opera houses between 1923 and 1945, first as a répétiteur and then in increasingly senior conducting posts, ending as Generalmusikdirektor of the Deutsche Oper Berlin.
After the Second World War, Schmidt-Isserstedt was invited by the occupying British forces to form the Northwest German Radio Symphony Orchestra, of which he was musical director and chief conductor from 1945 to 1971. He was a frequent guest conductor for leading symphony orchestras around the world, and returned to opera from time to time, including appearances at Glyndebourne and Covent Garden as well as the Hamburg State Opera.
Schmidt-Isserstedt was known for his transparent orchestral textures, strict rhythmic precision, and rejection of superfluous gestures and mannerisms on the rostrum. His extensive recorded legacy features the Austro-German classics with which he was widely associated, but also includes works by Czech, English, French, Italian and Russian composers.

Herbert Ludwig Sandberg (26 February 1902 – 7 January 1966) was a Swedish conductor, librettist, and composer of Polish Jewish descent.

Hans Leip (22 September 1893 – 6 June 1983), was a German novelist, poet and playwright, best remembered as the lyricist of Lili Marleen.
Leip was the son of a former sailor and harbour-worker at the port of Hamburg. He was educated there, and in 1914 became a teacher in the Hamburg suburb of Rothenburgsort. In 1915 he was called up by the German army and after training in Berlin served on the Eastern front and in the Carpathians. After being wounded in 1917 he was discharged on medical grounds.
He first had ambitions as an artist, but then turned to writing, although he illustrated his books himself. In the 1920s, he travelled extensively, to Paris, London, Algiers and New York City, among other places. His breakthrough as a novelist was with the success of Godekes Knecht, which was awarded the prize of the Kölnische Zeitung newspaper. His novels sold well in the years leading up to the outbreak of World War II, while he also wrote plays, short stories, poems, dramas and was also a painter and sculptor.