20th-century women painters

Käthe_Schuftan

Käthe Fanny Schuftan (12 January 1899 – 21 February 1958) was a German Jewish artist whose paintings and drawings expressed both human suffering and the aspiration of spirit, in the mid 20th century. Josef Paul Hodin wrote that she "worked in an Expressionist style reminiscent of Käthe Kollwitz' social pathos". An artist at the time of the Weimar culture, she was tortured and imprisoned by the Nazis in the early 1930s, and her work was destroyed. She escaped in 1939, arriving in Manchester, England, not long before the outbreak of World War II; she lived and worked there until her death in 1958.

Madeleine_Lemaire

Madeleine Lemaire, née Coll (1845 – 8 April 1928), was a French painter who specialized in elegant genre works and flowers. Robert de Montesquiou said she was The Empress of the Roses. She introduced Marcel Proust and Reynaldo Hahn to the Parisian salons of the aristocracy. She herself held a salon where she received high society in her hôtel particulier on the Rue de Monceau.
Lemaire exhibited her work at the Palace of Fine Arts and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois.George Painter stated in his book Marcel Proust she is one of the models of Proust's Madame Verdurin (In Search of Lost Time).

Jeanne_Bardey

Jeanne Bardey (April 12, 1872 – October 13, 1954) was a French painter and sculptor who lived in Lyon.She was born in Lyon. She is known for being the last student of Auguste Rodin. In 1916, Rodin described Jeanne Bardey as his heir, but his last wishes were not respected, and she was removed from his legacy. More than 600 of her sculptures are contained in the collections of the Museum of Fine Arts of Lyon. Other pieces are held by the Musée d'Orsay. Bardey had a daughter, Henriette.

Jo_Bauer-Stumpff

Jo Bauer-Stumpff (5 September 1873 – 19 December 1964) was a Dutch painter.
Bauer-Stumpff was born in Amsterdam and trained at the Rijksakademie van beeldende kunsten there, where she studied under August Allebé. Her father William Stumpff was director-general at the Royal Dutch theatre. She was a member of Arti et Amicitiae (where she won a medal in 1952) and the Hollandse Aquarellisten Kring and is considered one of the Amsterdamse Joffers.In 1902 she married the painter Marius Bauer. The couple lived in Villa Stamboel in Aerdenhout and lived in Amsterdam from 1916. They made trips abroad to the Dutch East Indies and Egypt. She stopped painting almost altogether after marriage and cared for her husband. The marriage was childless. After his death, she became more active as an artist again. She is known for still lifes and portraits. Her pupils were Ans van den Berg, Frederik Henderik de Meester, and Hillegonda Henriëtte Tellekamp.Bauer-Stumpff died in Amsterdam.

Nelly_van_Doesburg

Nelly van Doesburg (née Petronella Johanna van Moorsel; 27 July 1899 in The Hague – 1 October 1975 in Meudon) was a Dutch avant-garde musician, dancer, artist and art collector. She performed under her dadaïst alias Pétro van Doesburg and used the pseudonym Cupera for her work as a painter.