Conservatoire de Paris alumni

Victor Charles Paul Dourlen (3 November 1780 – 8 January 1864) was a French composer and music teacher at the Conservatoire de Paris during the first half of the nineteenth century. He is primarily known as a theorist on account of his treatises on harmony, based on the methods of Charles Simon Catel, which were widely used as reference works, especially his Traité d'harmonie (c. 1838), the Traité d'accompagnement pratique (c. 1840), and his Méthode élémentaire pour le pianoforte (c. 1820).

Émile Paladilhe (3 June 1844 – 6 January 1926) was a French composer of the late romantic period.

Gervais Bernard Gaston Salvayre (24 June 1847 – 17 May 1916) was a French composer and music critic who won the Prix de Rome for composition in 1872.

Julie Fuchs (born 24 July 1984) is a French soprano known for her interpretation of light-lyric repertoire.

Paul-Louis Rougnon (24 August 1846 – 11 December 1934) was a French composer, pianist and music educator.

André Bloch (14 January 1873, in Wissembourg – 7 August 1960, in Paris) was a French composer and music educator.

Joseph Jean-Baptiste Laurent Arban (28 February 1825 – 8 April 1889) was a cornetist, conductor, composer, pedagogue and the first famed virtuoso of the cornet à piston or valved cornet. He was influenced by Niccolò Paganini's virtuosic technique on the violin and successfully proved that the cornet was a true solo instrument by developing virtuoso technique on the instrument.

Gautier Capuçon (born 3 September 1981) is a French cellist.

Renaud Capuçon (born 27 January 1976) is a French classical violinist.
Since late 2016 he has been teaching at the Royal Northern College of Music.

Abel-Marie Alexis Decaux (11 February 1869 – 19 March 1943) was a French organist, composer, and pedagogue, best known for his piano suite Clairs de lune, some of the earliest pieces of dodecaphony.
A student of Théodore Dubois, Jules Massenet, and Charles-Marie Widor, among others, he was the titular organist of the grand organ of the Sacré-Cœur basilica. Decaux was more renowned as a player and professor during his lifetime than a composer.
He is popularly known as the "French Schoenberg".