Articles with International Music Score Library Project links

Pierre Louis Trouillon-Lacombe (26 November 1818 – 30 September 1884) was a French pianist and composer.

Louis Charles Bonaventure Alfred Bruneau (3 March 1857 – 15 June 1934) was a French composer who played a key role in the introduction of realism in French opera.

Othmar Schoeck (1 September 1886 – 8 March 1957) was a Swiss Romantic classical composer, opera composer, musician, and conductor.
He was known mainly for his considerable output of art songs and song cycles, though he also wrote a number of operas, notably his one-act Penthesilea, which was premiered at the Semperoper in Dresden in 1927 and revived at the Lucerne Festival in 1999. He wrote a handful of instrumental compositions, including two string quartets and concertos for violin (for Stefi Geyer, dedicatee also of Béla Bartók's first concerto), cello and horn.

Hamish MacCunn, né James MacCunn (22 March 1868 – 2 August 1916) was a Scottish composer, conductor and teacher.
He was one of the first students of the newly founded Royal College of Music in London, and quickly made a mark. As a composer he achieved early success with his orchestral piece The Land of the Mountain and the Flood (1887), and, later, his first opera, Jeanie Deans (1894). His subsequent compositions did not match those two successes, and although he continued to compose throughout his life, he became best known as a conductor and teacher. He held teaching appointments at the Royal Academy of Music and the Guildhall School of Music.
As a conductor MacCunn served as musical director to the Carl Rosa, Moody-Manners and D'Oyly Carte opera companies, and worked with Thomas Beecham in the latter's London opera seasons in 1910 and 1915 and on tour.

Paul Marie Théodore Vincent d'Indy (French: [vɛ̃sɑ̃ dɛ̃di]; 27 March 1851 – 2 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter.
D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence.

Maurice Jaubert (3 January 1900 – 19 June 1940) was a prolific French composer who scored some of the most important films of the early sound era in France, including Jean Vigo’s Zero for Conduct and L'Atalante, and René Clair’s Quatorze Juillet and Le Dernier Milliardaire. Serving in both world wars, he died in action during World War II at the age of 40.

Paul Tortelier (21 March 1914 – 18 December 1990) was a French cellist and composer. After an outstanding student career at the Conservatoire de Paris he played in orchestras in France and the US before the Second World War. After the war he became a well-known soloist, playing in countries round the globe. He taught at conservatoires in France, Germany and China, and gave televised masterclasses in England. He was particularly associated with the solo part in Richard Strauss's Don Quixote, cello concertos by Elgar and others, and Bach's Cello Suites.

Pierre-Octave Calixte Ferroud (6 January 1900 – 17 August 1936) was a French composer of classical music.

Georges Elbert Migot (27 February 1891 – 5 January 1976) was a prolific French composer. Though primarily known as a composer, he was also a poet, often integrating his poetry into his compositions, and an accomplished painter. He won the 1921 Prix Blumenthal.

Marcel Jean-Jules Dupré (French pronunciation: [maʁsɛl dypʁe]; 3 May 1886 – 30 May 1971) was a French organist, composer, and pedagogue.