Musicians from the Province of Brandenburg

Gustav Heinrich Ernst Martin Wilhelm Furtwängler (UK: FOORT-veng-glər, US: -⁠lər, German: [ˈvɪlhɛlm ˈfʊɐ̯tvɛŋlɐ]; 25 January 1886 – 30 November 1954) was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major influence for many later conductors, and his name is often mentioned when discussing their interpretative styles.Furtwängler was principal conductor of the Berlin Philharmonic between 1922 and 1945, and from 1952 until 1954. He was also principal conductor of the Gewandhaus Orchestra (1922–26), and was a guest conductor of other major orchestras including the Vienna Philharmonic.
Although not an adherent of Nazism, he was the leading conductor to remain in Germany during the Nazi regime. Despite his open opposition to antisemitism and the ubiquity of Nazi symbolism, the regime did not seek to suppress him, at Joseph Goebbels' insistence, for propaganda reasons. This situation caused lasting controversy, and the extent to which his presence lent prestige to Nazi Germany is still debated.

Ernst Hermann Ludimar Meyer (8 December 1905 – 8 October 1988) was a German composer and musicologist, noted for his expertise on seventeenth-century English chamber music.

Gustav Albert Lortzing (23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German Spieloper, a form similar to the French opéra comique, which grew out of the Singspiel.

Charlotte "Lotte" Pauline Sophie Lehmann (February 27, 1888 – August 26, 1976) was a German-American lyric soprano noted for her successful performances with international opera houses, on the recital stage and in teaching.: 5 She gave memorable appearances in the operas of Richard Strauss, Richard Wagner, Ludwig van Beethoven, Puccini, Mozart, and Massenet. The Marschallin in Der Rosenkavalier, Sieglinde in Die Walküre and the title-role in Fidelio are considered her greatest roles. During her long career, Lehmann also made almost five hundred recordings in both opera and art song.