Articles with LexM identifiers

Robert Lachmann (28 November 1892 – 8 May 1939) was a German ethnomusicologist, polyglot (German, English, French, Arabic), orientalist and librarian. He was an expert in the musical traditions of the Middle East, a member of the Berlin School of Comparative Musicology and one of its founding fathers. After having been forced to leave Germany under the Nazis in 1935 because of his Jewish background, he emigrated to Palestine and established a rich archive of ethnomusicological recordings for the Hebrew University of Jerusalem.

Paul Graetz (8 August 1889 – 16 February 1937) was a German actor and star of the Weimar cabaret.

Herbert Kiper (1897–1978) was a German stage and film actor.

Max Paul Eugen Bekker (11 September 1882 – 7 March 1937) was a German music critic and author. Described as having "brilliant style and […] extensive theoretical and practical knowledge," Bekker was chief music critic for both the Frankfurter Zeitung (1911–1923), and later the New Yorker Staats-Zeitung (1934–1937).

Heinrich Jacoby (1889–1964), originally a musician, was a German educator whose teaching was based on developing sensitivity and awareness. His collaboration with his colleague Elsa Gindler (1885–1961), whom he met in 1924 in Berlin, played a great role in his researches. With the advent of Nazism in 1933 Jacoby was forced to leave Germany, but he continued his work in Switzerland.
Jacoby and Moshe Feldenkrais were among a small group of European 20th-century innovators who emphasized the "self" in self-development, so that as in the zen inspired arts such as archery or judo, or even flower arranging, a skill was not an end in itself. Practicing a skill was a path to greater awareness.
The work of Heinrich Jacoby influenced body psychotherapy through the workshops that Charlotte Selver (1901–2003), a student of Jacoby and Gindler, gave to major body psychotherapists at the Esalen Institute in the 1960s.

Walter Braunfels (German pronunciation: [ˈvaltər ˈbʁaʊnfɛls]; 19 December 1882 – 19 March 1954) was a German composer, pianist, and music educator.

Ottilie Metzger-Lattermann also formerly Ottilie Metzger-Froitzheim (15 July 1878 – February 1943) was a German contralto who was a famous performer of works by Wagner during the 1910s, and who after her retirement was murdered in Auschwitz.

Bernhard Sekles (20 June 1872 – 8 December 1934) was a German composer, conductor, pianist and pedagogue.

Robert Gilbert (born Robert David Winterfeld) (29 September 1899 – 20 March 1978) was a German composer of light music, lyricist, singer, and actor. His father was Max Winterfeld, a composer and conductor who went by the pen name of Jean Gilbert. His brother was Henry Winterfeld, an author of children's books. Sometimes described as a "divided author", his early depression-era poem "Stempellied" about living on the dole was set to music by Hanns Eisler. But "Am Sonntag will mein Süsser mit mir segeln gehen" ("On Sunday I'll go sailing with my Sweetheart") and "Das gibt's nur einmal" ("It Happens Only Once"), became his better known work.

Carl Anton Charles Ebert (20 February 1887 – 14 May 1980), was a German actor, stage director and arts administrator.
Ebert's early career was as an actor, training under Max Reinhardt and becoming one of the leading actors in his native Germany during the 1920s. During that decade he was also appointed to administrative posts, both theatrical and academic. In 1929 he directed opera for the first time, and during the 1930s established a reputation as an operatic director in Germany and beyond. A strong opponent of Nazism, he left Germany in 1933 and did not return until 1945.
Together with John Christie and the conductor Fritz Busch, Ebert created the Glyndebourne Festival Opera in 1934. Ebert remained its artistic director until 1959, though productions were suspended during the Second World War. In the 1930s and 1940s Ebert helped establish a national conservatory in Turkey, where he and his family lived from 1940 to 1947.
In his later years Ebert held administrative posts in Los Angeles and Berlin, and was a guest director at opera houses and festivals in Europe.