Vocation : Entertain/Music : Conductor

Jolly_Kramer-Johansen

Jolly Kramer-Johansen (7 May 1902 – 17 September 1968) was a Norwegian composer. He composed music for several films, including De vergeløse from 1939, Bastard from 1940, Tørres Snørtevold from 1940, Den farlige leken from 1942, and Bustenskjold from 1958. Among his song compositions are Frihetens forpost, with lyrics by Arne Paasche Aasen.

Egil_Monn-Iversen

Egil Ragnar Monn-Iversen (14 April 1928 – 7 July 2017) was a Norwegian musician, one of the most influential modern composers in Norway. He has had many important roles in Norwegian music, film, opera, television, comedy and theater. For some time he had so much influence in Norwegian culture that he got the nickname The Godfather, even though he always considered himself a down-to-earth musician.
Monn-Iversen owned a film production company, a record label, and an agency for musical artists, he was the founder of the vocal group The Monn Keys, he was the CEO at the Chat Noir theatre, chairman at The Norwegian Opera and from the 1960s until his death in 2017 worked in NRK (Norwegian Broadcasting Corporation) and Det norske teatret (The Norwegian Theatre). He composed scores to over 100 Norwegian movies and TV series.
Monn-Iversen was married to the Norwegian actor and singer Sølvi Wang until her death in 2011.

Gerónimo_Giménez

Gerónimo Giménez y Bellido (10 October 1854 – 19 February 1923) was a Spanish conductor and composer, who dedicated his career to writing zarzuelas, such as La tempranica and La boda de Luis Alonso. He preferred to spell his first name with a "G", even though his name at birth officially began with a "J".
Written in Spanish, a very comprehensive biographical exposition by Ascensión García de las Mozas may be found at the Universidad de Cádiz institutional repository of Research and Learning Objects (RODIN)
https://rodin.uca.es/bitstream/handle/10498/7788/33195031.pdf?sequence=1

Pierre_Sancan

Pierre Sancan (24 October 1916 – 20 October 2008) was a French composer, pianist, teacher and conductor. Along with Olivier Messiaen and Henri Dutilleux, he was a major figure among French musicians in the mid-twentieth-century transition between modern and contemporary eras; but outside France his name is almost unknown.

Diego_Masson

Diego Masson (born 21 June 1935) is a French conductor, composer, and percussionist.
The son of artist André Masson and brother of the singer and actor Luís Masson, Diego Masson was born in Tossa de Mar, Spain. He studied piano and composition at the Paris Conservatoire. Upon graduation, he joined the Domaine Musical as percussionist and began studying conducting with the group's director, Pierre Boulez. In 1966 he formed Musique Vivante, a group specializing in contemporary music which he still directs. Musique Vivante has introduced many important compositions by French and foreign composers, in particular the music of Boulez and Karlheinz Stockhausen. In 1969 Masson conducted the world première of Stockhausen's Stop, which is dedicated to him, and the group also took part in the premières of "Setz die Segel zur Sonne" from Aus den sieben Tagen and the 1972 version of Momente.In addition to conducting specialist new-music groups like the Asko Ensemble, Xenakis Ensemble, the Composers Ensemble, Klangforum Wien, the London Sinfonietta, Ensemble Alternance, Ensemble Modern, and Musik Fabrik, he has worked with major orchestras including all the BBC Orchestras, Berlin Symphony Orchestra, Stavanger Symphony, Orchestre Philharmonique de Radio France, Netherlands Radio Philharmonic, Orchestre de la Suisse Romande, the Collegium Academicum of Geneva, Helsinki Philharmonic, Bergen Philharmonic, Scottish Chamber Orchestra, Hungarian State Symphony Orchestra, the Sydney and Melbourne Symphony Orchestras, the New Zealand Symphony, the Hong Kong Philharmonic, and the Rotterdam Philharmonic Orchestra.He is also an acclaimed conductor of opera and ballet. He was music director of the Ballet-Théâtre Contemporain of Amiens from its formation in 1968. In 1972 it moved to Angers, where it was combined with the opera company as the Théâtre Musical d'Angers under Masson's direction. He left in 1975 to become music director of Marseille Opera (until 1981) where, amongst other things, he conducted a Ring cycle. He has been guest conductor with opera companies including Opera North, Scottish Opera and the Aspen Festival. He co-conducted (with Patrick Bailey) the UK premiere of Luigi Nono's Prometeo at the Royal Festival Hall in London on 9 and 10 May 2008.Masson has also worked extensively with youth orchestras: in the UK regularly at Trinity College of Music and the Royal Northern College of Music, and as guest conductor of the Symphony Orchestra of Chetham's School of Music; in the US with the Juilliard Orchestra; and in Australia with the Australian Youth Orchestra. He held conducting masterclasses every year at Dartington International Summer School from 1983 to 2010.
His activities as a composer and arranger were mainly from the early part of his career and included film scores composed for Équivoque 1900 (1966), and two Louis Malle projects, the "William Wilson" segment of the Edgar Allan Poe triptych Histoires extraordinaires (1968), and Black Moon (1975), for which he adapted music by Wagner. He was music director for the latter, as well as for the 1996 French/German television Beethoven biopic La Musique de l'amour: Un amour inachevé.