Artists from Burlington

Schuyler_Towne

M. Schuyler Towne (born Mohandas Schuyler Towne; December 16, 1983) is a competitive lockpicker and pioneer of the American Locksport movement. He was "first introduced to lockpicking at the 2006 Hackers on Planet Earth conference in New York." At that conference Towne became one of the founding board members of The Open Organization Of Lockpickers US chapter and in 2007 he launched Non-Destructive Entry Magazine. Towne has competed in the Dutch Open at LockCon in the Netherlands and both spoken and competed at DEF CON in Las Vegas. His last public talk was given at SecTor 2018.

Ben_Weiner

Ben Weiner (born November 10, 1980) is an American contemporary artist.
Weiner was born in Burlington, Vermont, and grew up in Dobbs Ferry, New York. He graduated from Wesleyan University in 2003 and completed an independent study in painting at the Universidad de las Americas Puebla, Mexico. In 2003, Weiner worked as an assistant in the studio of Jeff Koons.Blobs of paint can appear as organic terrains and hyperpigmented, trompe-l'œil manscapes. His paintings chart the evolving topologrqphy of his platelet, with the process creation of one painting generating source imagery for the next. Weiner's works weld glamour with the organic while reconsidering the cycle of nature and artificiality. His work also focuses on the daily experience of disassociation and imitation in the digital age, as well as the merging of object, subject and medium.Weiner's work has been included in exhibitions at The Aldrich Contemporary Art Museum, The Carnegie Art Museum (Oxnard, California), The Riverside Art Museum, and Artspace. His work is in collections including Sammlung Mondstudio (Germany), Progressive Insurance (Ohio), and the Frederick R. Weisman Foundation.Weiner also designed video projections for the interdisciplinary theatrical production of La Historia de Llorar por El by Ignacio Apolo.

Valerie_Hegarty

Valerie Hegarty (born 1967) is an American painter, sculptor, and installation artist. She is known for irreverent, often critical works that replicate canonical paintings, furnishings, and architectural spaces from American or personal history undergoing various processes of transformation. Hegarty most often portrays her recreations in meticulously realized, trompe l’oeil states of decay, ruin, or physical attack related to their circumstances (e.g., a seascape pierced by harpoons, a still life of food being eaten by crows). Her work examines American historical themes involving colonization, slavery, Manifest Destiny, nationalism, art-historical movements and their ideological tenets, romantic conceptions of nature, and environmental degradation. Sculpture critic Robin Reisenfeld wrote that among other things, Hegarty's art is "informed by 19th-century American landscape painting as an expression of the sublime, as well as by the manufacturing of two-dimensional 'masterworks' to be destroyed in three-dimensional fashion in order to evoke entropic forces of growth and decay."Hegarty has exhibited at venues including the Brooklyn Museum, MoMA PS1, Museum of Contemporary Art, Chicago (MCA), and Artists Space. She has received awards from the Pollock-Krasner Foundation, Adolph and Esther Gottlieb Foundation and Louis Comfort Tiffany Foundation, among others. Her work belongs to institutional collections including the Brooklyn Museum, Hood Museum of Art, Portland Museum of Art, Perez Art Museum, and Wadsworth Atheneum Museum of Art. She is based between New York City and Sullivan County, New York.