Vocation : Entertain/Music : Conductor

Edgard Victor Achille Charles Varèse (French: [ɛdɡaʁ viktɔʁ aʃil ʃaʁl vaʁɛz]; also spelled Edgar; December 22, 1883 – November 6, 1965) was a French composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined the term "organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of "sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?"Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Varèse saw potential in using electronic media for sound production, and his use of new instruments and electronic resources led to his being known as the "Father of Electronic Music" whilst Henry Miller described him as "The stratospheric Colossus of Sound".Varèse actively promoted performances of works by other 20th-century composers and founded the International Composers' Guild in 1921 and the Pan-American Association of Composers in 1926.

Karl August Leopold Böhm (28 August 1894 – 14 August 1981) was an Austrian conductor. He was best known for his performances of the music of Mozart, Wagner, and Richard Strauss.

Gustav Heinrich Ernst Martin Wilhelm Furtwängler (UK: FOORT-veng-glər, US: -⁠lər, German: [ˈvɪlhɛlm ˈfʊɐ̯tvɛŋlɐ]; 25 January 1886 – 30 November 1954) was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major influence for many later conductors, and his name is often mentioned when discussing their interpretative styles.Furtwängler was principal conductor of the Berlin Philharmonic between 1922 and 1945, and from 1952 until 1954. He was also principal conductor of the Gewandhaus Orchestra (1922–26), and was a guest conductor of other major orchestras including the Vienna Philharmonic.
Although not an adherent of Nazism, he was the leading conductor to remain in Germany during the Nazi regime. Despite his open opposition to antisemitism and the ubiquity of Nazi symbolism, the regime did not seek to suppress him, at Joseph Goebbels' insistence, for propaganda reasons. This situation caused lasting controversy, and the extent to which his presence lent prestige to Nazi Germany is still debated.

César-Auguste-Jean-Guillaume-Hubert Franck (French pronunciation: [sezaʁ oɡyst ʒɑ̃ ɡijom ybɛʁ fʁɑ̃k]; 10 December 1822 – 8 November 1890) was a French Romantic composer, pianist, organist, and music teacher born in present-day Belgium.
He was born in Liège (which at the time of his birth was part of the United Kingdom of the Netherlands). He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception of an early oratorio Ruth, he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable musical improviser, and travelled widely within France to demonstrate new instruments built by Aristide Cavaillé-Coll.

In 1858, he became organist at the Basilica of St. Clotilde, Paris, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. After acquiring the professorship, Franck wrote several pieces that have entered the standard classical repertoire, including symphonic, chamber, and keyboard works for pipe organ and piano. As a teacher and composer he had a vast following of composers and other musicians. His pupils included Ernest Chausson, Vincent d'Indy, Henri Duparc, Guillaume Lekeu, Albert Renaud, Charles Tournemire and Louis Vierne.

Erling Asbjørn Kjellsby (7 July 1901 - 20 February 1976) was a Norwegian organist and composer.

Karl Søren Clausen (15 August 1904 – 5 December 1972) was a Danish pianist, conductor, composer and musicologist. In addition to his work as a high school teacher in German and Music, he composed several instrumental and choral works, as well as songs. He became increasingly involved in work with amateur choirs and school singing, and he became a very popular choir conductor, who led several choirs to many musical successes, often with his own choir arrangements, based on folk melodies.
The strong folk singing tradition that he experienced in his childhood Sønderjylland under German rule became decisively influential during his later career. In the late 1940s he began collecting sound recordings of folk singing in marginal, rural areas of Jylland, and in the 1960s he continued this work in the isolated Faroe Islands in the North Atlantic. Alongside teaching and collection work, Clausen also began studying the history of Danish and North German folk singing, and put folk singing into a new context, incorporating historical, religious and sociological aspects, as reflected in various articles, as well as a textbook.

Gervais Bernard Gaston Salvayre (24 June 1847 – 17 May 1916) was a French composer and music critic who won the Prix de Rome for composition in 1872.

Willy Andresen (18 October 1921 – 17 June 2016) was a Norwegian jazz pianist.
He was born in Oslo, and was appointed at the Norwegian Broadcasting Corporation from 1959 to 1991.He often backed singer Erik Bye during his performances in Norway and the United States. He was in charge of several of the song recordings by child star Grethe Kausland, and composed the melody of Otto Nielsen's song "Pappa'n til Tove Mette".