Carlo Carrà (Italian: [ˈkarlo karˈra]; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan.
Mario Sironi (May 12, 1885 – August 13, 1961) was an Italian Modernist artist who was active as a painter, sculptor, illustrator, and designer. His typically somber paintings are characterized by massive, immobile forms.
Francesco Paolo Michetti (October 2, 1851 – March 5, 1929) was an Italian painter known especially for his genre works.
Giovanni Carnovali (29 September 1804 – 5 July 1873), known as Il Piccio ('the little one'), was an Italian painter.
Giovanni Domenico Ferretti (Giandomenico), also called Giandomenico d'Imola (15 June 1692 – 18 August 1768), was an Italian Rococo style painter from Florence. According to the contemporary Giovanni Camillo Sagrestani, Ferretti was a pupil of the Bolognese painter Giuseppe Maria Crespi. Others say he worked with painter Giovanni Gioseffo dal Sole.He returned to Florence with a letter of recommendation of Cardinal Gozzadini seeking patronage from Cosimo III de' Medici. He found work in the studio of Tommaso Redi and Sebastiano Galeotti. He travelled to Bologna to work under Felice Torelli and then resettled in Florence in 1715. Ferretti soon joined the Florentine Accademia del Disegno, where he later taught painting but also designed tapestries for the Medici. He found abundant patronage in fresco painting for the Florentine Abbey (Badia Fiorentina), the Chapel of San Giuseppe in the Duomo, and the altar and cupola of the Church of San Salvatore al Vescovo. One of his most important works was the decoration of the ceiling of the Church of Santa Maria del Carmine, since lost in a fire.
Ferretti's fresco style was influenced by Sebastiano Ricci's lively, colourful, and pastel-hued frescoes in the Palazzo Marucelli-Fenzi. Ferretti himself decorated the Palazzo Amati Cellesi in Pistoia, the Palazzo Sansedoni in Siena, and the Villa Flori in Pescia. The frescoes for the cupola of the cathedral of San Zeno in Pistoia are attributed to him.
Alberto Martini (November 24, 1876 – November 8, 1954) was an Italian painter, engraver, illustrator and graphic designer. Critics have described Martini's range of work from "elegant and epic" to "grotesque and macabre" and consider him one of the precursors of Surrealism.
Filippo De Pisis (11 May 1896 – 2 April 1956) was an Italian painter and poet.
Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 1535 – 22 September 1607) was an Italian painter of the late Mannerist Florentine school.
Giuseppe De Nittis (February 25, 1846 – August 21, 1884) was one of the most important Italian painters of the 19th century, whose work merges the styles of Salon art and Impressionism.
Emilio Vedova (9 August 1919 – 25 October 2006) was a modern Italian painter. He is considered one of the most important artists to emerge from Italy's artistic scene, Arte Informale.